Ferdinand Prévôt
Encyclopedia
Ferdinand Prévôt was an French
opera
tic baritone
. His surname is also found spelt as Prevot or Prévost.
The son of a singer, he appeared in the Paris Opéra chorus in 1818 and as a soloist in 1824 in Grétry
's Anacréon chez Polycrate. He enjoyed a long career creating a number of minor roles in important operas.
also roles in:
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
. His surname is also found spelt as Prevot or Prévost.
The son of a singer, he appeared in the Paris Opéra chorus in 1818 and as a soloist in 1824 in Grétry
André Ernest Modeste Grétry
André Ernest Modeste Grétry was acomposer from the Prince-Bishopric of Liège , who worked from 1767 onwards in France and took French nationality. He is most famous for his opéras comiques....
's Anacréon chez Polycrate. He enjoyed a long career creating a number of minor roles in important operas.
Roles created
- Omar in Le siège de CorintheLe siège de CorintheLe siège de Corinthe is an opera in three acts by Gioachino Rossini to a French libretto by Luigi Balocchi and Alexandre Soumet, based on Maometto II by Cesare della Valle...
by Gioachino Rossini, 9 October 1826 - Mambre/Aufide in the revised version of Mosè in EgittoMosè in EgittoMosè in Egitto is a three-act opera written by Gioachino Rossini to a libretto by Andrea Leone Tottola, which was based on a play by Francesco Ringhieri, L'Osiride, of 1760....
by Gioachino Rossini, 26 March 1827 - Borella in La muette de PorticiLa muette de PorticiLa muette de Portici originally called Masaniello, ou La muette de Portici, is an opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe...
by Daniel AuberDaniel AuberDaniel François Esprit Auber was a French composer.-Biography:The son of a Paris print-seller, Auber was born in Caen in Normandy. Though his father expected him to continue in the print-selling business, he also allowed his son to learn how to play several musical instruments...
, 29 February 1828 - Leuthold in William TellWilliam Tell (opera)Guillaume Tell is an opera in four acts by Gioachino Rossini to a French libretto by Etienne de Jouy and Hippolyte Bis, based on Friedrich Schiller's play Wilhelm Tell. Based on the legend of William Tell, this opera was Rossini's last, even though the composer lived for nearly forty more years...
by Gioachino Rossini, 3 August 1829 - Armfelt in Gustave IIIGustave III (opera)Gustave III, ou Le bal masqué is an opéra historique or grand opera in five acts by Daniel Auber, with a libretto by Eugène Scribe.-Performance history:...
by Daniel AuberDaniel AuberDaniel François Esprit Auber was a French composer.-Biography:The son of a Paris print-seller, Auber was born in Caen in Normandy. Though his father expected him to continue in the print-selling business, he also allowed his son to learn how to play several musical instruments...
, 27 February 1833 - Albert in La JuiveLa JuiveLa Juive is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on February 23, 1835.-Composition history:...
by Fromental HalévyFromental HalévyJacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy , was a French composer. He is known today largely for his opera La Juive.-Early career:...
, 23 February 1835 - Bernardino in Benvenuto CelliniBenvenuto Cellini (opera)Benvenuto Cellini is an opera in two acts with music by Hector Berlioz and libretto by Léon de Wailly and Henri Auguste Barbier. It was the first of Berlioz's operas. The story is loosely based on the memoirs of the Florentine sculptor Benvenuto Cellini. The opera is technically very challenging...
by Hector BerliozHector BerliozHector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...
, 10 September 1838
also roles in:
- Le comte OryLe comte OryLe comte Ory is an opéra written by Gioachino Rossini in 1828. Some of the music originates from his opera Il viaggio a Reims written three years earlier for the coronation of Charles X...
by Gioachino Rossini, 20 August 1828 - Les HuguenotsLes HuguenotsLes Huguenots is a French opera by Giacomo Meyerbeer, one of the most popular and spectacular examples of the style of grand opera. The opera is in five acts and premiered in Paris in 1836. The libretto was written by Eugène Scribe and Émile Deschamps....
by Giacomo MeyerbeerGiacomo MeyerbeerGiacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...
, 29 February 1836
Sources
- Jullien, Adolphe (1888). Hector Berlioz: Sa Vie et ses oeuvres (in French). Paris: Librairie de l'Art. View at Google Books.
- Shulmann, Laurie C (1992), 'Prévôt, Ferdinand' in The New Grove Dictionary of OperaNew Grove Dictionary of OperaThe New Grove Dictionary of Opera is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes....
, ed. Stanley Sadie (London) ISBN 0-333-73432-7