Seattle Civic Symphony Orchestra
Encyclopedia
Seattle Civic Symphony Orchestra was an amateur and, for one season, a professional orchestra which held its first concert on April 24, 1921, and held its last concert on May 4, 1924. It was founded and directed by Mary Davenport Engberg
.
Mary Davenport Engberg
intended the orchestra to be a vehicle for "the schooling of instrumentalists in orchestral routine" for "developing orchestra players for the Seattle Symphony Orchestra from the ranks of local students" and modeled on the relationship of the Civic Orchestra of Chicago to the Chicago Symphony Orchestra
as a training orchestra for the Seattle Symphony Orchestra. The Seattle Civic Symphony Orchestra made its debut two months after the professional Seattle Symphony Orchestra's final concert of the 1920-21 season on February 15, 1921. The Seattle Symphony Orchestra subsequently suffered financial problems. Over five months after the Seattle Civic Symphony Orchestra's first concert, the Seattle Symphony board announced that the Seattle Symphony's 1921-2 season was cancelled. The Seattle Civic Symphony Orchestra continued as a separate artistic venue, and its personnel contained no players belonging to the Seattle Symphony Orchestra. Unlike the professional Seattle Symphony Orchestra, the personnel of the Seattle Civic Symphony Orchestra received no compensation.
After three successful seasons, Mary Davenport Engberg
announced her intention to transform the Seattle Civic Symphony Orchestra into a union orchestra in which the players were compensated. Compensation was apparently $8.00 per session. The orchestra thereafter boasted "21 musicians who played formerly in the Seattle Symphony Orchestra during its existence" out of a total of 62. Despite such a large representation of players, this statement implies that the Seattle Symphony Orchestra was still defunct. The Seattle Civic Symphony Orchestra was nevertheless able to attract violinist Efrem Zimbalist, Sr. to solo with the orchestra for its concert on November 25, 1923, and pianist Ossip Gabrilowitsch
for its concert on May 4, 1924, both at the Metropolitan Theater. Despite these artistic successes, the May 4, 1924 concert marked the final appearance of the Seattle Civic Symphony Orchestra, apparently due to financial problems. The Seattle Symphony Orchestra was revived in 1926 under the direction of Karl Krueger after a five-year hiatus.
Despite subsequent embellishments that Mary Davenport Engberg
was the Seattle Symphony Orchestra's first female conductor, she in fact was never the director of the Seattle Symphony Orchestra.
Mary Davenport Engberg
Mary Davenport Engberg, also referred to as Mary Davenport-Engberg and Madame Davenport-Engberg was an American violinist, composer and conductor....
.
Mary Davenport Engberg
Mary Davenport Engberg
Mary Davenport Engberg, also referred to as Mary Davenport-Engberg and Madame Davenport-Engberg was an American violinist, composer and conductor....
intended the orchestra to be a vehicle for "the schooling of instrumentalists in orchestral routine" for "developing orchestra players for the Seattle Symphony Orchestra from the ranks of local students" and modeled on the relationship of the Civic Orchestra of Chicago to the Chicago Symphony Orchestra
Chicago Symphony Orchestra
The Chicago Symphony Orchestra is an American orchestra based in Chicago, Illinois. It is one of the five American orchestras commonly referred to as the "Big Five". Founded in 1891, the Symphony makes its home at Orchestra Hall in Chicago and plays a summer season at the Ravinia Festival...
as a training orchestra for the Seattle Symphony Orchestra. The Seattle Civic Symphony Orchestra made its debut two months after the professional Seattle Symphony Orchestra's final concert of the 1920-21 season on February 15, 1921. The Seattle Symphony Orchestra subsequently suffered financial problems. Over five months after the Seattle Civic Symphony Orchestra's first concert, the Seattle Symphony board announced that the Seattle Symphony's 1921-2 season was cancelled. The Seattle Civic Symphony Orchestra continued as a separate artistic venue, and its personnel contained no players belonging to the Seattle Symphony Orchestra. Unlike the professional Seattle Symphony Orchestra, the personnel of the Seattle Civic Symphony Orchestra received no compensation.
After three successful seasons, Mary Davenport Engberg
Mary Davenport Engberg
Mary Davenport Engberg, also referred to as Mary Davenport-Engberg and Madame Davenport-Engberg was an American violinist, composer and conductor....
announced her intention to transform the Seattle Civic Symphony Orchestra into a union orchestra in which the players were compensated. Compensation was apparently $8.00 per session. The orchestra thereafter boasted "21 musicians who played formerly in the Seattle Symphony Orchestra during its existence" out of a total of 62. Despite such a large representation of players, this statement implies that the Seattle Symphony Orchestra was still defunct. The Seattle Civic Symphony Orchestra was nevertheless able to attract violinist Efrem Zimbalist, Sr. to solo with the orchestra for its concert on November 25, 1923, and pianist Ossip Gabrilowitsch
Ossip Gabrilowitsch
Ossip Gabrilowitsch was a Russian-born American pianist, conductor and composer.- Biography :...
for its concert on May 4, 1924, both at the Metropolitan Theater. Despite these artistic successes, the May 4, 1924 concert marked the final appearance of the Seattle Civic Symphony Orchestra, apparently due to financial problems. The Seattle Symphony Orchestra was revived in 1926 under the direction of Karl Krueger after a five-year hiatus.
Despite subsequent embellishments that Mary Davenport Engberg
Mary Davenport Engberg
Mary Davenport Engberg, also referred to as Mary Davenport-Engberg and Madame Davenport-Engberg was an American violinist, composer and conductor....
was the Seattle Symphony Orchestra's first female conductor, she in fact was never the director of the Seattle Symphony Orchestra.