Vincenzo Bellavere
Encyclopedia
Vincenzo Bellavere (c.1540-1541 – August 29, 1587) was an Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 composer of the Venetian School. While a fairly minor figure in the Venetian School, he was a competent composer of madrigals
Madrigal (music)
A madrigal is a secular vocal music composition, usually a partsong, of the Renaissance and early Baroque eras. Traditionally, polyphonic madrigals are unaccompanied; the number of voices varies from two to eight, and most frequently from three to six....

 and wrote a few works in the grand Venetian polychoral style
Venetian polychoral style
The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation...

.

Biography

Nothing is known about him prior to his appearance in Padua
Padua
Padua is a city and comune in the Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 212,500 . The city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, having...

 in 1567 as an organist at Crosieri Cathedral. That same year he tried to gain the prestigious job as first organist of the cathedral there. In 1568 he acquired the position of primary organist at the Scuola Grande di San Rocco
Scuola Grande di San Rocco
The Scuola Grande di San Rocco is a building in Venice, northern Italy.-History:The Scuola di San Rocco was established in 1478 by a group of wealthy Venetian citizens, next to the church of San Rocco, from which it takes its name.In January 1515 the project of the building was entrusted...

, a Venetian establishment almost as prestigious as St. Mark's; he held this post until 1584 at which time he returned to Padua to take the post at the cathedral that he at first failed to win. In December 1585 he was fired from his job in Padua, probably because of an unexcused absence, but he returned to Venice to become organist of yet another Venetian church, Santo Stefano. In 1586 he became first organist at St. Mark's, the position just vacated by Andrea Gabrieli
Andrea Gabrieli
Andrea Gabrieli was an Italian composer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as...

; thus he was first organist alongside Giovanni Gabrieli
Giovanni Gabrieli
Giovanni Gabrieli was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms.-Biography:Gabrieli was born in Venice...

, who was second organist. Unfortunately Bellavere died after only holding this post for nine months.

Bellavere was a talented composer and could have become a major member of the Venetian school, had his career not been cut short; possibly he died fairly young, though reliable information on his age is missing.

Works

Bellavere wrote, besides keyboard works (being an organist), choral works, notably madrigals in a light style reminiscent of Andrea Gabrieli, as well as four motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...

s and two settings of the Magnificat
Magnificat
The Magnificat — also known as the Song of Mary or the Canticle of Mary — is a canticle frequently sung liturgically in Christian church services. It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn...

.

His last music shows a progressive use of the multiple choir and instrument group style that was to make Giovanni Gabrieli famous, and which is the hallmark of the Venetian School.

External links

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