Sir Galahad (poem)
Encyclopedia
Sir Galahad is a poem written by Alfred Tennyson, 1st Baron Tennyson
Alfred Tennyson, 1st Baron Tennyson
Alfred Tennyson, 1st Baron Tennyson, FRS was Poet Laureate of the United Kingdom during much of Queen Victoria's reign and remains one of the most popular poets in the English language....

 and published in his 1842 collection of poetry. It is one of his many poems that deal with the legend of King Arthur
Matter of Britain
The Matter of Britain is a name given collectively to the body of literature and legendary material associated with Great Britain and its legendary kings, particularly King Arthur...

, and the poem describes Galahad
Galahad
Sir Galahad |Round Table]] and one of the three achievers of the Holy Grail in Arthurian legend. He is the illegitimate son of Lancelot and Elaine of Corbenic, and is renowned for his gallantry and purity. Emerging quite late in the medieval Arthurian tradition, he is perhaps the knightly...

 experiencing a vision of the Holy Grail
Holy Grail
The Holy Grail is a sacred object figuring in literature and certain Christian traditions, most often identified with the dish, plate, or cup used by Jesus at the Last Supper and said to possess miraculous powers...

. The subject of the poem was later included in "The Holy Grail" section of Tennyson's Idylls of the King
Idylls of the King
Idylls of the King, published between 1856 and 1885, is a cycle of twelve narrative poems by the English poet Alfred, Lord Tennyson which retells the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom...

, but the latter version depicts Galahad as a pious individual that is grimly determined to fulfill his destiny. Contrarily, Sir Galahad depicts Galahad as prideful and has almost cheerful undertones.

Background

In 1833, Tennyson's close friend Arthur Hallam died. The death greatly affected both Tennyson and his sister Emily greatly and he kept away from society as he slowly dealt with the pain. By mid-summer 1834, they slowly began to participate together in social events once again. At one occasion, Tennyson, his sister, and his other sister Mary were invited to visit friends at Dorking and then travel onwards to see Hallam family. However, Tennyson set out on his own and spent time alone at Leith Hill, Dorking. It was during this time that he working on a version of Sir Galahad along with an early version of The Blackbird and a version of "The Sleeping Beauty".

The poem was completed in September 1834. It was published in the second volume of Tennyson's 1842 collection of poems, along with other poems discussing the Arthurian legend. These included "Sir Launcelot and Queen Guinevere" and "Morte d'Arthur". The Galahad story was picked up again by Tennyson in the section "The Holy Grail" of Idylls of the King. The later work was first published in 1869.

Poem

The poem begins with a description of Galahad that, in terms of rhythm and rhyme, are almost cheerful even though the language is not:
My good blade carves the casques of men,
My tough lance thrusteth sure,
My strength is as the strength of ten
Because my heart is pure. (lines 1–4)


As the poem continues, Galahad is able to experience a vision that is preceded by a sound:
When down the stormy crescent goes,
A light before me swims,
Between dark stems the forest glows,
I hear a noise of hymns:
Then by some secret shrine I ride;
I hear a voice but none are there; (lines 25–30)


This vision includes three angels with the Holy Grail:
Three angels bear the holy Grail:
With folded feet, in stoles of white,
On sleeping wings they sail.
Ah, blessed vision! blood of God!
My spirit beats her mortal bars,
As down dark tides the glory slides,
And star-like mingles with the stars. (lines 42–48)


Galahad continues by comparing the vision to light clothed in drapery:
A maiden knight-to me is given
Such hope, I know not fear;
I year to breathe the airs of heaven
That often meet me here.
I muse on joy that will not cease,
Pure spaces clothed in living beams,
Pure lilies of eternal peace,
Whose odours haunt my dreams; (lines 61–68)

Themes

Within Tennyson's In Memoriam, Tennyson reveals that the supernatural has to be partly known and partly unknown. In order to incorporate this idea into his poetry, Tennyson relies on a series of different characters that serve as filters to visions of truth. These characters appear in many of Tennyson's poems with the figure of Galahad serving as one who is most capable of understanding the visions. In Galahad's case, his vision is of the Holy Grail, which contains similar images to Tennyson's "The Holy Grail" in Idylls of the King. In "The Holy Grail", Galahad is among Bors and Lancelot in receiving visions. Of the three, Galahad is the one that best understands his abilities and his sins, and his strength allows him to complete his quest.

In terms of differences between "Sir Galahad" and "The Holy Grail", "Sir Galahad" depicts Galahad as prideful in regards to his abilities and to his purity whereas "The Holy Grail" emphasizes that Galahad is both pious and grimly determined. Furthermore, "Sir Galahad" contains an almost cheerful rhythm whereas "The Holy Grail" is melancholic. "The Holy Grail" incorporates the context of King Arthur begging for his knights not to quest because Arthur knows that most of the knights will not return. As such, the quest marks the end of the Round Table. In the end, only Galahad is capable of completing the Grail Quest while many of the knights are killed.

As with "The Lady of Shalott", "Morte d'Arthur", and other poems, Tennyson incorporates technical aspects of "Sir Galahad" into Idylls of the King. The aspects that are drawn from "Sir Galahad" are the same as those taken from "Morte d'Arthur": the use of ritual. This addition allows Tennyson to create a long poem that relies on a variety of styles while containing artistic value. However, Idylls of the King varies in terms of meter and tone from "Sir Galahad", as the former is blank verse and the latter is a mixture of iambic tetrameter and iambic trimeter.
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