William Hanley
Encyclopedia
William Hanley is an American author, playwright and screenwriter. Among other works, he has written the plays Slow Dance on the Killing Ground, Whisper in my good ear, and Mrs. Dally has a Lover, and the teleplays Who'll Save Our Children?, The Long Way Home, and The Attic: The Hiding of Anne Frank. He received an Edgar Award
Edgar Award
The Edgar Allan Poe Awards , named after Edgar Allan Poe, are presented every year by the Mystery Writers of America...

 for his teleplay for the miniseries
Miniseries
A miniseries , in a serial storytelling medium, is a television show production which tells a story in a limited number of episodes. The exact number is open to interpretation; however, they are usually limited to fewer than a whole season. The term "miniseries" is generally a North American term...

 Nutcracker: Money, Madness & Murder (1987).

Personal life

His relatives include British novelists James Hanley (1897–1985) and Gerald Hanley
Gerald Hanley
Gerald Hanley was a British novelist and travel writer of Irish descent.-Biography:Gerald Hanley born on 7 February 1916, in Liverpool , was the youngest of a large, Irish-Liverpudleian Catholic, family...

 (1916–1992) (both born Liverpool) were brothers of his father, William Hanley. The actress Ellen Hanley was his sister. His parents were William Gerald (a housepainter) and Anne (Rodgers) Hanley.

Plays

  • Whisper into My Good Ear (1962)
  • Mrs. Dally Has a Lover (1962)
  • Conversations in the Dark (1963)
  • Slow Dance on the Killing Ground (1964)
  • Today Is Independence Day (produced as Mrs. Dally) (1965)

Quotes

"The theme of responsibility seems to come and go through everything I've done. I think it will continue to do so, although I hope each play is drastically different from another. When I say responsibility I don't mean just responsibility to other people, but responsibility for one's own acts. I don't think there is anyone who isn't aware of the darkness I'm talking about in "Slow Dance." Most people have a tendency to turn away from it, and that is a negative act when the only constructive thing to do is to face it, and to see that there is the possibility of something better. If, in the final moments of the play, the audience has faced the darkness, and if, at least, the thought is planted that there might be something better, that's all that it's about."

External links

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