Garden of the Arcane Delights
Encyclopedia
Garden of the Arcane Delights (1984) was released by the group Dead Can Dance
Dead Can Dance
Dead Can Dance are an ethereal neoclassical duo formed in Melbourne, Australia, in August 1981, by Lisa Gerrard and Brendan Perry. The band relocated to London in May 1982 and disbanded in 1998. Their 1996 album Spiritchaser reached No. 1 on the Billboard Top World Music Albums Chart...

 on 4AD
4AD
4AD is a British independent record label that was started in 1979 by Ivo Watts-Russell and Peter Kent, funded by Beggars Banquet Records, and is still active today...

. This was the only EP
Extended play
An EP is a musical recording which contains more music than a single, but is too short to qualify as a full album or LP. The term EP originally referred only to specific types of vinyl records other than 78 rpm standard play records and LP records, but it is now applied to mid-length Compact...

 release by Dead Can Dance and it was originally released as a 12" record
Gramophone record
A gramophone record, commonly known as a phonograph record , vinyl record , or colloquially, a record, is an analog sound storage medium consisting of a flat disc with an inscribed, modulated spiral groove...

. Later, the four songs were added to Dead Can Dance's self titled debut album
Dead Can Dance (album)
Dead Can Dance is the debut album recorded by Dead Can Dance in 1984. This album differs greatly from later Dead Can Dance releases. The instrumentation consisted of guitars, bass and drums with added percussion and the very distinct sound of the Yang Chin as played by Lisa Gerrard. This album has...

 when it was re-released on CD.

The cover art is a sketch done by Brendan Perry
Brendan Perry
Brendan Michael Perry is a singer and multi-instrumentalist best known for his work as the male half of the duo Dead Can Dance with Lisa Gerrard.-Early life:...

and represents the themes of the song "The Arcane". As Perry explains:
…The naked blindfolded figure, representing primal man deprived of perception, stands, within the confines of a garden (the world) containing a fountain and trees laden with fruit. His right arm stretches out - the grasping for knowledge - towards a fruit bearing tree, its trunk encircled by a snake. In the garden wall - the wall between freedom and confinement - are two gateways: the dualistic notion of choice. It is a Blakean universe in which mankind can only redeem itself, can only rid itself of blindness, through the correct interpretation of signs and events that permeate the fabric of nature's laws.

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