Frank Hewitt
Encyclopedia
Frank Hewitt was a hard bop
Hard bop
Hard bop is a style of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano...

 jazz pianist. Born in Queens, Hewitt lived most of his life in Harlem
Harlem
Harlem is a neighborhood in the New York City borough of Manhattan, which since the 1920s has been a major African-American residential, cultural and business center. Originally a Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands...

. His mother was a church pianist, and his initial study was classical and gospel music, but switched to jazz after hearing a Charlie Parker
Charlie Parker
Charles Parker, Jr. , famously called Bird or Yardbird, was an American jazz saxophonist and composer....

 record. He took the bop pianists Thelonious Monk
Thelonious Monk
Thelonious Sphere Monk was an American jazz pianist and composer considered "one of the giants of American music". Monk had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including "Epistrophy", "'Round Midnight", "Blue Monk", "Straight, No Chaser"...

, Bud Powell
Bud Powell
Earl Rudolph "Bud" Powell was an American Jazz pianist. Powell has been described as one of "the two most significant pianists of the style of modern jazz that came to be known as bop", the other being his friend and contemporary Thelonious Monk...

 and Elmo Hope
Elmo Hope
St. Elmo Sylvester Hope was an American jazz pianist, performing chiefly in the bop and hard bop genres. His highly individual piano-playing and, especially, his compositions have led a few enthusiasts and critics such as David Rosenthal to place him alongside his contemporaries Bud Powell and...

 as his role models. In the 1950s and 1960s he worked with Howard McGhee
Howard McGhee
Howard McGhee was one of the very first bebop jazz trumpeters, together with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for lightning-fast fingers and very high notes...

, Cecil Payne
Cecil Payne
Cecil Payne was a jazz baritone saxophonist born in Brooklyn, NY. Payne also played the alto saxophone and flute...

, John Coltrane
John Coltrane
John William Coltrane was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz...

, Dinah Washington
Dinah Washington
Dinah Washington, born Ruth Lee Jones , was an American blues, R&B and jazz singer. She has been cited as "the most popular black female recording artist of the '50s", and called "The Queen of the Blues"...

 and Billie Holiday
Billie Holiday
Billie Holiday was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing...

, among others; in 1961 he also participated in the Living Theater's production of Jack Gelber
Jack Gelber
Jack Gelber was an American playwright best known for his 1959 drama The Connection, depicting the life of drug-addicted jazz musicians. The first great success of the Living Theatre, the play was translated into five languages and produced in ten nations...

's The Connection
The Connection (1959 play)
The Connection is a 1959 play by Jack Gelber. It was first produced by the Living Theatre, directed by Living Theatre co-founder Judith Malina, and designed by co-founder Julian Beck...

. He became a regular figure in the circle of the pianist Barry Harris
Barry Harris
Barry Doyle Harris is an American bebop jazz pianist and educator.-Biography:Harris left Detroit for New York City in 1960...

. In the 1990s he became a central figure at New York's Smalls jazz club; aside from playing there several nights a week, he sometimes also ended up using the walk-in refrigerator as a place to bunk when times were rough.

During his lifetime only one track of Hewitt's playing was released, a version of the Kenny Dorham tune "Prince Albert" on the compilation Jazz Underground: Live at Smalls (Impulse, 1998). After his death, however, recordings began to surface on Smalls Records: the trio discs We Loved You, Not Afraid to Live, Fresh from the Cooler, and Out of the Clear Black Sky, and the quintet date Four Hundred Saturdays. His reputation has steadily grown among fans of bebop piano.

External links

The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK