Cecil Effinger
Encyclopedia
Cecil Effinger was an American
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...

 composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...

, oboist
Oboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...

, and inventor.

Life

Effinger was born in Colorado Springs, Colorado
Colorado
Colorado is a U.S. state that encompasses much of the Rocky Mountains as well as the northeastern portion of the Colorado Plateau and the western edge of the Great Plains...

, and resided in that state for most of his life. Reversing the usual cliché, he was the son of musicians and teachers, but initially studied mathematics
Mathematics
Mathematics is the study of quantity, space, structure, and change. Mathematicians seek out patterns and formulate new conjectures. Mathematicians resolve the truth or falsity of conjectures by mathematical proofs, which are arguments sufficient to convince other mathematicians of their validity...

 at Colorado College
Colorado College
The Colorado College is a private liberal arts college in Colorado Springs, Colorado, United States, in the foothills of the Rocky Mountains. It was founded in 1874 by Thomas Nelson Haskell...

, receiving a BA in 1935, before deciding to follow in his parents' footsteps (Bono 2008, 6). In the meantime, he had studied harmony
Harmony
In music, harmony is the use of simultaneous pitches , or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the "vertical" aspect of music, as distinguished from melodic...

 and counterpoint
Counterpoint
In music, counterpoint is the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent . It has been most commonly identified in classical music, developing strongly during the Renaissance and in much of the common practice period,...

 with Frederick Boothroyd in 1934–36, and went to Paris in 1939 to study composition with Nadia Boulanger
Nadia Boulanger
Nadia Boulanger was a French composer, conductor and teacher who taught many composers and performers of the 20th century.From a musical family, she achieved early honours as a student at the Paris Conservatoire, but believing that her talent as a composer was inferior to that of her younger...

. He was first oboe in the orchestras of Colorado Springs (1934–41) and Denver (1937–41) and taught at the Colorado College before the Second World War (1936–41). A lifelong friendship with Roy Harris
Roy Harris
Roy Ellsworth Harris , was an American composer. He wrote much music on American subjects, becoming best known for his Symphony No...

 began in 1941 (Worster 2001). During the Second World War he served as conductor of the 506th US Army Band in Fort Logan (Bono 2008, 6). After the war, he resumed his position at the Colorado College from 1946 to 1948, when he was appointed professor of composition at the University of Colorado
University of Colorado at Boulder
The University of Colorado Boulder is a public research university located in Boulder, Colorado...

 in Boulder
Boulder, Colorado
Boulder is the county seat and most populous city of Boulder County and the 11th most populous city in the U.S. state of Colorado. Boulder is located at the base of the foothills of the Rocky Mountains at an elevation of...

. He remained in that position, becoming the head of the composition department until 1981, and was composer-in-residence there until his retirement in 1984 (Worster 2001).

In 1945 in Paris, Effinger conceived the idea of a music typewriter, and by 1947 had developed a rough prototype. In March 1954 he patented his machine as the "Musicwriter", and exhibited his first production model in July 1955, in Denver. It was simple and robust in construction and was a commercial success throughout the world for more than thirty years (Boorman and Selfridge-Field 2001, §5 (iv)). He also invented a device to accurately determine the tempo of music as it is being performed, which he called the Tempowatch (Worster 2001).

Compositions

Effinger was a prolific composer, with 168 works in his catalog, including five numbered symphonies, two Little Symphonies, and five String Quartets. Choral works figure among his most popular compositions, several of which are large scale and based on sacred subjects, including especially Four Pastorales for oboe and chorus (Worster 2001). Effinger never embraced experimentalism, and settled on an idiom he described as "atonal
Atonality
Atonality in its broadest sense describes music that lacks a tonal center, or key. Atonality in this sense usually describes compositions written from about 1908 to the present day where a hierarchy of pitches focusing on a single, central tone is not used, and the notes of the chromatic scale...

 tonality
Tonality
Tonality is a system of music in which specific hierarchical pitch relationships are based on a key "center", or tonic. The term tonalité originated with Alexandre-Étienne Choron and was borrowed by François-Joseph Fétis in 1840...

". He never achieved a national reputation, but was esteemed as a regional composer of high standing (Bono 2008, 6).

Discography

  • "The American Spirit". St. Martin's Chamber Choir, Timothy J. Krueger (cond.); Sue Logan (oboe); Tamara Goldstein (piano). St. Martin's Chamber Choir 4. CD recording. 2007. (Cecil Effinger, "Four Pastorales" for chorus and oboe, and works by Edward MacDowell, Terry Schlenker, Tim Sarsany, Timothy J. Krueger, Randall Thompson, and Jean Berger.)
  • "Andrew Imbrie: Violin Concerto". Carroll Glenn (violin); Columbia Symphony Orchestra, Zoltan Rozsnyai (cond.). Columbia MS 6597. New York: Columbia Records, [n.d.]. (With Cecil Effinger, "Little Symphony" No. 1.)
  • "The Concert Accordion Artistry of Robert Davine". Robert Davine (accordion), Lamont Chamber Players. Crystal 160. CD recording, 1 disc. Crystal Records, 1995. (Cecil Effinger, "Nocturne", with works by Hans Lang, Paul Creston, Ted Zarlengo, Adamo Volpi, Normand Lockwood, John Gart, Carmelo Pino, David Diamond, and Mátyás Seiber.)
  • "Roy Harris: Symphony No. 11". Sinfonia Varsovia, Ian Hobson (cond.). Donald R. Peterson Recording Series 2. Troy 1042. SACD, 1 disc. Albany, NY: Albany Records; Kendal, Cumbria: Albany Records UK, 2008. (With Cecil Effinger, Little Symphony No. 1, op. 31; Morton Gould, Cowboy Rhapsody; Douglas Moore, Symphony No. 2 in A major.)

External Links

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