Amphibrach
Encyclopedia
An amphibrach (ˈæmfibræk) is a metrical foot used in Latin and Greek
Greek language
Greek is an independent branch of the Indo-European family of languages. Native to the southern Balkans, it has the longest documented history of any Indo-European language, spanning 34 centuries of written records. Its writing system has been the Greek alphabet for the majority of its history;...

 prosody. It consists of a long syllable between two short syllables. The word comes from the Greek
Greek language
Greek is an independent branch of the Indo-European family of languages. Native to the southern Balkans, it has the longest documented history of any Indo-European language, spanning 34 centuries of written records. Its writing system has been the Greek alphabet for the majority of its history;...

 αμφίβραχυς, amphíbrakhys, "short on both sides".

In English accentual-syllabic poetry, an amphibrach is a stressed syllable surrounded by two unstressed syllables. It is the main foot used in the construction of the limerick
Limerick (poetry)
A limerick is a kind of a witty, humorous, or nonsense poem, especially one in five-line or meter with a strict rhyme scheme , which is sometimes obscene with humorous intent. The form can be found in England as of the early years of the 18th century...

, as in "There once was / a girl from / Nantucket." It was also used by the Victorians for narrative poetry, e.g. Samuel Woodworth's "The Old Oaken Bucket" beginning "How dear to / my heart are / the scenes of / my childhood." W.H. Auden's "Oh Where Are You Going" is a more recent and slightly less metrically-regular example. The amphibrach is also often used in ballads and light verse, such as the hypermetrical lines of Sir John Betjeman's "Meditation on the A30."

Amphibrachs are a staple meter of Russian poetry. A common variation in an amphibrachic line, in both Russian and English, is to end the line with an iamb, as Thomas Hardy does in "The Ruined Maid": "Oh did n't / you know I'd / been ru in'd / said she".

Some books by Dr. Seuss
Dr. Seuss
Theodor Seuss Geisel was an American writer, poet, and cartoonist most widely known for his children's books written under the pen names Dr. Seuss, Theo LeSieg and, in one case, Rosetta Stone....

 contain many lines written in amphibrachs, such as these from If I Ran the Circus:
All ready / to put up / the tents for / my circus.
I think I / will call it / the Circus / McGurkus.

And NOW comes / an act of / Enormous / Enormance!
No former / performer's / performed this / performance!


Much of Leonard Cohen
Leonard Cohen
Leonard Norman Cohen, is a Canadian singer-songwriter, musician, poet and novelist. Cohen published his first book of poetry in Montreal in 1956 and his first novel in 1963. His work often explores religion, isolation, sexuality and interpersonal relationships...

's song "Famous Blue Raincoat
Famous Blue Raincoat
"Famous Blue Raincoat" is a song by Leonard Cohen. It is the sixth track on his third album, Songs of Love and Hate, released in 1971.-Summary:...

"

is written in amphibrachs - e.g. the first verse (apart from the first foot of the third line, which is a spondee
Spondee
In poetry, a spondee is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables, as determined by stress in modern meters...

):
It's four in / the morning, / the end of / December
I'm writing / you now just / to see if / you're better
New York / is cold, but / I like where / I'm living
There's music / on Clinton / Street all through / the evening.


The individual amphibrachic foot often appears as a variant within, for instance, anapaest
Anapaest
An anapaest is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl...

ic meter.

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