Topiary
Topiary is the art of creating
sculptures in the medium of clipped
shrubs and sub-shrubs. The word derives from the
Latin word for an ornamental
landscape gardener,
topiarius, creater of
topia or "places", a Greek word that Romans applied also to fictive indoor landscapes executed in
fresco. No doubt the use of a Greek word betokens the art's origins in the
Hellenistic world that was influenced by Persia, for neither Classical Greece nor Republican Rome developed any sophisticated tradition of artful pleasure grounds.
The shrubs and sub-shrubs used in topiary are evergreen , have small leaves or needles, produce dense foliage, and have compact and/or columnar growth habits.
Encyclopedia
Topiary is the art of creating
sculptures in the medium of clipped
shrubs and sub-shrubs. The word derives from the
Latin word for an ornamental
landscape gardener,
topiarius, creater of
topia or "places", a Greek word that Romans applied also to fictive indoor landscapes executed in
fresco. No doubt the use of a Greek word betokens the art's origins in the
Hellenistic world that was influenced by Persia, for neither Classical Greece nor Republican Rome developed any sophisticated tradition of artful pleasure grounds.
The shrubs and sub-shrubs used in topiary are evergreen , have small leaves or needles, produce dense foliage, and have compact and/or columnar growth habits. Common plants used in topiary include cultivars of
box ,
arborvitae ,
bay laurel ,
holly ,
myrtle ,
yew , and
privet . Shaped wire cages are sometimes employed in modern topiary to guide untutored shears, but traditional topiary depends on patience and a steady hand; small-leaved ivy can be used to cover a cage and give the look of topiary in a few months.
History
Origin
European topiary dates from Roman times.
Pliny's Natural History and the epigram-writer
Martial both credit Cneius Matius Calvena, in the circle of
Julius Caesar, with introducing the first topiary to Roman gardens, and Pliny the Younger describes in a letter the elaborate figures of animals, inscriptions and cyphers and
obelisks in clipped greens at his Tuscan villa . Within the atrium of a Roman house or villa, a place that had formerly been quite plain, the art of the
topiarius produced a miniature landscape which might utilize the comparable art of stunting trees, also mentioned, disapprovingly, by Pliny .
Far Eastern Topiary
Clipping and shaping of shrubs and trees in China and Japan has been practised with equal rigor, but to entirely different esthetic aims: the artful expression of the "natural" forms of venerably aged pines, given character by the forces of wind and weather. Their most concentrated expressions are in the related arts of Chinese
penjing and Japanese
bonsai.
Japanese cloud-pruning is closest to the European art: the cloudlike forms of clipped growth are designed to be best appreciated after a fall of snow.
Renaissance topiary
From its European revival in the 16th century, topiary has historically been associated with the
parterres and terraces in gardens of the European elite and as features in cottage gardens. Traditional topiary forms use foliage pruned and/or trained into geometric shapes: balls or cubes,
obelisks, pyramids, cones, tapering spirals, and the like. Representational forms depicting people, animals, manmade objects have also been popular.
Topiary at
Versailles and its imitators was never complicated: low hedges punctuated by potted trees trimmed as balls on standards, interrupted by obelisks at corners were the vertical features of parterre gardens. Sculptural forms were provided by stone and lead sculptures. In Holland, however, the fashion for more complicated topiary designs spread to England after 1660.
Decline in the 18th century
In England topiary was all but killed in fashion by the famous satiric essay on "Verdant Sculpture" that
Alexander Pope published in
The Guardian, 29 September 1713, with its mock catalogue descriptions of
- Adam and Eve in yew; Adam a little shattered by the fall of the tree of knowledge in the great storm; Eve and the serpent very flourishing.
- The tower of Babel, not yet finished.
- St George in box
Buxus is a genus [i] of about 70 species in the family Buxaceae [i]. ...
; his arm scarce long enough, but will be in condition to stick the dragon by next April.
- A quickset hog, shot up into a porcupine, by its being forgot a week in rainy weather.
In the 1720s and 1730s the generation of Charles Bridgeman and William Kent swept the English garden clean of its hedges, mazes, and topiary. After topiary fell from grace in aristocratic gardens, however, it continued to be featured in cottagers' gardens, where a single specimen of traditional forms, a ball, a tree trimmed to a cone in several cleanly separated tiers, meticulously clipped and perhaps topped with a topiary peacock, was passed on as an heirloom.
Revival
The revival of topiary in English gardening parallels the revived "Jacobethan" taste in architecture; John Loudon in the 1840s was the first garden writer to express a sense of loss at the topiary that had been removed from English gardens. The following generation, represented by Shirley Hibberd, rediscovered the charm of specimens as part of the mystique of the "English cottage garden", which was as much invented as revived from the 1870s:
- It may be true, as I believe it is, that the natural form of a tree is the most beautiful possible for that tree, but it may happen that we do not want the most beautiful form, but one of our own designing, and expressive of our ingenuity" .
The classic statement of the British Arts and Crafts revival of topiary among roses and mixed herbaceous borders was Topiary: Garden Craftsmanship in Yew and Box by Nathaniel Lloyd , who had retired in middle age and taken up architectural design under the encouragement of Sir Edwin Lutyens: Lloyd's own timber-framed manor house, Great Dixter, Sussex, remains an epitome of this stylized mix of topiary with "cottagey" plantings that was practised by Gertrude Jekyll and Edwin Luyens in a fruitful partnership.
Topiary, which had featured in few 18th-century American gardens, came into favour with the Colonial Revival gardens and the grand manner of the American Renaissance, 1880–1920. The beginning of a concern with the revival and maintenance of historic gardens in the 20th century led to the replanting of the topiary maze at the Governor's Palace, Colonial Williamsburg in the 1930s.
The title character in Tim Burton's movie Edward Scissorhands is lauded for his skill in the art; a real-life topiary artist is one of the subjects of Errol Morris's Fast, Cheap and Out of Control.
Topiary in the twentieth century
Notable topiary displays
;Asia
- The Samban-Lei Sekpil in Manipur, India, begun in 1983 and recently measuring 18.6m in height, is the world's tallest topiary, according to Guinness Book of World Records, known until 2000 [i] as The Guinness Book of Records is a referenc...
. It is clipped of Duranta erecta, a shrub widely used in Manipuri gardens, into a tiered shape called a sekpil or satra that honours the forest god Umang Lai. - Royal Palace at Bang Pa-In in Thailand
;Europe
- A premier topiary garden started in the late 17th century by M. Beaumont, a French gardener who laid out the gardens of Hampton Court .
- Canons Ashby, Northamptonshire
- A 16th-century garden revised in 1708
;North America
- 100-year-old topiary garden of native white pine and arborvitae.
- One of the oldest topiary gardens in the United States, Green Animals combines geometric and animal topiary with other formal ornamental features.
- A topiary garden in Maryland established by award-winning topiary artist Harvey Ladew in the late 1930s. Located approximately halfway between the north Baltimore suburbs and the southern Pennsylvania border. Ladew's most famous topiary is a hunt, horses, riders, dogs and the fox, clearing a well-clipped hedge, the most famous single piece of classical topiary in North America.
- A public garden in downtown Columbus that features a topiary tableau of Georges Seurat's famous painting Sunday Afternoon on the Island of La Grande Jatte is Georges Seurat [i]'s most famous work, and is a ...
.
See also
References
- Curtis, Charles H. and W. Gibson, The Book of Topiary , ISBN 0-8048-1491-0
- Lloyd, Nathaniel. Topiary: Garden Art in Yew and Box
