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Timing (linguistics)
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Isochrony is the idea that a language rhythmically divides time into equal portions. Three types of divisions are postulated: 1) the temporal duration between two stressed syllables is equal (stress-timed); 2) The duration of every syllable is equal (syllable-timed); 3) the duration of every mora is equal (mora-timed).
The idea was first expressed by Ken Pike in 1945. While many linguists find the idea of different rhythm types appealing, empirical studies have not been able to find acoustic correlates of the postulated types, calling into question the validity of these types.

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Encyclopedia
Isochrony is the idea that a language rhythmically divides time into equal portions. Three types of divisions are postulated: 1) the temporal duration between two stressed syllables is equal (stress-timed); 2) The duration of every syllable is equal (syllable-timed); 3) the duration of every mora is equal (mora-timed).
The idea was first expressed by Ken Pike in 1945. While many linguists find the idea of different rhythm types appealing, empirical studies have not been able to find acoustic correlates of the postulated types, calling into question the validity of these types.
Syllable timing
In a syllable-timed language, every syllable is perceived as taking up roughly the same amount of time, though the absolute length of time depends on the prosody. Syllable-timed languages tend to give syllables approximately equal stress.
Finnish, Slovene, French, Brazilian Portuguese and Spanish are commonly quoted as examples of syllable-timed languages. This type of rhythm was originally metaphorically referred to as 'machine-gun rhythm' because each underlying rhythmical unit is of the same duration, similar to the transient bullet noise of a machine-gun.
Since the 1950s speech scientists have tried to show the existence of equal syllable durations in the acoustic speech signal without success. More recent research claims that the duration of consonantal and vocalic intervals is responsible for syllable-timed perception.
Mora timing
Some languages such as Japanese, Gilbertese or Luganda also have regular pacing, but are mora-timed rather than syllable-timed. In Japanese, a V or CV syllable takes up one timing unit. Japanese does not have long vowels or diphthongs but double vowels, so that CVV takes twice the time as CV. A final /N/ also takes as much time as a CV syllable, and at least in poetry, so does the extra length of a geminate consonant. However, colloquial language is less settled than poetic language, and the rhythm may vary from one region to another, or with time.
Stress timing
In a stress-timed language, syllables may last different amounts of time, but there is perceived to be a fairly constant amount of time (on average) between consecutive stressed syllables. Stress-timing is sometimes called Morse-code rhythm. Stress-timing is strongly related to vowel reduction processes.
English, German, Dutch, Continental Portuguese, Russian, and Czech are typical stress-timed languages, as are some southern dialects of Italian.
See also
Further reading
- Kono, Morio. (1997). "Perception and Psychology of Rhythm." Accent, Intonation, Rhythm and Pause. (Japanese)
External links
- Roach, Peter (1998). , eds. L. Bauer and P. Trudgill, Penguin, 1998, pp. 150-8
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- Open-source software for automatically computing rhythm correlates
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