Sourced

• "Out there, in the world, all the walls were covered with graffiti: 'Yids, go back to Palestine,' so we came back to Palestine, and now the worldatlarge [sic] shouts at us: 'Yids, get out of Palestine.'"
  • A Tale of Love and Darkness (2003)
  • quoted on U.S. radio program "Fresh Air", December 1, 2004 http://www.npr.org/templates/story/story.php?storyId=4195061

• The Israeli-Palestinian conflict has been a tragedy, a clash between one very powerful, very convincing, very painful claim over this land and another no less powerful, no less convincing claim. Now such a clash between right claims can be resolved in one of two manners. There's the Shakespeare tradition of resolving a tragedy with the stage hewed with dead bodies and justice of sorts prevails. But there is also the Chekhov tradition. In the conclusion of the tragedy by Chekhov, everyone is disappointed, disillusioned, embittered, heartbroken, but alive. And my colleagues and I have been working, trying...not to find the sentimental happy ending, a brotherly love, a sudden honeymoon to the Israeli-Palestinian tragedy, but a Chekhovian ending, which means clenched teeth compromise.
  • From a PBS interview with Amos Oz. The entire interview

• The minute we leave south Lebanon we will have to erase the word Hezbollah from our vocabulary, because the whole idea of the State of Israel versus Hezbollah was sheer folly from the outset. It most certainly no longer will be relevant when Israel returns to her internationally recognized northern border.
  • "Try a Little Tenderness" (interview) in Ha'aretz, March 17, 2000.

• The [political] left are people with an imagination and the right are those without an imagination.
  • "Between Oz and Ayalon" (interview), the Supplement to Shabbat, 21 November 2008, Yedioth Ahronoth, p. 2.