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Manic Street Preachers
  • James Dean Bradfield
    James Dean Bradfield
    James Dean Bradfield is the lead guitarist and vocalist for the Welsh rock band Manic Street Preachers.- Early life :...

     – lead vocals, guitar
  • Sean Moore
    Sean Moore (musician)
    Sean Anthony Moore is the writer, drummer/percussionist and sometime trumpet player of the Welsh rock band Manic Street Preachers.-Early years:...

     – drums, drum programming
  • Nicky Wire
    Nicky Wire
    Nicholas Allen Jones, known as Nicky Wire, is the lyricist, bassist and occasional vocalist with the Welsh rock band Manic Street Preachers.-Early life:...

     – bass

Additional personnel
  • Patrick Jones
    Patrick Jones
    Patrick Jones is a Welsh poet, playwright and filmmaker. His work is often in collaboration with the rock band Manic Street Preachers; his brother, Nicky Wire, is their bassist.-Biography:...

     - additional lyrics on "Fragments"
  • Nick Nasmyth - keyboards
  • Jeremy Shaw - keyboards
  • Greg Haver - percussion


  • All tracks produced by Greg Haver, except "Solitude Sometimes Is," "Cardiff Afterlife," and "Emily" produced by Tony Visconti
    Tony Visconti
    Anthony Edward Visconti is an American record producer and sometimes a musician or singer.Since the late 1960s, he has worked with an array of performers; his lengthiest involvement with any artist is with David Bowie: intermittently from Bowie's 1969 album Space Oddity to 2003's Reality, Visconti...

  • Additional production on "1985," "The Love of Richard Nixon
    The Love of Richard Nixon
    "The Love of Richard Nixon" was the first single to be released from the Manic Street Preachers' seventh studio album Lifeblood. The song is according to the band: 'a soundtrack to disillusion, hatred, love and never giving up'...

    ," "Solitude Sometimes Is," "Cardiff Afterlife," and "Emily" by Tom Elmhirst
    Tom Elmhirst
    Tom Elmhirst is a British specialist music producer and mix engineer. He began his career at SARM studios in the early 90s at a time when digital audio was already becoming mainstream. Elmhirst’s experiences at SARM and with Trevor Horn have clearly influenced his current working methods...