The Golden Key (novel)
Encyclopedia
The Golden Key is a 1996 fantasy novel
co-written by author
s Jennifer Roberson
(who penned the story's first act), Melanie Rawn
(author of the book's second section), and Kate Elliott
(who finished the work).
Set in what might loosely be described as an alternative Italy, the novel traces a family of painters who, by nature of their Gifts, can influence events around them. In the Grijalva family, the Gifted males are usually sterile and short-lived; the women, who may be gifted for painting, but not Gifted for the particular type of painting that alters what it portrays, are generally kept within the family to produce children. However, one woman per generation is official mistress to the ruling Duke's Heir, so that the family maintains its influence at Court. The story develops when a particularly Gifted and unscrupulous Grijalva painter finds a way to continue living through successive generations. As the political and social climate changes, including revolutions in neighboring countries and democratic challenges to the ruling Dukes, this increasingly conservative painter seeks to hold onto the past, and especially his first love, whom he has imprisoned in a painting.
Throughout the book, special emphasis is placed on iconography and a set of possibly Arabic/Moorish spells that bend events to the will of the painter. The connection between the ruling Dukes and the Grijalva family is shown to be more far-reaching and subtle than at first appears. The development in painting styles is used as a metaphor for political changes that mirror western European history, especially in France and Italy from 1500 to (say) 1820. The succession of paintings in the ducal gallery (which turns into the national gallery) is the lens through which we see the historical and personal events that make up this well-written, highly believable fantasy history.
Fantasy literature
Fantasy literature is fantasy in written form. Historically speaking, literature has composed the majority of fantasy works. Since the 1950s however, a growing segment of the fantasy genre has taken the form of films, television programs, graphic novels, video games, music, painting, and other...
co-written by author
Author
An author is broadly defined as "the person who originates or gives existence to anything" and that authorship determines responsibility for what is created. Narrowly defined, an author is the originator of any written work.-Legal significance:...
s Jennifer Roberson
Jennifer Roberson
Jennifer Mitchell Roberson is an author of fantasy and historical literature.Roberson has lived in Arizona since 1957. She grew up in Phoenix, but in 1999 relocated to Flagstaff. She obtained a Bachelor of Science in journalism from Northern Arizona University in 1982 as an adult student...
(who penned the story's first act), Melanie Rawn
Melanie Rawn
Melanie Rawn is an author of fantasy literature. She received a BA in history from Scripps College and worked as a teacher and editor before becoming a writer....
(author of the book's second section), and Kate Elliott
Kate Elliott
Kate Elliott is the pen name of American fantasy and science fiction writer Alis A. Rasmussen .-Writing:Although Rasmussen's first novels The Labyrinth Gate and The Highroad failed to become bestsellers, additional publishers liked her manuscripts but wanted a fresh name unconnected with the...
(who finished the work).
Set in what might loosely be described as an alternative Italy, the novel traces a family of painters who, by nature of their Gifts, can influence events around them. In the Grijalva family, the Gifted males are usually sterile and short-lived; the women, who may be gifted for painting, but not Gifted for the particular type of painting that alters what it portrays, are generally kept within the family to produce children. However, one woman per generation is official mistress to the ruling Duke's Heir, so that the family maintains its influence at Court. The story develops when a particularly Gifted and unscrupulous Grijalva painter finds a way to continue living through successive generations. As the political and social climate changes, including revolutions in neighboring countries and democratic challenges to the ruling Dukes, this increasingly conservative painter seeks to hold onto the past, and especially his first love, whom he has imprisoned in a painting.
Throughout the book, special emphasis is placed on iconography and a set of possibly Arabic/Moorish spells that bend events to the will of the painter. The connection between the ruling Dukes and the Grijalva family is shown to be more far-reaching and subtle than at first appears. The development in painting styles is used as a metaphor for political changes that mirror western European history, especially in France and Italy from 1500 to (say) 1820. The succession of paintings in the ducal gallery (which turns into the national gallery) is the lens through which we see the historical and personal events that make up this well-written, highly believable fantasy history.