The Public Burning
Encyclopedia
The Public Burning, Robert Coover
Robert Coover
Robert Lowell Coover is an American author and professor in the Literary Arts program at Brown University. He is generally considered a writer of fabulation and metafiction.-Life and works:...

's third novel, was published in 1977. It is an account of the events leading to the execution of Julius and Ethel Rosenberg
Julius and Ethel Rosenberg
Ethel Greenglass Rosenberg and Julius Rosenberg were American communists who were convicted and executed in 1953 for conspiracy to commit espionage during a time of war. The charges related to their passing information about the atomic bomb to the Soviet Union...

. An uncharacteristically human caricature of Richard Nixon
Richard Nixon
Richard Milhous Nixon was the 37th President of the United States, serving from 1969 to 1974. The only president to resign the office, Nixon had previously served as a US representative and senator from California and as the 36th Vice President of the United States from 1953 to 1961 under...

 serves as protagonist and narrator for the primary continuity.

The novel satirizes the Cold War
Cold War
The Cold War was the continuing state from roughly 1946 to 1991 of political conflict, military tension, proxy wars, and economic competition between the Communist World—primarily the Soviet Union and its satellite states and allies—and the powers of the Western world, primarily the United States...

 politics of Joseph McCarthy
Joseph McCarthy
Joseph Raymond "Joe" McCarthy was an American politician who served as a Republican U.S. Senator from the state of Wisconsin from 1947 until his death in 1957...

 by portraying "The Phantom" as the embodiment of global Communism and everything that threatens the American way of life—a vague, terrifying, and omnipresent enemy. The ugly side of the American psyche this draws out is characterized by an incarnation of Uncle Sam
Uncle Sam
Uncle Sam is a common national personification of the American government originally used during the War of 1812. He is depicted as a stern elderly man with white hair and a goatee beard...

 who unleashes a torrent of interminable verbosity in a folksy, foul-mouthed style whenever he appears. The New York Times and Time Magazine figure centrally as symbols of institutional failure not only to question whether the truth was a victim in this hyperpoliticized trial but also whether the official narrative was in fact a bunch of political lies.

Understandably, Coover experienced difficulty finding a publisher due to legal concerns over the unflattering depiction of Richard Nixon. Details of the publication history can be found in the novel's introduction.

Despite these difficulties, this novel has received a large amount of critical attention. It has been called “perhaps the most complete replenishment of the language since Whitman and (in a different way) Mark Twain … no writer since Melville has dived so deeply and fearlessly into this collective American ream as Coover has in this novel.”
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