|
|
|
|
The Shadows
|
| |
|
| |
Nick-named: the Shads, The Shadows are the most successful British instrumental and vocal group from the 1950s to the 2000s with an aggregate total of at least 64 UK hit singles.
Primarily marketed throughout the world as an instrumental combo-unit, but in the USA and Canada they were marketed as a 'surf' group to compete with the Ventures and the Surfaris to name but a few. Their original line up was essentially modelled on the Buddy Holly and the Crickets' using 2 guitars, bass and drums requiring the then minimum of only 4 musicians.

Discussion
Ask a question about 'The Shadows'
Start a new discussion about 'The Shadows'
Answer questions from other users
|
Encyclopedia
Nick-named: the Shads, The Shadows are the most successful British instrumental and vocal group from the 1950s to the 2000s with an aggregate total of at least 64 UK hit singles.
Primarily marketed throughout the world as an instrumental combo-unit, but in the USA and Canada they were marketed as a 'surf' group to compete with the Ventures and the Surfaris to name but a few. Their original line up was essentially modelled on the Buddy Holly and the Crickets' using 2 guitars, bass and drums requiring the then minimum of only 4 musicians. In more recent years until 1990 they added a 5th member on keyboards having once briefly experimented as a 6 member group during 1973-5.
The Shadows never encouraged any fan club in the UK during their early years with inevitable consequences thus fans had to source the Cliff Richard fan club. In more recent times unofficial fan clubs have been created to act as a data source and debating forum. In Australia, The Shadows circle of friends and in the UK, Shadsfax.
They permanently disbanded in 1990 but temporarily reformed in 2004-5 (Final tour) and again in 2009-10 (w/Cliff Richard). They disbanded in 1970 to form vocal trio Marvin Welch & Farrar but reformed in 1973 due to low-sales and inevitable attitude of British fans demanding Shadows numbers at MW&F gigs.
History
1950s
Formed as a backing band for Cliff Richard, under the name The Drifters. The members were founder Ken Pavey (born 1932), Terry Smart on drums (born 1942), Norman Mitham on guitar (born 1941), Ian Samwell on guitar and Harry Webb (before he became Cliff Richard) on guitar and vocals. The original Drifters had no bass player. Samwell wrote the group's first hit, "Move It" which is often mistakenly attributed to "Cliff Richard and The Shadows". None of the original Drifters were in the group when they became The Shadows.
Shortly after first manager Johnny Foster discovered them, the name was changed to Cliff Richard and The Shadows due to a name clash with the American group The Drifters. They signed for Jack Good's Oh Boy! television series. Producer Norrie Paramor of EMI signed Richard, and asked Johnny Foster to recruit a better guitarist. Foster went back to Soho's 2i's coffee bar (famed for musical talent performing there, particularly in skiffle) in search of guitarist Tony Sheridan. Sheridan was not there but Foster's attention was caught by another musician, who was tall, good looking, played guitar well and had Buddy Holly glasses.
Hank Marvin was playing in a skiffle band with Bruce Welch. The pair had travelled from Newcastle and were surviving on little money. Foster offered Marvin the job, and he accepted on condition that Welch would also join. New manager Franklin Boyd could see the pair worked well and they were employed as lead and rhythm guitarists. Ian Samwell was moved to bass until he was replaced by the Most Brothers' bass guitarist, Jet Harris. Drummer Terry Smart left shortly afterwards and was replaced at Harris's suggestion by Tony Meehan. The Drifters' professional lineup was now complete, and they became The Shadows in early 1959. Johnny Foster continued for a time as Richard's manager, and Samwell wrote additional songs for The Drifters and The Shadows before writing and producing for others. Meehan recalled that Richard, backed by Marvin, Welch, Harris and himself had played together a year beforehand at least once at the 2i's.
The group started recording and performing with Richard and released two singles in their own right in 1959. ("Feelin' Fine"/"Don't Be A Fool With Love") and ("Jet Black"/"Driftin'"), The first two tracks were vocals and the second pair instrumental. Neither charted. A further (vocal) ("Saturday Dance"/"Lonesome Fella") also failed. The instrumental "Chinchilla" was included on a four-track soundtrack EP by Cliff Richard and the Drifters called Serious Charge released in early 1959 with the film of the same name.
1960s
In 1960, the band released "Apache", an instrumental by Jerry Lordan, which topped the charts for 5 weeks. Further hits followed, notably "Wonderful Land", another Lordan composition with orchestral backing, at the top of the charts longer than Apache (8 weeks). This, and "Kon Tiki" six months earlier, reached number one (1 week). The Shadows played on more chart-toppers as Richard's band. This group, referred to subsequently as "The Original Shadows" had seven hits.
In October 1961 Meehan was replaced by Brian Bennett and in April 1962 Harris was replaced by Brian Locking, also known as Licorice. Bennett and Licorice were friends from the 2I's and had all played together. This Shadows line-up produced seven hits, two of which, "Dance On" and "Foot Tapper" topped the charts. The Marvin-Welch-Bennett-Locking line-up lasted 18 months but held its own in the face of Merseybeat, headed by The Beatles. (The first original song ever recorded by the Beatles, somewhat ironically, was an instrumental homage to the Shadows entitled "Cry for a Shadow.")
In October 1963 Locking left to spend more time as a Jehovah's Witness. The band had met John Rostill on tour with other bands and had been impressed by his playing, so they invited him to take over. This final and longest-lasting line-up consolidated innovating as they tried different guitars and developed a wider range of styles and higher musicianship. They produced impressive albums but the chart positions of singles began to ease. The line-up had 10 hits but the most successful, "The Rise and Fall of Flingel Bunt", was also the first.
During the 1960s the group appeared with Richard in the films The Young Ones, Summer Holiday, Wonderful Life, Finders Keepers and as marionettes in the Gerry Anderson film Thunderbirds Are GO. They also appeared on stage in pantomime. Aladdin and his Wonderful Lamp was in 1964 at the London Palladium with Arthur Askey as Widow Twankey, Richard as Aladdin, and The Shadows as Wishee, Washee, Noshee and Poshee. Cinderella at the Palladium in 1966 featured Richard as Buttons and The Shadows as the Broker's Men, The film and stage roles allowed the group to develop as songwriters. They wrote only a few songs for the earliest movie, 1961's The Young Ones, but by Finders Keepers in 1966 almost the entire soundtrack was credited to Marvin-Welch-Bennett-Rostill.
The line-up split in December 1968, after the 10th anniversary album Established 1958, a mixture of tracks with Richard, and instrumentals featuring just The Shadows. All were written by the group. Welch left. This was almost the end, although an album (Shades of Rock) and a tour of Japan followed with Alan Hawkshaw on keyboards; in Marvin's words, they did it 'for the Yen'. The tour was not artistically successful, and the live LP is not held in high regard, though it does feature a long version of "Slaughter on Tenth Avenue" in which Marvin plays acoustic and electric guitar.
1970s
During the early 1970s, Marvin and Welch had a second career as vocal group Marvin Welch & Farrar with Australian John Farrar as third vocalist. Farrar provided a high voice and skill as an arranger. They recorded two acclaimed albums and several singles and, without Welch, a third album Marvin and Farrar, which Marvin described as "Frankenstein meets The Beach Boys". Live performances were hampered by audiences expecting the Shadows' greatest hits. Marvin said (interviewed in Guitar Greats by John Tobler), "In the Batley Variety Club we walked off stage to the sound of our own footsteps!"
The Shadows reformed in 1973 with Welch on rhythm guitar and Farrar on guitar and vocals. Following the death of John Rostill, the group booked session bassists for recordings and tours. Dave Richmond and Alan Tarney, who had each provided bass for Marvin, Welch & Farrar, continued for the reformed Shadows. An album, Rocking With Curly Leads featured Marvin using vocoder to modify his sound. Some tracks used Farrar as second lead guitarist, giving this album a very different sound from previous recordings.
The group were chosen by BBC Boss Bill Cotton to perform the Song for Europe in the 1975 Eurovision Song Contest. The Shadows recorded six options, seen each week on a weekly television show "It's Lulu", televised on BBC1 and hosted by former Eurovision winner Lulu. Unusually for the format, instead of presenting each song live in the studio on a weekly basis and then presenting all six songs consecutively in a 'special' edition on week seven, the group recorded all six performances separately in the TV studio, before the series itself began, with the pre-taped video then being cut into the weekly show. For the presentation of the songs on week seven and the announcement of the result on week eight, the pre-recorded performances were run again. Two of the songs ("No, No Nina" and "This House Runs On Sunshine") were co-penned by members of the group themselves. The public however voted for "Let Me Be The One" by Paul Curtis to go to the Eurovision final in Stockholm. There, the group came second to Teach In's "Ding Dinge Dong" (later released on single as "Ding-A-Dong"). Author and historian John Kennedy O'Connor notes in The Eurovision Song Contest – The Official History that they were not a popular choice to represent the UK and the viewer's postal vote was the lowest recorded in the 'Song For Europe' history. But the contest re-established The Shadows. Other records followed.
The packaging of the group's greatest hits in Twenty Golden Greats by EMI in 1977 prompted the group to reform yet again for a tour featuring Francis Monkman from Sky on keyboards, leading to a number one album and a top ten hit single "Don't Cry for Me Argentina". Francis left after that tour and the line-up settled as Marvin, Welch and Bennett, supplemented on records and gigs by Cliff Hall (keyboards) and Alan Jones (bass).
1980s
The group performed and recorded until 1990, with most of their 1980s albums performing well in the charts. With the exception of Guardian Angel, an album of new material, most of 1980s albums featured covers of pop songs, with little original material. The group moved in 1980 from EMI to Polydor with Change of Address. EMI would not agree to a tape leasing scheme, whereby the group would retain copyright of recordings, but the company would be licensed to publish them for individual albums. This resulted in the group re-recording much of its catalogue of EMI hits for Polydor . The recordings were made using analogue equipment, but digitally mastered, but with instruments, amplifiers, and arrangements close to the original. This has allowed the group to package and market their own compilation albums, featuring old hits as well as new. Other albums, such as Diamonds, feature no new material, being compiled from recent albums. The line-up remained until Jones had a car accident and Mark Griffiths of the Cliff Richard band and originally from Matthews Southern Comfort was brought in on bass. He shared bass duties until 1990 when the band stopped touring and Marvin played solo again.
EMI released a compilation album in the early seventies called "Rarities" covering various recordings from 1962 to 1970, at least one of which, "Goodnight Dick" can be found nowhere else in the discography of the group, and, as far as can be ascertained, has never been played on the radio anywhere. (NUT 2 stereo/*mono OC 056-06 250).
2000s
Roger C. Field, a guitarist friend of Marvin presented Welch and Harris in 2001 with his idea to reunite The Shadows, winning their support, Harris addressing Field's intention in a newspaper article (Otago Daily Times, New Zealand, June 2, 2001) and writing "Good luck, Roger" on Field's Fender. Field contacted Marvin with suggestions and guitar arrangements to motivate him to return to the band and is the instigator of the reunion. The group re-formed in 2004 (with Bennett mediating between Welch and Marvin) healing a rift of over 10 years - to mount a farewell tour, and they recorded a new track - "Life Story" (written by Jerry Lordan)- to accompany a new greatest hits package of the same name which featured 1980s re-recordings of all their 1960s and 1970s hits. This opportunity to see Marvin, Welch and Bennett, joined on keyboards by Hall and bass by Griffiths, was so successful that they extended the tour in 2005, this time of Europe. The line-up was almost the same, but Warren Bennett, son of Brian, came in on keyboards instead of Hall. On 27 November 2008 a concert tour, with Cliff Richard, for 2009 was announced.. On 11 December 2008, Cliff Richard and the Shadows performed at the Royal Variety Performance.
Selected discography
From British Hit Singles & Albums, 17th Edition (Except Life Story)
Albums
- 1961 The Shadows (UK #1)
- 1962 Out of The Shadows(UK #1)
- 1963 Greatest Hits (UK #2) [compilation]
- 1964 Dance With The Shadows (UK #2)
- 1965 The Sound of The Shadows(UK #4)
- 1965 More Hits! [compilation] (UK #??)
- 1966 Shadow Music (UK #5)
- 1967 Jigsaw (UK #8)
- 1967 From Hank, Bruce, Brian and John
- 1968 Established 1958 [with Cliff Richard]
- 1970 Shades of Rock (UK #30)
- 1973 Rockin' With Curly Leads (UK #45)
- 1975 Specs Appeal (UK #30)
- 1975 Live at the Paris Olympia
- 1977 Tasty
- 1977 20 Golden Greats (UK #1) [compilation]
- 1979 String of Hits (UK #1)
- 1980 Another String of Hot Hits (UK #16) [compilation]
- 1980 Change of Address (UK #17)
- 1981 Hits Right Up Your Street (UK #15)
- 1982 Life In The Jungle/Live at Abbey Road (UK #24)
- 1983 XXV (UK #34)
- 1984 Guardian Angel (UK #98)
- 1986 Moonlight Shadows (UK #6)
- 1987 Simply Shadows (UK #7)
- 1989 Steppin' To The Shadows (UK #8)
- 1989 At Their Very Best (UK #12)
- 1990 Reflection (UK #5)
- 1993 Shadows In The Night - 16 Classic Tracks (UK #22) [compilation]
- 1994 The Best of Hank Marvin and The Shadows (UK #19) [compilation]
- 1997 The Shadows play Andrew Lloyd Webber and Tim Rice (UK #41)
- 1997 The Very Best of The Shadows - The First 40 Years (UK #56) [compilation]
- 1998 50 Golden Greats (UK #35) [compilation]
- 2004 Life Story (UK #7) [compilation]
- 2004 The Final Tour (UK #??)
- 2005 Platinum (UK #30) [compilation]
Singles
- 1959 "Feelin' Fine" (as The Drifters) Did Not Chart
- 1959 "Jet Black" (as The Drifters) Did Not Chart
- 1959 "Saturday Dance" Did Not Chart
- 1960 "Apache" (#1)
- 1960 "Man of Mystery" (#5)
- 1961 "F.B.I." (#6)
- 1961 "The Frightened City" (#3)
- 1961 "Kon-Tiki" (#1)
- 1961 "The Savage" (#9)
- 1962 "Wonderful Land" (#1)
- 1962 "Guitar Tango" (#4)
- 1962 "Dance On!" (#1)
- 1963 "Foot Tapper" (#1)
- 1963 "Atlantis" (#2)
- 1963 "Shindig" (#6)
- 1963 "Geronimo" (#10)
- 1964 "Theme for Young Lovers" (#12)
- 1964 "The Rise and Fall of Flingel Bunt" (#5)
- 1964 "Rhythm and Greens" (#22)
- 1964 "Genie With the Light Brown Lamp" (#17)
- 1965 "Mary Anne" (#17)
- 1965 "Stingray" (#19)
- 1965 "Don't Make My Baby Blue" (#9)
- 1965 "The War Lord" (#18)
- 1966 "I Met a Girl" (#22)
- 1966 "A Place in the Sun" (#24)
- 1966 "The Dreams I Dream" (#12, official Melody Maker chart position)
- 1967 "Maroc 7"(#24)
- 1967 "Tomorrow's Cancelled" - Columbia DB8264
- 1975 "Let Me Be the One (#12)
- 1978 "Love Deluxe" Did Not Chart - EMI2838
- 1978 "Don't Cry for Me Argentina" (#5)
- 1979 "Theme From The Deer Hunter" (#5)
- 1980 "Riders In the Sky" (#10)
- 1980 "Equinoxe Part V"(#50)
- 1981 "The Third Man" (#43)
- 1986 : Theme From 'Eastenders'/'Howard's Way' (#86)
- 1989 : Shadowmix (#81)
Fender Guitars UK launch/etc
This group was launched in 1959 at a time when imported goods into the UK were prohibited by law as a consequence of the UK govt repaying the USA govt for the UK's WW2 war debt. Cliff Richard bought (costing 600 pounds) Hank Marvin a red (Fleminco pink) Fender Stratocaster guitar to improve the sound of his then backing group. As a consequence of the success of the Apache single 1000s of instrumental groups suddenly sprang up over night in the UK (and Europe) during 1960-61. Sales of all guitars (both new and old) throughout the UK soared leading on to a surge of quality guitar sales later on in the UK. Once all 3 guitarists in the Shadows acquired 3 Fender guitars in 1960 sales of all Fender guitars in the UK took off exponentially. It is generally reckoned that the Fender guitar range of guitars is the most popular and versatile amongst all rock music fans throughout the world. Since then all major guitarists in the UK have bought a Fender stratocaster guitar.
Tribute Bands
Whereas each well known group has only one tribute band eg the Bootleg Beatles, today, perhaps their greatest legacy is that The Shadows can lay claim to have more tribute bands than any other band eg The Rapiers, The Runaways, etc. Also, there are several companies around the world that still make echo and reverb units in both analogue and digital domains to enable budding guitarists try their hand at the Hank Marvin/Shadows' style of guitar playing. By contrast, the number of Ventures tribute bands esp Japan is currently unknown.
Other Careers Responsible for
Aside from assisting Cliff Richard's hugely successful career as his live backing group from 1958-1968 and as major song writers; they (Bruce Welch and John Farrar) can also lay claim to effectively having launched the career of Olivia Newton-John whose emerging career in 1971-4 required John Farrar to quit the band in 1975, six years later, having joined Marvin Welch and Farrar in 1970. Olivia Newton-John has sold in excess of 100m records worldwide.
The Shadows vs The Ventures
Obvious comparisons between the Shadows and the Ventures are awkward/complicated by unique circumstance as the Shadows' worldwide record sales have not (so far) been calculated (at all) by EMI records and Polydor records ie Universal Music (combined) and are also complicated by the fact that The Shadows spent their first 10 years assisting Cliff Richard's successful career helping him to amass sales figs of 260,000,000 around the world. The Shadows' career mostly concentrated on singles releases (but reverted to albums during the 1970/80s) whereas the Ventures focused on albums throughout their career. According to Tony Meehan (deceased), insiders working within the UK music industry have deliberately conspired against the Shadows in the UK before the Beatles and Rolling Stones took over from the Shadows in 1963 as the UK's premier band.
Youtube
On Youtube website the Shadows 'Apache' single has had in excess of over 1,000,000 hits to be compared against the Ventures 'Walk don't run' single.
Influences
Many major British guitarists have identified The Shadows as a key influence in their choice of career in music eg Brian May(Queen); Eric Clapton; Lemmy Kilmister(Motorhead); etc. George Harrison(Beatles) wrote the Beatles instrumental "Cry for a Shadow" - released on Polydor in 1962.
This does not include collaborations with Cliff Richard, solo recordings or those made under the name "Marvin, Welch & Farrar"
See also
External links
- * Cliff Richard and The Shadows discography
- with photo of Hank Marvin and Roger C. Field (see article above)
-
|
| |
|
|