Bashu, the Little Stranger
Encyclopedia
Bashu, the Little Stranger , is a 1986
Iran
ian drama film
directed by Bahram Beizai. The film was produced in 1986, and was released in 1989. This multi-ethnic film was the first Iranian film to make use of the northern dialect of Persian, Gilaki, in a serious context rather than comic relief. (Susan Taslimi
playing the main character is Gilaki herself).
Bashu, the Little Stranger was voted the "Best Iranian Film of all time" in November 1999 by a Persian movie magazine "Picture world" poll of 150 Iranian critics and professionals.
, during the Iran–Iraq War. His parents are killed in a bombing raid on his home village and he escapes on a cargo truck to the north. Eventually he gets off and finds refuge on the farm of a Gilaki woman, Na'i, who has two young children of her own. Initially, Na'i tries to shoo Bashu away, but later takes pity on him and leaves food out for him. Although Na'i is initially ambivalent toward Bashu, and he is initially suspicious of her, they come to trust one another, and Bashu becomes a member of the family, even calling Na'i "mom". Being that Bashu speaks Arabic, while Na'i and her children speak Gilaki
, they have trouble communicating with each other, although Bashu is able to speak and read Persian (for example in the scene where he picks up the school text book, reading a passage from it in an attempt to appease the children fighting). In a gesture of reciprocation and perhaps love, Bashu cares for Na'i when she falls ill, as she had done for him, crying for her and beating a drum in prayer.
Throughout the film, Na'i maintains correspondence with her husband, a war veteran looking for employment, who has been gone for quite some time. She tells him about Bashu, and implores him to return home in time to help with the harvest. Bashu becomes Na'i's helper on the farm, and even accompanies her to the bazaar
to sell her goods. Throughout the film, Bashu sees visions of his dead family members, which cause him to wander off. Ultimately, however, he and Na'i are always reunited.
The other adults in the village harangue Na'i about taking Bashu in, often deriding his dark skin and different language, and making comments about washing the dark off of his skin. In addition to the village adults, the school age children taunt and beat Bashu, although the children prove ultimately to be more willing to accept Bashu than the adults. In one scene in which he is being taunted, Bashu picks up a school book and reads aloud a passage stating, "We are all the children of Iran." Before this point, the children had assumed Bashu to be either mute or stupid.
In the end, Na'i's husband returns home with no money and missing an arm, having been forced to take on dangerous work that is never identified. He and Na'i argue over her having kept Bashu against his wishes. Bashu comes to her defense, challenging the strange man to identify himself. Na'i's husband tells Bashu that he is his father, and upon this realization, they embrace as though they were always a part of the same family. The film ends with the entire family, including children, running into the farm field, making loud noises together to scare away a troublesome boar.
1986 in film
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Iran
Iran
Iran , officially the Islamic Republic of Iran , is a country in Southern and Western Asia. The name "Iran" has been in use natively since the Sassanian era and came into use internationally in 1935, before which the country was known to the Western world as Persia...
ian drama film
Drama film
A drama film is a film genre that depends mostly on in-depth development of realistic characters dealing with emotional themes. Dramatic themes such as alcoholism, drug addiction, infidelity, moral dilemmas, racial prejudice, religious intolerance, poverty, class divisions, violence against women...
directed by Bahram Beizai. The film was produced in 1986, and was released in 1989. This multi-ethnic film was the first Iranian film to make use of the northern dialect of Persian, Gilaki, in a serious context rather than comic relief. (Susan Taslimi
Susan Taslimi
Susan Taslimi is an Iranian actress, film director, theatre director, and screenwriter. She emigrated from Iran in 1989, now living and working in Sweden.-Biography:...
playing the main character is Gilaki herself).
Bashu, the Little Stranger was voted the "Best Iranian Film of all time" in November 1999 by a Persian movie magazine "Picture world" poll of 150 Iranian critics and professionals.
Plot
The film is about a young boy from Khuzestan province, in the south of IranIran
Iran , officially the Islamic Republic of Iran , is a country in Southern and Western Asia. The name "Iran" has been in use natively since the Sassanian era and came into use internationally in 1935, before which the country was known to the Western world as Persia...
, during the Iran–Iraq War. His parents are killed in a bombing raid on his home village and he escapes on a cargo truck to the north. Eventually he gets off and finds refuge on the farm of a Gilaki woman, Na'i, who has two young children of her own. Initially, Na'i tries to shoo Bashu away, but later takes pity on him and leaves food out for him. Although Na'i is initially ambivalent toward Bashu, and he is initially suspicious of her, they come to trust one another, and Bashu becomes a member of the family, even calling Na'i "mom". Being that Bashu speaks Arabic, while Na'i and her children speak Gilaki
Gilaki language
The Gilaki language is a Caspian language, and a member of the northwestern Iranian language branch, spoken in Iran's Gīlān Province.The language is divided into three dialects: Western Gilaki, Eastern Gilaki, and Galeshi . Furthermore, the Gilaki language is closely related to Mazanderani, and the...
, they have trouble communicating with each other, although Bashu is able to speak and read Persian (for example in the scene where he picks up the school text book, reading a passage from it in an attempt to appease the children fighting). In a gesture of reciprocation and perhaps love, Bashu cares for Na'i when she falls ill, as she had done for him, crying for her and beating a drum in prayer.
Throughout the film, Na'i maintains correspondence with her husband, a war veteran looking for employment, who has been gone for quite some time. She tells him about Bashu, and implores him to return home in time to help with the harvest. Bashu becomes Na'i's helper on the farm, and even accompanies her to the bazaar
Bazaar
A bazaar , Cypriot Greek: pantopoula) is a permanent merchandising area, marketplace, or street of shops where goods and services are exchanged or sold. The term is sometimes also used to refer to the "network of merchants, bankers and craftsmen" who work that area...
to sell her goods. Throughout the film, Bashu sees visions of his dead family members, which cause him to wander off. Ultimately, however, he and Na'i are always reunited.
The other adults in the village harangue Na'i about taking Bashu in, often deriding his dark skin and different language, and making comments about washing the dark off of his skin. In addition to the village adults, the school age children taunt and beat Bashu, although the children prove ultimately to be more willing to accept Bashu than the adults. In one scene in which he is being taunted, Bashu picks up a school book and reads aloud a passage stating, "We are all the children of Iran." Before this point, the children had assumed Bashu to be either mute or stupid.
In the end, Na'i's husband returns home with no money and missing an arm, having been forced to take on dangerous work that is never identified. He and Na'i argue over her having kept Bashu against his wishes. Bashu comes to her defense, challenging the strange man to identify himself. Na'i's husband tells Bashu that he is his father, and upon this realization, they embrace as though they were always a part of the same family. The film ends with the entire family, including children, running into the farm field, making loud noises together to scare away a troublesome boar.