Vedham Pudhithu
Encyclopedia
Vedham Pudhithu starring Sathyaraj
and Amala
is a critically acclaimed Tamil
movie, directed by Bharathiraja
. Charuhasan, Saritha
, Raja and 'Nizhalgal' Ravi played supporting roles in the movie. The story and dialogue was written by Kannan.
This is one of the few films that highlights some of the issues caused by the Caste
system. The film's narrative was seamless and starred Sathyaraj
as Balu Thevar. It contains some of Bharathiraja's trademark directorial touches as well as a lot of path breaking scenes, along with Kannan's powerful dialogues.
At this point, Amala's younger brother (named Sankara - a play on Adi Sankaracarya, the founder of the Monistic system of Hindu Vedic Philosophy called Advaita Vedanta), who is devoutly studying the Vedas and passing through the student phase of his Brahmin life, is left an orphan. Being considered inauspicious, since his mother, father, and sister are all dead, no one from the Brahmin community wants to take care of him. He thus wanders the streets begging for food. Balu Thevar is bothered by this, and having lost his own son, he takes him home to raise him as his own son. They give up eating meat, so as not to offend the boy. However, since the boy has been eating in a lower caste home, he is rejected by his community from learning the Vedas. Sarita (the wife) is enraged, and promises to educate the boy instead in an English medium school. Balu Thevar makes fun of the boy telling him that it is not important to learn Vedas and worry about caste. At this point, the boy points out Balu Thevar's hypocrisy, at his preference for using his caste name (Thevar), while at the same time professing against the caste system. Sathyaraj sees the merit in this argument, and immediately after this abandons all his weapons (symbols of his warrior Thevar caste) by immersing them in a river, and stops referring to himself by his caste name, going only by "Balu".
Amala, not knowing of Raja and her own father's death, tells Nizhalgal Ravi about her love, after which he promises to reunite them. There's a beautiful and sad song here where she imagines her happy future. Nizhalgal Ravi comes to the village and finds out what has happened and informs Amala. Amala then sadly returns to her village, and informs Saritha (the wife) to take care of her younger brother for the rest of his life and prepares to leave.
Meanwhile, Janakaraj, a Brahmin who had wanted to marry Amala, but was rebuked pulicly by her, sees Amala return. He riles up the villagers of Amala's return and cites that it's extremely inauspicious for the village, since her last death rites have already been performed. He also states that it is not proper for Brahmins to live in a non-Brahmin house. He then sets some hay on fire and tells the villages it's the god's disapproval of these two crimes. He assembles a parade of villagers towards Balu (Sathyaraj)'s house with weapons, and they demand Balu to kick out Amala from his home. Balu refuses, a fight breaks out, and in the ensuing scuffle, he is stabbed and dies. His final request is for the villagers to live in unity, and not let caste divide them. In the poignant and controversial closing scene, Sankara the young boy, who has now lost two fathers, is seen alone in the twilight hour of the holy Sandhya ritual, removing his Brahminical sacred thread (invested only upon the upper castes) and immersing it in a nearby stream, disgusted with, and in open defiance of the hypocrisies of strict Brahminical casteist beliefs, while performing the last funeral rites of Balu Thevar as though he were his own son.
.
Nominations
Sathyaraj
Sathyaraj is a Tamil film actor and media personality in Chennai, Tamil Nadu, India. A Tamil activist and a political influence, he has acted in over 150 films, ranging from action and drama to comedy. In 2007, he played the role of Periyar E. V. Ramasamy in the Tamil Nadu government-sponsored...
and Amala
Amala
Amala is a given name in India. It may also refer to:* Amala , a South Indian actress* Amala and Kamala, two girls discovered in 1920, who were raised by wolves in India* Amala , a West African meal...
is a critically acclaimed Tamil
Tamil language
Tamil is a Dravidian language spoken predominantly by Tamil people of the Indian subcontinent. It has official status in the Indian state of Tamil Nadu and in the Indian union territory of Pondicherry. Tamil is also an official language of Sri Lanka and Singapore...
movie, directed by Bharathiraja
Bharathiraja
P. Bharathiraja , is a critically acclaimed South Indian filmmaker.He displayed a story-teller's potential from an early age. Bharathiraja is known for his realistic and sensitive portrayal of village-life in his movies....
. Charuhasan, Saritha
Saritha
Saritha is a South Indian actress. She has acted in at least 141 feature films, and was cast in the television serial Selvi in 2005. Her mainstream career spanned from 1979 to 1989, when she took a break to marry Indian actor and producer Mukesh and raise their two sons...
, Raja and 'Nizhalgal' Ravi played supporting roles in the movie. The story and dialogue was written by Kannan.
This is one of the few films that highlights some of the issues caused by the Caste
Caste
Caste is an elaborate and complex social system that combines elements of endogamy, occupation, culture, social class, tribal affiliation and political power. It should not be confused with race or social class, e.g. members of different castes in one society may belong to the same race, as in India...
system. The film's narrative was seamless and starred Sathyaraj
Sathyaraj
Sathyaraj is a Tamil film actor and media personality in Chennai, Tamil Nadu, India. A Tamil activist and a political influence, he has acted in over 150 films, ranging from action and drama to comedy. In 2007, he played the role of Periyar E. V. Ramasamy in the Tamil Nadu government-sponsored...
as Balu Thevar. It contains some of Bharathiraja's trademark directorial touches as well as a lot of path breaking scenes, along with Kannan's powerful dialogues.
Plot
Balu Thevar (Sathyaraj) and Saritha live in a village and belong to a land-owning warrior caste (Thevar), held lower in the Vedic caste system hierarchy than Brahmins. Balu Thevar though, is an atheist and speaks openly against the caste system, but is nevertheless tolerated by the villagers because he is generous in helping others in need. Their son, Raja, has just returned from the city having completed his education. He meets Amala, who is the daughter of a Brahmin Sastri (Priest), and they fall in love. Both of their parents discover their love and Amala's father tries to marry her off to another man in a neighboring village. On the way, Amala fakes her suicide to escape the marriage, and hides in a house (Nizhalgal Ravi's) that she happens to pass by. In the meantime, thinking that Amala is really dead, Amala's father confronts Raja and accuses him of causing her death. During the discussion, they slip and fall into the waterfall and both men die.At this point, Amala's younger brother (named Sankara - a play on Adi Sankaracarya, the founder of the Monistic system of Hindu Vedic Philosophy called Advaita Vedanta), who is devoutly studying the Vedas and passing through the student phase of his Brahmin life, is left an orphan. Being considered inauspicious, since his mother, father, and sister are all dead, no one from the Brahmin community wants to take care of him. He thus wanders the streets begging for food. Balu Thevar is bothered by this, and having lost his own son, he takes him home to raise him as his own son. They give up eating meat, so as not to offend the boy. However, since the boy has been eating in a lower caste home, he is rejected by his community from learning the Vedas. Sarita (the wife) is enraged, and promises to educate the boy instead in an English medium school. Balu Thevar makes fun of the boy telling him that it is not important to learn Vedas and worry about caste. At this point, the boy points out Balu Thevar's hypocrisy, at his preference for using his caste name (Thevar), while at the same time professing against the caste system. Sathyaraj sees the merit in this argument, and immediately after this abandons all his weapons (symbols of his warrior Thevar caste) by immersing them in a river, and stops referring to himself by his caste name, going only by "Balu".
Amala, not knowing of Raja and her own father's death, tells Nizhalgal Ravi about her love, after which he promises to reunite them. There's a beautiful and sad song here where she imagines her happy future. Nizhalgal Ravi comes to the village and finds out what has happened and informs Amala. Amala then sadly returns to her village, and informs Saritha (the wife) to take care of her younger brother for the rest of his life and prepares to leave.
Meanwhile, Janakaraj, a Brahmin who had wanted to marry Amala, but was rebuked pulicly by her, sees Amala return. He riles up the villagers of Amala's return and cites that it's extremely inauspicious for the village, since her last death rites have already been performed. He also states that it is not proper for Brahmins to live in a non-Brahmin house. He then sets some hay on fire and tells the villages it's the god's disapproval of these two crimes. He assembles a parade of villagers towards Balu (Sathyaraj)'s house with weapons, and they demand Balu to kick out Amala from his home. Balu refuses, a fight breaks out, and in the ensuing scuffle, he is stabbed and dies. His final request is for the villagers to live in unity, and not let caste divide them. In the poignant and controversial closing scene, Sankara the young boy, who has now lost two fathers, is seen alone in the twilight hour of the holy Sandhya ritual, removing his Brahminical sacred thread (invested only upon the upper castes) and immersing it in a nearby stream, disgusted with, and in open defiance of the hypocrisies of strict Brahminical casteist beliefs, while performing the last funeral rites of Balu Thevar as though he were his own son.
Music
The film has music composed by Devendran. The songs, including Kannukkul Nooru Nilava, were a hit. It is a common misconception that the music was composed by veteran South Indian composer IlaiyaraajaIlaiyaraaja
Ilaiyaraaja is an Indian film composer, singer, and lyricist mainly in the Tamil film Industry. He is regarded as one of the finest music composers in India. Ilaiyaraaja is also an instrumentalist, conductor, and a songwriter...
.
Awards
Won- The film won the National Film Award for Best Film on Other Social IssuesNational Film Award for Best Film on Other Social IssuesThe National Film Award - Best Film on Other Social Issues winners:...
in 1988. - Filmfare Best Actor Award (Tamil) - Sathyaraj
Nominations
- National Film Award for Best ActorNational Film Award for Best ActorThe National Film Award for Best Actor is an honor presented annually at the National Film Awards of India to an actor who has delivered the best performance in a leading role within the Indian film industry.-Background:The Directorate of Film Festivals makes awards annually in several categories...
- Sathyaraj