Persian Psalms
Encyclopedia
Zabur-i-Ajam is a philosophical poetry book, written in Persian
Persian language
Persian is an Iranian language within the Indo-Iranian branch of the Indo-European languages. It is primarily spoken in Iran, Afghanistan, Tajikistan and countries which historically came under Persian influence...

, of Allama Iqbal, the great poet-philosopher of the Indian subcontinent
Indian subcontinent
The Indian subcontinent, also Indian Subcontinent, Indo-Pak Subcontinent or South Asian Subcontinent is a region of the Asian continent on the Indian tectonic plate from the Hindu Kush or Hindu Koh, Himalayas and including the Kuen Lun and Karakoram ranges, forming a land mass which extends...

. It was published in 1927
1927 in poetry
Nationality words link to articles with information on the nation's poetry or literature .-Events:* T. S. Eliot enters the Church of England and assumes British citizenship-Canada:...

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Introduction

Zabur-i Ajam includes the Mathnavi Gulshan-i Raz-i Jadid and Bandagi Nama. There are four sections. The first two are sequences of ghazals in the classical form and the other two are single long poems. Iqbal forcefully expresses his inner convictions and urges the reader to advance himself to achieve progress and prosperity by discovering and strengthening the self.

The first of the two longer poems is the Gulshan-i Raz-i Jadid (New Garden of Mysteries). It alludes to the Gulshan-i Raz, the treatise on Sufism written in Persian verse by Sa'd ad-Din Mahmud Shabistari. Here Iqbal poses and answers nine questions on philosophical problems such as the nature of discursive thought, of the self, and of the relation between the eternal and the temporal.

The subject of the second poem, the Bandagi Nama (Book of Slavery) is the loss of freedom, particularly spiritual freedom, of an individual or society, and its consequent evils. It is divided into several sections and touches on the music and other arts of enslaved people, their religious tenets and the art of reconstructing free men.

In Zabur-i Ajam, Iqbal's Persian ghazal is at its best as his Urdu ghazal is in Bal-i Jibril. Here as in other books, Iqbal insists on remembering the past, doing well in the present and preparing for the future. His lesson is that one should be dynamic, full of zest for action and full of love and life. Implicitly, he proves that there is no form of poetry which can equal the ghazal in vigour and liveliness.

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