La scuola de' gelosi is a dramma giocoso

Dramma giocoso

Dramma giocoso is the name of a genre of opera common in the mid-18th century. The term is a contraction of "dramma giocoso per musica" and is essentially a description of the text rather than the opera as a whole...

in two acts by Antonio Salieri

Antonio Salieri

Antonio Salieri was a Venetian classical composer, conductor and teacher born in Legnago, south of Verona, in the Republic of Venice, but who spent his adult life and career as a faithful subject of the Habsburg monarchy....

, set to a libretto

Libretto

A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Caterino Mazzolà.

Performance history

It was first performed at the Teatro S Moisè in Venice

Venice

Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...

 on 27 December 1778. In 1783 it was given in Vienna

Vienna

Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...

, with a cast including Francesco Benucci as Blasio and Nancy Storace

Nancy Storace

Nancy Storace , , was an English operatic soprano...

 as the countess, the original Figaro and Susanna in Mozart's The Marriage of Figaro

The Marriage of Figaro

Le nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...

. It reached London in 1786, where, as in many other European cities, it enjoyed great success.

Roles

Cast	Voice type	Premiere, 27 December 1778 (Conductor: - )
Count Bandiera	tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
Countess Bandiera	soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
Blasio, a grain dealer	bass
Ernestina, his wife	soprano
Lumaca, Blasio's servant	bass
Carlotta, a chambermaid	soprano
The Lieutenant, Blasio's cousin and a friend of the count	tenor

Synopsis

The plot of the opera

Opera

Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 involves love intrigues, attempted seductions and provocations to jealousy between members of the three different social strata: the aristocracy, the bourgeoisie and the working class. The role of the Lieutenant is a close parallel to that of Don Alfonso in Mozart's Così fan tutte

Così fan tutte

Così fan tutte, ossia La scuola degli amanti K. 588, is an opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte....

.