Fu Style Baguazhang
Encyclopedia
Fu Style Baguazhang is a style of baguazhang
, a chinese martial art.
) began learning Chen-style taijiquan at age 16 from the famous Chen Family master, Chen Yan Xi.
Three years later, Fu began learning baguazhang from Jia Qi Shan (also known as Jia Feng Ming). Fu was one of the first to learn these arts, as the Chen Family had only started teaching their art to outsiders a few decades earlier; Dong Hai Chuan had only revealed baguazhang a few decades earlier, and only took on a handful of students, one of them being Jia Qi Shan. Although Fu did not receive the formal schooling of his urban countrymen, Fu was very bright, learned
the two arts well, and practiced very hard.
At the age of 26, Fu had become very famous for single-handedly defeating a large mob of bandits, a story that appears in a number of versions.
Fu traveled to Beijing where he met the other great bagua masters of that period. He learned from them and exchanged information about the art. In 1928, three military generals organized the first nation-wide martial arts competition in Nanjing. Fu Zhen Song was one of the five judges of the competition. When the generals wanted to test the true skill of the top winner, a young man by the name of Wang, all the judges "nominated" Fu to do the "testing." Fu had no choice but to respect the commands of his seniors and fought with the winner, Wang. According to those present, the battle went on for a long time, and at the end, Fu hit Wang off the stage with one single blow. This was to be one of the three high-profile battles Fu was famous for, the other two being the fight with Li Shu-Wen, an older and established master of BaJi, and with a large group of Muslims who practiced Cha Quan back in Fu's home village.
During this time, Fu met, befriended and exchanged information with the top bagua masters of China. He became close friends with Sun Lu-t'ang
, and taught him the baguazhang "mud-walking step." Fu studied Yang-style taiji from Yang Cheng Fu, and one day beat him in a match of "push hands." Yang said, "You only won because you switched to BaGua." Fu also studied swordsmanship with Li Jing Lin .
Fu Zhen Song and four other winners of the competition were invited to the south to teach their arts. Because of this historic event, they were called, "The Five Northern Tigers." These five men were constantly challenged by martial artists in the south, as the southern martial artists were very proud of their arts and refuted the arts of the north. Fu Zhen Song never lost a fight or a challenge.
Fu Zhen Song moved to Guangzhao in the Guangdong Province, and headed a school there. By this time, Fu had synthesized his own system by learning various family styles of taiji; the differing styles of baguazhang; the Wudang Sword from Sung Wei Yi (likely learned from Li Jing Lin, though Fu did study under Song for a time); xingyiquan
and bajiquan
; by emphasizing the most important principles and techniques from each, and by eliminating all of the parts he thought were not valuable or of no substance. Fu's style of bagua would include such methods as the yang and yin palm changes, the famous Dragon bagua, the si xiang form, the liang yi synthesis of bagua and taiji and his own version of taiji. Many of the names used were likely inspired by the I Ching
, and the forms and progressions inspired by both that work and by the martial philosophies of Sun Lu Tang.
martial artists arrived in GuangDong, the Da Gong Newspaper had an extensive article about the background of Fu and proclaimed that Fu was
at that time the "true inheriter" of the BaGua tradition as handed down by Dong HaiQuan and
Cheng TingHua. Fu understood the
massive gap between Tai Chi Chuan and BaGua Zhang; thus, he created
an elegant solution for that gap. Fu created
a martial arts form he called, "Liang-Yi Chuan," or Harmonized Opposites
Boxing. This form would be a vital key to the Fu Style system of learning
BaGua Zhang, as it is a precursory set of movements and skills required
to move from Tai Chi Chuan to BaGua Zhang.
In other words, if one wishes to learn Fu Style BaGua Zhang, he or she must
learn Fu Style Tai Chi Chuan very well; then learn Fu Style Liang-Yi Chuan
very well in order to advance to the highest levels where he or she can
learn Fu Style BaGua Zhang. Many will refute this hierarchy of learning,
however, this is the true system of learning Fu Style Wudang Chuan
(which is the globally encompassing name for the Fu Style system of
Tai Chi Chuan, Liang-Yi Chuan, BaGua Zhang, Hsing-Yi Chuan, BaJi Chuan, weapons,
applications, and total mastery of "chi," health and wellness).
Fu Style is characterized by a large number of spinning movements and point strikes. This fighting style can also be used to damage internal organs with precise striking methods.
Victor Fu has somewhat truncated the style because he feels there is
not enough time to learn the entirety of the Fu Style system, and it is more
important to develop health and wellness, rather than "hands that can
chop a table in two." However, with the incorporated conditioning exercises, 2-person routines and the practice of the Bagua Push Hands form, the martial aspects remain intact. Another branch of the style was established by Fu Zhen Song's student Lin Chao Zhen, who likewise modified the teaching methodology.
Baguazhang
Bāguàzhǎng is one of the three main Chinese martial arts of the Wudang school, the other two being Taijiquan and Xingyiquan. It is more broadly grouped as an internal practice...
, a chinese martial art.
History
Fu Zhen Song (name also translated as Fu Chen SungFu Chen Sung
Fu Chen Sung , or Fu Qiankun was a grandmaster of Wudangquan martial arts. He was best known as one of the famed "Five Northern Tigers," and a third-generation master of Baguazhang who founded Fu Style Baguazhang...
) began learning Chen-style taijiquan at age 16 from the famous Chen Family master, Chen Yan Xi.
Three years later, Fu began learning baguazhang from Jia Qi Shan (also known as Jia Feng Ming). Fu was one of the first to learn these arts, as the Chen Family had only started teaching their art to outsiders a few decades earlier; Dong Hai Chuan had only revealed baguazhang a few decades earlier, and only took on a handful of students, one of them being Jia Qi Shan. Although Fu did not receive the formal schooling of his urban countrymen, Fu was very bright, learned
the two arts well, and practiced very hard.
At the age of 26, Fu had become very famous for single-handedly defeating a large mob of bandits, a story that appears in a number of versions.
Fu traveled to Beijing where he met the other great bagua masters of that period. He learned from them and exchanged information about the art. In 1928, three military generals organized the first nation-wide martial arts competition in Nanjing. Fu Zhen Song was one of the five judges of the competition. When the generals wanted to test the true skill of the top winner, a young man by the name of Wang, all the judges "nominated" Fu to do the "testing." Fu had no choice but to respect the commands of his seniors and fought with the winner, Wang. According to those present, the battle went on for a long time, and at the end, Fu hit Wang off the stage with one single blow. This was to be one of the three high-profile battles Fu was famous for, the other two being the fight with Li Shu-Wen, an older and established master of BaJi, and with a large group of Muslims who practiced Cha Quan back in Fu's home village.
During this time, Fu met, befriended and exchanged information with the top bagua masters of China. He became close friends with Sun Lu-t'ang
Sun Lu-t'ang
Sun Lu-t'ang was a renowned master of Chinese Neijia martial arts and was the progenitor of the syncretic art of Sun-style tai chi chuan...
, and taught him the baguazhang "mud-walking step." Fu studied Yang-style taiji from Yang Cheng Fu, and one day beat him in a match of "push hands." Yang said, "You only won because you switched to BaGua." Fu also studied swordsmanship with Li Jing Lin .
Fu Zhen Song and four other winners of the competition were invited to the south to teach their arts. Because of this historic event, they were called, "The Five Northern Tigers." These five men were constantly challenged by martial artists in the south, as the southern martial artists were very proud of their arts and refuted the arts of the north. Fu Zhen Song never lost a fight or a challenge.
Fu Zhen Song moved to Guangzhao in the Guangdong Province, and headed a school there. By this time, Fu had synthesized his own system by learning various family styles of taiji; the differing styles of baguazhang; the Wudang Sword from Sung Wei Yi (likely learned from Li Jing Lin, though Fu did study under Song for a time); xingyiquan
Xingyiquan
Xingyiquan is one of the major "internal" or Wudang styles of Chinese martial arts. The word translates approximately to "Form/Intention Boxing", or "Shape/Will Boxing", and is characterized by aggressive, seemingly linear movements and explosive power...
and bajiquan
Bajíquán
Bājíquán is a Chinese martial art that features explosive, short-range power and is famous for its elbow strikes. It originated in Hebei Province in Northern China, but is also well-known in other places today, especially Taiwan...
; by emphasizing the most important principles and techniques from each, and by eliminating all of the parts he thought were not valuable or of no substance. Fu's style of bagua would include such methods as the yang and yin palm changes, the famous Dragon bagua, the si xiang form, the liang yi synthesis of bagua and taiji and his own version of taiji. Many of the names used were likely inspired by the I Ching
I Ching
The I Ching or "Yì Jīng" , also known as the Classic of Changes, Book of Changes and Zhouyi, is one of the oldest of the Chinese classic texts...
, and the forms and progressions inspired by both that work and by the martial philosophies of Sun Lu Tang.
Learning Progression
When Fu and the other 4 invitedmartial artists arrived in GuangDong, the Da Gong Newspaper had an extensive article about the background of Fu and proclaimed that Fu was
at that time the "true inheriter" of the BaGua tradition as handed down by Dong HaiQuan and
Cheng TingHua. Fu understood the
massive gap between Tai Chi Chuan and BaGua Zhang; thus, he created
an elegant solution for that gap. Fu created
a martial arts form he called, "Liang-Yi Chuan," or Harmonized Opposites
Boxing. This form would be a vital key to the Fu Style system of learning
BaGua Zhang, as it is a precursory set of movements and skills required
to move from Tai Chi Chuan to BaGua Zhang.
In other words, if one wishes to learn Fu Style BaGua Zhang, he or she must
learn Fu Style Tai Chi Chuan very well; then learn Fu Style Liang-Yi Chuan
very well in order to advance to the highest levels where he or she can
learn Fu Style BaGua Zhang. Many will refute this hierarchy of learning,
however, this is the true system of learning Fu Style Wudang Chuan
(which is the globally encompassing name for the Fu Style system of
Tai Chi Chuan, Liang-Yi Chuan, BaGua Zhang, Hsing-Yi Chuan, BaJi Chuan, weapons,
applications, and total mastery of "chi," health and wellness).
Fu Style is characterized by a large number of spinning movements and point strikes. This fighting style can also be used to damage internal organs with precise striking methods.
Fu Style Present Day
The Fu Style Wudang Chuan was carried on by his son Fu Wing Fay, who also created forms for si-xiang, advanced tai chi and more. Among others, Fu taught Bow Sim Mark. The lineage is now held by his own son Victor Fu Sheng Long in Vancouver, Canada.Victor Fu has somewhat truncated the style because he feels there is
not enough time to learn the entirety of the Fu Style system, and it is more
important to develop health and wellness, rather than "hands that can
chop a table in two." However, with the incorporated conditioning exercises, 2-person routines and the practice of the Bagua Push Hands form, the martial aspects remain intact. Another branch of the style was established by Fu Zhen Song's student Lin Chao Zhen, who likewise modified the teaching methodology.