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Alan Bennett (born 9 May 1934) is an English author, actor, humorist and playwright.
ett was born in Armley in Leeds, Yorkshire. The son of a co-op butcher, Bennett attended Leeds Modern School (now Lawnswood School), learned Russian at the Joint Services School for Linguists during his National Service, and gained a place at Sidney Sussex College, Cambridge. However, having spent time in Cambridge during national service, and partly wishing to follow the object of his unrequited love, he decided to apply for a scholarship at Oxford University.

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Quotations
I have no doubt that in heaven the angels will regard the blessed as a necessary evil.
Diary entry for August 9, 1985, p. 290
To play Trivial Pursuit with a life like mine could be said to be a form of homeopathy.
Diary entry for June 7, 1985, p. 143
Headmaster: I have never understood this liking for war. It panders to instincts already catered for within the scope of any respectable domestic establishment.
Act 1
He had never read Proust, but he had somehow taken a short cut across the allotments and arrived at the same conclusions.
An article on playwrights in the Daily Mail, listed according to Hard Left, Soft Left, Hard Right, Soft Right and Centre. I am not listed. I should probably come under Soft Centre.
Diary entry for November 11, 1981, p. 117
The majority of people perform well in a crisis and when the spotlight is on them; it's on the Sunday afternoons of this life, when nobody is looking, that the spirit falters.
Diary entry for October 13, 1984, pp. 137-138

Encyclopedia
Alan Bennett (born 9 May 1934) is an English author, actor, humorist and playwright.
Biography
Early years
Bennett was born in Armley in Leeds, Yorkshire. The son of a co-op butcher, Bennett attended Leeds Modern School (now Lawnswood School), learned Russian at the Joint Services School for Linguists during his National Service, and gained a place at Sidney Sussex College, Cambridge. However, having spent time in Cambridge during national service, and partly wishing to follow the object of his unrequited love, he decided to apply for a scholarship at Oxford University. He was accepted by Exeter College, Oxford and went on to receive a first-class degree in history. While at Oxford he performed comedy with a number of future successful actors in the Oxford Revue. He was to remain at the university for several years, where he researched and taught Medieval History, before deciding he was not cut out to be an academic.
Career
In August 1960, Bennett, along with Dudley Moore, Jonathan Miller, and Peter Cook, achieved instant fame by appearing at the Edinburgh Festival in the satirical revue Beyond the Fringe. After the Festival, the show continued in London and New York. He also appeared in My Father Knew Lloyd George. A highly regarded television comedy sketch series On the Margin (1966) was, unfortunately, erased: the BBC would habitually re-use the then-expensive videotape rather than keep it in the archives.
Around this time Bennett often found himself playing vicars, and claims that as an adolescent he assumed he would grow up to be a Church of England clergyman, for no better reason than that he looked like one.
Bennett's first stage play, Forty Years On, was produced in 1968. Many television, stage and radio plays followed, along with screenplays, short stories, novellas, a large body of non-fictional prose and broadcasting, and many appearances as an actor.
Bennett's lugubrious yet expressive voice (which still bears a slight Leeds accent) and the sharp humour and evident humanity of his writing have made his readings of his own work (especially his autobiographical writing) very popular. His readings of the Winnie the Pooh stories are also widely enjoyed.
Many of Bennett's characters are unfortunate and downtrodden, or meek and overlooked. Life has brought them to an impasse, or else passed them by altogether. In many cases they have met with disappointment in the realm of sex and intimate relationships, largely through tentativeness and a failure to connect with others.
Bennett is both unsparing and compassionate in laying bare his characters' frailties. This can be seen in his television plays for LWT in the late 1970s and the BBC in the early 1980s, and in the 1987 Talking Heads series of monologues for television which were later performed at the Comedy Theatre in London in 1992. This was a sextet of poignantly comic pieces, each of which depicted several stages in the character's decline from an initial state of denial or ignorance of their predicament, through a slow realization of the hopelessness of their situation, and progressing to a bleak or ambiguous conclusion. A second set of six Talking Heads pieces followed a decade later.
In his 2005 prose collection Untold Stories Bennett has written candidly and movingly of the mental illness that afflicted his mother and other family members. Much of his work draws on his Leeds background and while he is celebrated for his acute observations of a particular type of northern speech ("It'll take more than Dairy Box to banish memories of Pearl Harbor"), the range and daring of his work is often undervalued – his television play The Old Crowd, for example, includes shots of the director and technical crew, while his stage play The Lady in the Van includes two characters named Alan Bennett.
The Lady in the Van was based on his experiences with a tramp called Miss Shepherd who lived on Bennett's driveway in several dilapidated vans for over fifteen years. A radio play of the same title was broadcast on 21 February 2009 on BBC Radio 4, with actor Maggie Smith reprising her role of Miss Shepherd, and Alan Bennett playing himself. The work has also been published in book form.
In 1994 Bennett adapted his popular and much-praised 1991 play The Madness of George III for the cinema as The Madness of King George. The film received four Academy Award nominations, including nominations for Bennett's writing and the performances of Nigel Hawthorne and Helen Mirren. It won the award for best art direction.
Bennett's critically-acclaimed The History Boys won three Laurence Olivier Awards in February 2005, for Best New Play, Best Actor (Richard Griffiths), and Best Direction (Nicholas Hytner), having previously won Critics' Circle Theatre Awards and Evening Standard Awards for Best Actor and Best Play. Bennett himself received the Laurence Olivier Award for Outstanding Contribution to British Theatre.
The History Boys also went on to win six Tony Awards on Broadway, including best play, best performance by a leading actor in a play (Richard Griffiths), best performance by a featured actress in a play (Frances de la Tour), and best direction of a play (Nicholas Hytner).
A film version of The History Boys was released in the UK on 13 October 2006. Bennett discussed the play and its themes in an interview on STV.
Bennett was made an Honorary Fellow of Exeter College, Oxford in 1987. He was also awarded a D.Litt by the University of Leeds in 1990 and a hon PhD from Kingston in 1996. However in 1998 Bennett refused an honorary doctorate from Oxford University, in protest at its accepting funding for a named chair in honour of press baron Rupert Murdoch. He also declined a CBE in 1988 and a knighthood in 1996.
In September 2005, Bennett revealed that, in 1997, he had undergone treatment for cancer, and described the illness as a "bore". His chances of survival were given as being "much less" than 50%. He began Untold Stories (published 2005) thinking it would be published posthumously. In the event his cancer went into remission. In the autobiographical sketches which form a large part of the book Bennett writes openly for the first time about his homosexuality (Bennett has had relationships with women as well, although this is only touched upon in Untold Stories). Previously Bennett had referred to questions about his sexuality as being like asking a man dying of thirst to choose between Perrier or Malvern mineral water.
Bennett earned Honorary Membership of The Coterie in the 2007 membership list.
Bennett has lived in Camden Town in London for thirty one years, and shares his home with Rupert Thomas, his partner for the last fourteen years.
In October 2008 Bennett announced that he was donating his entire archive of working papers, unpublished manuscripts, diaries and books to the Bodleian Library free of charge, stating that it was a gesture of thanks repaying a debt he felt he owed to the UK's social welfare system that had given him educational opportunities which his humble family background would otherwise never have afforded.
Bennett wrote the play Enjoy in 1980. It was one of the rare flops in his career, and barely scraped a run of seven weeks. But a new production of Enjoy has had critics raving about it during its 2008 UK tour and moved to the London West End in January 2009. The West End show had taken over £1m in advance ticket sales and even extended the run to cope with demand.
At the National Theatre in late 2009 Nicholas Hytner is scheduled to direct Bennett's new play, as yet untitled, about the relationship between the poet W.H.Auden and the composer Benjamin Britten.
Work
Television
- My Father Knew Lloyd George (also writer), 1965
- Famous Gossips, 1965
- Plato—The Drinking Party, 1965
- Alice in Wonderland, 1966
- On the Margin series (actor & writer), 1966-67
- A Day Out (also writer), 1972
- Sunset Across the Bay (also writer), 1975
- A Little Outing (also writer), 1975
- A Visit from Miss Prothero (writer), 1978
- Me—I'm Afraid of Virginia Woolf (writer), 1978
- Doris and Doreen (Green Forms) (writer), 1978
- The Old Crowd (writer) with Lindsay Anderson (director), LWT 1979
- Afternoon Off (actor & writer), 1979
- One Fine Day (writer), 1979
- All Day On the Sands (writer), 1979
- Objects of Affection (Our Winnie, A Woman of No Importance, Rolling Home, Marks, Say Something Happened, Intensive Care) (also writer), 1982
- The Merry Wives of Windsor (actor), 1982
- An Englishman Abroad (writer), 1983
- The Insurance Man (writer), 1986
- Breaking Up, 1986
- Man and Music (narrator), 1986
- Talking Heads (A Chip in the Sugar, Bed Among the Lentils, A Lady of Letters, Her Big Chance, Soldiering On, A Cream Cracker Under the Settee) (also writer), 1987
- Down Cemetery Road: The Landscape of Philip Larkin (presenter), 1987
- Fortunes of War series (actor), 1987
- Dinner at Noon (narrator), 1988
- Poetry in Motion (presenter), 1990
- 102 Boulevard Haussmann (writer), 1990
- A Question of Attribution (writer), 1991
- Selling Hitler, 1991
- Poetry in Motion 2 (presenter), 1992
- Portrait or Bust (presenter), 1994
- The Abbey (presenter), 1995
- A Dance to the Music of Time (actor), 1997
- Talking Heads 2, 1998
- Telling Tales (writer, as himself), 2000
Stage
- Better Late, 1959
- Beyond the Fringe (also co-writer), 1960
- The Blood of the Bambergs, 1962
- A Cuckoo in the Nest, 1964
- Forty Years On (also writer), 1968
- Sing a Rude Song (co-writer), 1969
- Getting On (writer), 1971
- Habeas Corpus (also writer), 1973
- The Old Country (writer), 1977
- Enjoy (writer), 1980
- Kafka's Dick (writer), 1986
- A Visit from Miss Prothero (writer), 1987
- Single Spies (An Englishman Abroad and A Question of Attribution) (also writer and director), 1988
- The Wind in the Willows (adaptation), 1990
- The Madness of George III (writer), 1991
- Talking Heads (Waiting for the telegram, A Chip in the Sugar, Bed Among the Lentils, A Lady of Letters, Her Big Chance, Soldiering On, A Cream Cracker Under the Settee) (also writer), 1992
- The History Boys (writer), 2004; Winner of Tony Award for Best Play, 2006.
Film
- Long Shot, 1980
- Dreamchild (voice only), 1985
- The Secret Policeman's Ball, 1986
- The Secret Policeman's Other Ball, 1982
- A Private Function (screenplay), 1986
- Pleasure At Her Majesty's, 1987
- Prick Up Your Ears (screenplay), 1987
- Little Dorrit, 1987
- Wind in the Willows animated adaptation, 1994
- Parson's Pleasure (writer), 1995
- The Madness of King George (screenplay from his play "The Madness of George III"), 1995
- The History Boys (screenplay, from his play of the same name), 2006
Radio
- The Great Jowett, 1980
- Dragon, 1982
- Uncle Clarence (writer, narrator), 1985
- Better Halves (narrator), 1988
- The Lady in the Van (writer, narrator), 1990
- Winnie-the-Pooh (narrator), 1990
Bibliography
*Beyond the Fringe (with Peter Cook, Jonathan Miller, and Dudley Moore). London: Souvenir Press, 1962, and New York: Random House, 1963
Forty Years On. London: Faber, 1969Getting On. London: Faber, 1972Habeas Corpus. London: Faber, 1973The Old Country. London: Faber, 1978Enjoy. London: Faber, 1980Office Suite. London: Faber, 1981Objects of Affection. London: BBC Publications, 1982A Private Function. London: Faber, 1984Forty Years On; Getting On; Habeas Corpus. London: Faber, 1985The Writer in Disguise. London: Faber, 1985Prick Up Your Ears: The Film Screenplay. London: Faber, 1987Two Kafka Plays. London: Faber, 1987Talking Heads. London: BBC Publications, 1988; New York: Summit, 1990Single Spies. London: Faber, 1989- Winner of Olivier Award: England's best comedy for 1989
Single Spies and Talking Heads. New York: Summit, 1990The Lady in the Van, 1989Poetry in Motion (with others). 1990The Wind in the Willows. London: Faber, 1991Forty Years On and Other Plays. London: Faber, 1991The Madness of George III. London: Faber, 1992Poetry in Motion 2 (with others). 1992Writing Home (memoir & essays). London: Faber, 1994 (winner of the 1995 British Book of the Year award).The Madness of King George (screenplay), 1995Father ! Father ! Burning Bright (prose version of 1982 TV script, Intensive Care), 1999The Laying on of Hands (Stories), 2000The Clothes They Stood Up In (novella), 2001Untold Stories (autobiographical and essays), London, Faber/Profile Books, 2005, ISBN 0-571-22830-5The Uncommon Reader (novella), 2007Die souveräne Leserin (German, 2008)
Translations
Català
Una lectora poc corrent, 2008
French
Soins intensifs, 2006
German
Der Rote Baron, Sein letzter Flug, 2001Vater, Vater, lichterloh, 2002Così fan tutte, (previously published as Alle Jahre wieder) 2003Die Lady im Lieferwagen, 2004Handauflegen, 2005Die souveräne Leserin, 2008
Italian
La pazzia di re Giorgio, 1996 Nudi e crudi, 2001 La cerimonia del massaggio, 2002 La signora nel furgone, 2003 Signore e signori, 2004 Scritto sul corpo, 2006 La sovrana lettrice, 2007 Il letto di lenticchie
Spanish
Una Patata Frita en el Azúcar, 2003Una Cama Entre Lentejas, 2003Una Señora de Letras, 2003Su Gran Oportunidad, 2003Ir Tirando, 2003Una Galleta Crácker Bajo el Sofá, 2003Una Mujer Sin Importancia, 2003Con lo puesto, 2003 (The Clothes They Stood Up In)La Señora del Furgón, 2004La Mano de Dios, 2004La Señorita Fozzard Hace Pie, 2004Jugando a los Bocadillos, 2004Una lectora nada común", 2008El Perro en el Patio, 2004Noches en los Jardines de España, 2004Esperando el Telegrama, 2004
Further reading
- Peter Wolfe, Understanding Alan Bennett, University of South Carolina Press, ISBN 1-57003-280-7.*Joseph H. O'Mealy,Alan Bennett: A Critical Introduction, Routledge, 2007.
- Kara McKechnie, Alan Bennett, The Television Series, Manchester University Press, 2007. ISBN 978-0-7190-6806-5
- Robert Hewison Footlights – A Hundred Years of Cambridge Comedy, Methuen, 1983
- Roger Wilmut From Fringe to Flying Circus – Celebrating a Unique Generation of Comedy 1960–1980, Eyre Methuen, 1980
External links
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- from
- interview at stv.tv
- - UK publisher of many of Alan Bennett's plays, as well as Writing Home and Untold Stories (with Profile Books)
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