Trois Nouvelles Études
Encyclopedia
Frédéric Chopin
Frédéric Chopin
Frédéric François Chopin was a Polish composer and virtuoso pianist. He is considered one of the great masters of Romantic music and has been called "the poet of the piano"....

 wrote his Trois nouvelles études ("three new studies") for piano in 1839, as a contribution to "Méthode des méthodes de piano", a piano instruction book by Ignaz Moscheles
Ignaz Moscheles
Ignaz Moscheles was a Bohemian composer and piano virtuoso, whose career after his early years was based initially in London, and later at Leipzig, where he succeeded his friend and sometime pupil Felix Mendelssohn as head of the Conservatoire.-Sources:Much of what we know about Moscheles's life...

 and François-Joseph Fétis
François-Joseph Fétis
François-Joseph Fétis was a Belgian musicologist, composer, critic and teacher. He was one of the most influential music critics of the 19th century, and his enormous compilation of biographical data in the Biographie universelle des musiciens remains an important source of information today...

. They are often erroneously described as posthumous. In general, these études display little of the technical brilliance of most of the composer's Op. 10 and 25
Études (Chopin)
The Études by Frédéric Chopin are three sets of solo studies for the piano, There are twenty-seven overall, comprising two separate collections of twelve, numbered Opus 10 and 25, and a set of three without opus number.-Composition:...

, though they do retain Chopin's original formula for harmonic and structural balance.

The Études

The first of the Trois nouvelles étudies is an intimate piece in F minor. It develops students' facility with 3-on-4 polyrhythms.

The melody of the second étude in A-flat major sits atop a series of chords in the right hand with a simple bass in the left hand. It was also the last piece Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...

 was heard playing before he died. It develops students' facility with 2-on-3 polyrhythms.

The third and last étude, in D-flat major, is probably the most technically challenging in this collection, while still being far more manageable than most of the composer's Op. 10 and 25 studies. It develops independence of voices and articulation in the right hand, with the upper melodic line quite legato over a staccato alto accompaniment. Some of the reaches required between the alto and soprano lines might be difficult for pianists with smaller hands.
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