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The Killer is a play written by Eugene Ionesco
in 1958. It is the first of Ionesco's Bérenger plays. The others are Rhinocéros
(1959), Exit the King
(1962), and A Stroll in the Air (1963). In The Killer, Bérenger, Ionesco’s downtrodden everyman, discovers an ideal "radiant city". The idea of a “radiant city” or a transcendent other world is a common theme in many of Ionesco’s plays. This relates to a transcendent experience Ionesco had in his childhood, similar to the story told by Berenger in the beginning of the play, in which Ionesco felt like he was lifted off the ground and everything around him became radiant. The elation Berenger feels in the city of light is cut short by the discovery that the city is host to a killer who lures his victims to a drowning pool by offering to show them a "picture of the colonel". This relates to Ionesco’s feeling of disappointment at the end of his transcendent experience. Bérenger leaves the radiant city after Dany, a woman he falls in love with instantly and believes he’s engaged to, is murdered, and he spends much of the play tracking down the killer. At the end of the play, he encounters the killer, a small man, by all appearances Berenger’s physical inferior. In a long climactic speech, similar to the speech at the end of Rhinoceros, Bérenger tries to convince the killer that murdering is wrong, using multiple arguments and justifications -- ranging from sympathy to patriotism to Christianity to nihilism. Eventually he comes to the conclusion that there is no hope and it's useless to try and dissuade the killer. It's unclear whether Bérenger actually dies at the end of the play. He appears in several other plays, and it's unclear whether these occur before or after The Killer. Of course, factual contradiction is one of Ionesco's most common themes, and several other details about Bérenger contradict details in other plays (most glaringly perhaps being Exit the King, in which Bérenger is a dying king).
In an interview with Claude Bonnefoy, Ionesco said of the killer in the "radiant city", "It's the fall, it's original sin, in other words, a slackening of attention, of the strength with which one looks at things; or again in other words, it's losing the faculty of wonderment; oblivion; the paralysis bred by habit." Ionesco goes on to complain about the way critics missed this aspect of the play: "Nobody came close to understanding the play in this way. The critics said that it was not in fact about a radiant city, or rather, that this radiant city was the modern city, industrial and technological ... For me, the 'radiant' city means a city 'shining with light'. Some people also said that this radiant city was not a happy city since a criminal could enter it and flourish in it. That's quite wrong. It was a very happy city that had been entered by a destructive spirit. (The word 'destructive' is more appropriate than 'good' or 'evil' – they're very vague notions.) ”.
Eugène Ionesco
Eugène Ionesco was a Romanian and French playwright and dramatist, and one of the foremost playwrights of the Theatre of the Absurd...
in 1958. It is the first of Ionesco's Bérenger plays. The others are Rhinocéros
Rhinoceros (play)
Rhinoceros is a play by Eugène Ionesco, written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd...
(1959), Exit the King
Le Roi se meurt
Le Roi se meurt is an absurdist drama by Eugene Ionesco that premiered in 1962.-The play:It is the third in Ionesco's "Berenger Cycle", the first two being The Killer and Rhinocéros , and the final one being A Stroll in the Air...
(1962), and A Stroll in the Air (1963). In The Killer, Bérenger, Ionesco’s downtrodden everyman, discovers an ideal "radiant city". The idea of a “radiant city” or a transcendent other world is a common theme in many of Ionesco’s plays. This relates to a transcendent experience Ionesco had in his childhood, similar to the story told by Berenger in the beginning of the play, in which Ionesco felt like he was lifted off the ground and everything around him became radiant. The elation Berenger feels in the city of light is cut short by the discovery that the city is host to a killer who lures his victims to a drowning pool by offering to show them a "picture of the colonel". This relates to Ionesco’s feeling of disappointment at the end of his transcendent experience. Bérenger leaves the radiant city after Dany, a woman he falls in love with instantly and believes he’s engaged to, is murdered, and he spends much of the play tracking down the killer. At the end of the play, he encounters the killer, a small man, by all appearances Berenger’s physical inferior. In a long climactic speech, similar to the speech at the end of Rhinoceros, Bérenger tries to convince the killer that murdering is wrong, using multiple arguments and justifications -- ranging from sympathy to patriotism to Christianity to nihilism. Eventually he comes to the conclusion that there is no hope and it's useless to try and dissuade the killer. It's unclear whether Bérenger actually dies at the end of the play. He appears in several other plays, and it's unclear whether these occur before or after The Killer. Of course, factual contradiction is one of Ionesco's most common themes, and several other details about Bérenger contradict details in other plays (most glaringly perhaps being Exit the King, in which Bérenger is a dying king).
In an interview with Claude Bonnefoy, Ionesco said of the killer in the "radiant city", "It's the fall, it's original sin, in other words, a slackening of attention, of the strength with which one looks at things; or again in other words, it's losing the faculty of wonderment; oblivion; the paralysis bred by habit." Ionesco goes on to complain about the way critics missed this aspect of the play: "Nobody came close to understanding the play in this way. The critics said that it was not in fact about a radiant city, or rather, that this radiant city was the modern city, industrial and technological ... For me, the 'radiant' city means a city 'shining with light'. Some people also said that this radiant city was not a happy city since a criminal could enter it and flourish in it. That's quite wrong. It was a very happy city that had been entered by a destructive spirit. (The word 'destructive' is more appropriate than 'good' or 'evil' – they're very vague notions.) ”.