Dog Years (novel)
Encyclopedia
Dog Years, published in Germany in 1963 as Hundejahre, is a novel by Günter Grass
Günter Grass
Günter Wilhelm Grass is a Nobel Prize-winning German author, poet, playwright, sculptor and artist.He was born in the Free City of Danzig...

. It is the third and last volume of his Danzig Trilogy
Danzig Trilogy
The Danzig Trilogy is a series of novels and novellas by German author Günter Grass about the interwar and wartime period in the Free City of Danzig .The three books in the trilogy are:...

, the other two being The Tin Drum
The Tin Drum
The Tin Drum is a 1959 novel by Günter Grass. The novel is the first book of Grass's .- Plot summary :The story revolves around the life of Oskar Matzerath, as narrated by himself when confined in a mental hospital during the years 1952-1954...

and Cat and Mouse.

Grass's style frequently parodies Martin Heidegger
Martin Heidegger
Martin Heidegger was a German philosopher known for his existential and phenomenological explorations of the "question of Being."...

's arcane philosophical diction in Being and Time
Being and Time
Being and Time is a book by the German philosopher Martin Heidegger. Although written quickly, and despite the fact that Heidegger never completed the project outlined in the introduction, it remains his most important work and has profoundly influenced 20th-century philosophy, particularly...

, which one of the teenage protagonists likes to poke fun at.
The years from the prewar to the postwar era are presented in Dog Years through the perspective of three different narrators, a team directed by Amsel—alias Brauxel—who makes scarecrows in man's image. The seemingly solid childhood friendship of Amsel and Matem evolves into the love-hate relationship between Jew and non-Jew under the impact of Nazi ideology. When the former friends from the region of the Vistula finally meet again in the West, the ominous führer dog who followed Matem on his odyssey is left behind in Brauxel's subterranean world of scarecrows. While Dog Years, like The Tin Drum, again accounts for the past through the eyes of an artist, the artist is no longer a demonic tin-drummer in the guise of a child but the ingenious maker of a world of objects reflecting the break between the creations of nature and those of men. Referring to Amsel's "keen sense of reality in all its innumerable forms,"
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