The Last Resort (song)
Encyclopedia
"The Last Resort" is a song written by Don Henley
and Glenn Frey
, which tells about how man inevitably destroys the places he finds beautiful. It was originally released on the Eagles' album Hotel California
on December 8. 1976. It was subsequently released as the B-side of "Life in the Fast Lane
" single on May 3, 1977.
In a 1978 interview with Rolling Stone
, Henley said: "'The Last Resort', on Hotel California, is still one of my favorite songs... That's because I care more about the environment than about writing songs about drugs or love affairs or excesses of any kind. The gist of the song was that when we find something good, we destroy it by our presence — by the very fact that man is the only animal on earth that is capable of destroying his environment. The environment is the reason I got into politics: to try to do something about what I saw as the complete destruction of most of the resources that we have left. We have mortgaged our future for gain and greed."
Glenn Frey told Redbeard on an episode of In the Studio with Redbeard
(which devoted an entire episode to the making of Hotel California) “I have to give all the credit for "The Last Resort" to (Don) Henley. It was the first time that Don, on his own, took it upon himself to write an epic story. We were very much at that time, concerned about the environment and doing anti-nuclear benefit (concerts). It seemed the perfect way to wrap up all of the different topics we had explored on the Hotel California album. Don found himself as a lyricist with that song, kind of outdid himself...We're constantly screwing up paradise and that was the point of the song and that at some point there is going to be no more new frontiers. I mean we're putting junk, er, garbage into space now. There's enough crap floating around the planet that we can't even use so it just seems to be our way. It's unfortunate but that is sort of what happens".
It is an important and elegiac song, being the last song on the album Hotel California and effectively the last statement by the band and reflects on the end of the American dream
of the frontier. Critic William Ruhlmann said of it that it "sketches a broad, pessimistic history of America that borders on nihilism."
Don Henley
Donald Hugh "Don" Henley is an American singer, songwriter and drummer, best known as a founding member of the Eagles before launching a successful solo career. Henley was the drummer and lead vocalist for the Eagles from 1971–1980, when the band broke up...
and Glenn Frey
Glenn Frey
Glenn Lewis Frey is an American musician, singer, songwriter, and actor, best known as a founding member of the Eagles. Frey formed the Eagles after he met drummer Don Henley in 1970 and the two eventually joined Linda Ronstadt's backup band for her summer tour. The Eagles formed in 1971 and...
, which tells about how man inevitably destroys the places he finds beautiful. It was originally released on the Eagles' album Hotel California
Hotel California
Hotel California is the fifth studio album released by the American rock band the Eagles, in late 1976. It is the first Eagles album without founding member Bernie Leadon and the first album with Joe Walsh. It is also the last album featuring original bass player and singer Randy Meisner...
on December 8. 1976. It was subsequently released as the B-side of "Life in the Fast Lane
Life in the Fast Lane
"Life in the Fast Lane" is a song written by Joe Walsh, Glenn Frey and Don Henley and recorded by the American rock band Eagles on their 1976 studio album Hotel California...
" single on May 3, 1977.
In a 1978 interview with Rolling Stone
Rolling Stone
Rolling Stone is a US-based magazine devoted to music, liberal politics, and popular culture that is published every two weeks. Rolling Stone was founded in San Francisco in 1967 by Jann Wenner and music critic Ralph J...
, Henley said: "'The Last Resort', on Hotel California, is still one of my favorite songs... That's because I care more about the environment than about writing songs about drugs or love affairs or excesses of any kind. The gist of the song was that when we find something good, we destroy it by our presence — by the very fact that man is the only animal on earth that is capable of destroying his environment. The environment is the reason I got into politics: to try to do something about what I saw as the complete destruction of most of the resources that we have left. We have mortgaged our future for gain and greed."
Glenn Frey told Redbeard on an episode of In the Studio with Redbeard
In the Studio with Redbeard
In the Studio with Redbeard is a North American radio program, produced and hosted by Dallas, Texas based rock and roll disc jockey Redbeard....
(which devoted an entire episode to the making of Hotel California) “I have to give all the credit for "The Last Resort" to (Don) Henley. It was the first time that Don, on his own, took it upon himself to write an epic story. We were very much at that time, concerned about the environment and doing anti-nuclear benefit (concerts). It seemed the perfect way to wrap up all of the different topics we had explored on the Hotel California album. Don found himself as a lyricist with that song, kind of outdid himself...We're constantly screwing up paradise and that was the point of the song and that at some point there is going to be no more new frontiers. I mean we're putting junk, er, garbage into space now. There's enough crap floating around the planet that we can't even use so it just seems to be our way. It's unfortunate but that is sort of what happens".
It is an important and elegiac song, being the last song on the album Hotel California and effectively the last statement by the band and reflects on the end of the American dream
American Dream
The American Dream is a national ethos of the United States in which freedom includes a promise of the possibility of prosperity and success. In the definition of the American Dream by James Truslow Adams in 1931, "life should be better and richer and fuller for everyone, with opportunity for each...
of the frontier. Critic William Ruhlmann said of it that it "sketches a broad, pessimistic history of America that borders on nihilism."