La France (film)
Encyclopedia
La France is a French film directed by Serge Bozon, released in 2007. It stars Sylvie Testud
and Pascal Greggory
. The film won the Prix Jean Vigo
in 2007.
), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot.
Tim Palmer argues that the film is an example of recent French pop-art cinema, in which mainstream or conventional materials (here, the war film, which Bozon described in interview as the last remaining classical genre in France today) are intermingled and hybridized with intellectual or esoteric designs (such as in Bozon's approach elements of the musical, stylized or watered-down Brechtian alienation devices, deliberate fissures in the logic of the film).
Sylvie Testud
Sylvie Testud is a French actress, writer and director. Her film career began in 1991. She was later highly acclaimed, and has twice won César Awards.-Biography:...
and Pascal Greggory
Pascal Greggory
-Filmography:* Les Soeurs Brontë by André Téchiné* Catherine de Heilbronn by Éric Rohmer* Pauline à la plage by Éric Rohmer* Le trio en si bémol by Éric Rohmer...
. The film won the Prix Jean Vigo
Prix Jean Vigo
The Prix Jean Vigo is an award in the Cinema of France given annually since 1951 to a French film director in homage to Jean Vigo. It was founded by French writer Claude...
in 2007.
Synopsis
During the First World War, Camille (Sylvie TestudSylvie Testud
Sylvie Testud is a French actress, writer and director. Her film career began in 1991. She was later highly acclaimed, and has twice won César Awards.-Biography:...
), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot.
Tim Palmer argues that the film is an example of recent French pop-art cinema, in which mainstream or conventional materials (here, the war film, which Bozon described in interview as the last remaining classical genre in France today) are intermingled and hybridized with intellectual or esoteric designs (such as in Bozon's approach elements of the musical, stylized or watered-down Brechtian alienation devices, deliberate fissures in the logic of the film).