The Little French Lawyer
Encyclopedia
The Little French Lawyer is a Jacobean era stage play, a comedy
Comedy
Comedy , as a popular meaning, is any humorous discourse or work generally intended to amuse by creating laughter, especially in television, film, and stand-up comedy. This must be carefully distinguished from its academic definition, namely the comic theatre, whose Western origins are found in...

 written by John Fletcher
John Fletcher (playwright)
John Fletcher was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; both during his lifetime and in the early Restoration, his fame rivalled Shakespeare's...

 and Philip Massinger
Philip Massinger
Philip Massinger was an English dramatist. His finely plotted plays, including A New Way to Pay Old Debts, The City Madam and The Roman Actor, are noted for their satire and realism, and their political and social themes.-Early life:The son of Arthur Massinger or Messenger, he was baptized at St....

. It was initially published in the first Beaumont and Fletcher folio
Beaumont and Fletcher folios
The Beaumont and Fletcher folios were two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama.-The first folio, 1647:The 1647...

 of 1647
1647 in literature
The year 1647 in literature involved some significant events.-Events:* Thomas Hobbes becomes tutor to the future Charles II of England.* Plagiarist Robert Baron publishes his Deorum Dona, a masque, and Gripus and Hegio, a pastoral, which draw heavily on the poems of Edmund Waller and John Webster's...

.

Date

Definite information on the play's date of authorship and early performance history is lacking. Scholars generally date the play to the 1619–23 period. The second Beaumont/Fletcher folio of 1679
1679 in literature
This article lists some of the most significant events of the year 1679 in literature.-Events:*John Locke returns to England from France.*Étienne Baluze becomes almoner to King Louis XIV of France....

 provides a cast list for the play, which includes Joseph Taylor
Joseph Taylor (17th-century actor)
Joseph Taylor was a 17th-century actor. As the successor of Richard Burbage with the King's Men, he was arguably the most important actor in the later Jacobean and the Caroline eras....

, Nicholas Tooley
Nicholas Tooley
Nicholas Tooley was a Renaissance actor in the King's Men, the acting company of William Shakespeare.Recent research has shown that Tooley was born in late 1582 or early 1583; his birth name was not Tooley but Wilkinson...

, John Lowin
John Lowin
John Lowin was an English actor born in the St Giles-without-Cripplegate, London, the son of a tanner. Like Robert Armin, he was apprenticed to a goldsmith. While he is not recorded as a free citizen of this company, he did perform as a goldsmith, Leofstane, in a 1611 city pageant written by...

, William Ecclestone
William Ecclestone
William Ecclestone or Egglestone was an actor in English Renaissance theatre, a member of Shakespeare's company the King's Men.Nothing is known with certainty about Ecclestone's early life...

, John Underwood
John Underwood (actor)
John Underwood was an early 17th century actor, a member of the King's Men, the company of William Shakespeare.-Career:Underwood began as a boy player with the Children of the Chapel, and was cast in that company's productions of Ben Jonson's Cynthia's Revels and The Poetaster...

, Richard Sharpe
Richard Sharpe (actor)
Richard Sharpe was an actor with the King's Men, the leading theatre troupe of its time and the company of William Shakespeare and Richard Burbage...

, Robert Benfield
Robert Benfield
Robert Benfield was a seventeenth-century actor, noted for his longtime membership in the King's Men in the years and decades after William Shakespeare's retirement and death.Nothing is known of Benfield's early life...

, and Thomas Holcombe
King's Men personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642...

. This is the same cast of actors from the King's Men
King's Men (playing company)
The King's Men was the company of actors to which William Shakespeare belonged through most of his career. Formerly known as The Lord Chamberlain's Men during the reign of Queen Elizabeth, it became The King's Men in 1603 when King James ascended the throne and became the company's patron.The...

 that the folio gives for The Custom of the Country
The Custom of the Country (1647 play)
The Custom of the Country is a Jacobean stage play, a tragicomedy written by John Fletcher and Philip Massinger, originally published in 1647 in the first Beaumont and Fletcher folio.-Date and sources:The play is usually dated to c. 1619–23...

 and Women Pleased
Women Pleased
Women Pleased is a late Jacobean era stage play, a tragicomedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647.-Date and performance:...

,
plays that are thought to date from the same era. These plays must have premiered between the Spring of 1619, when Taylor joined the troupe, and June 1623, when Tooley died.

Authorship

Given Fletcher's highly distinctive style and mannerisms, the division of shares of authorship in the play is relatively clear. Cyrus Hoy
Cyrus Hoy
Cyrus Hoy was a literary scholar of the English Renaissance stage who taught at the University of Virginia and Vanderbilt University, and was the John B. Trevor Professor of English at the University of Rochester...

 offered a delineation that generally agreed with those of other critics:
Massinger — Act I; Act III, scene 3; Act IV, 5; Act V, 3;
Fletcher — Act II; Act III, scenes 1, 2, and 4; Act IV, 1-4; Act V, 2;
Fletcher and Massinger — Act IV, scenes 6-7; Act V, 1.


The play's closing couplet is similar to the closing couplet in The Sea Voyage
The Sea Voyage
The Sea Voyage is a late Jacobean comedy written by John Fletcher and Philip Massinger. The play is notable for its imitation of Shakespeare's The Tempest.-Performance and publication:...

, another of the dramatists' collaborations.

The Little French Lawyer provides repeated displays of the two playwrights' habit of re-using characters' names from play to play. Dinant, Cleremont, Lamira and Beaupre all re-appear in Massinger's The Parliament of Love
The Parliament of Love
The Parliament of Love is a late Jacobean era stage play, a comedy written by Philip Massinger. The play was never printed in the seventeenth century, and survived only in a defective manuscript — making it arguably the most problematical work in the Massinger canon.The Parliament of Love was...

; Cleremont also previously appeared in Fletcher's Philaster
Philaster (play)
Philaster, or Love Lies a-Bleeding is an early Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher. One of the duo's earliest successes, the play helped to establish the trend for tragicomedy that was a powerful influence in early Stuart era drama.-Date and...

and The Noble Gentleman
The Noble Gentleman
The Noble Gentleman is a Jacobean era stage play, a comedy in the canon of John Fletcher and his collaborators that was first published in the first Beaumont and Fletcher folio of 1647...

. Lamira and Charlotte are used in The Honest Man's Fortune
The Honest Man's Fortune
The Honest Man's Fortune is a Jacobean era stage play, a tragicomedy written by Nathan Field, John Fletcher, and Philip Massinger. It was apparently the earliest of the works produced by this trio of writers, the others being The Queen of Corinth and The Knight of Malta.-Texts:The Honest Man's...

, and Verdon is found in Rollo Duke of Normandy
Rollo Duke of Normandy
Rollo Duke of Normandy, also known as The Bloody Brother, is a play written in collaboration by John Fletcher, Philip Massinger, Ben Jonson, and George Chapman. Scholars have disputed almost everything about the play; but it was probably written sometime in the 1612–24 era and later revised,...

.

Source

The plot of the play is based on a story by Massuccio di Salerno (his Il novellino, novella xli), perhaps in the version in Guzmán de Alfarache by Mateo Alemán
Mateo Alemán
Mateo Alemán y de Enero was a Spanish novelist and writer.He graduated at Seville University in 1564, studied later at Salamanca and Alcalá, and from 1571 to 1588 held a post in the treasury; in 1594 he was arrested on suspicion of malversation, but was speedily released...

 (1599
1599 in literature
-Events:* Undated - Opening of the Globe Theatre.*June 4 - Middleton's Microcynicon and Marston's Scourge of Villainy are publicly burned, as ecclesiastical authorities crack down on the craze for satire of the past year. The Bishop of London and the Archbishop of Canterbury tighten their...

, 1605
1605 in literature
The year 1605 in literature involved some significant events.-Events:*January 1 - The Queen's Revels Children perform George Chapman's All Fools at Court....

). The plot bears resemblances with several other plays of the era — the Beaumont and Fletcher
Beaumont and Fletcher
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I ....

 play The Scornful Lady
The Scornful Lady
The Scornful Lady is a Jacobean era stage play, a comedy written by Francis Beaumont and John Fletcher, and first published in 1616, the year of Beaumont's death...

, John Marston
John Marston
John Marston was an English poet, playwright and satirist during the late Elizabethan and Jacobean periods...

's The Dutch Courtesan
The Dutch Courtesan
The Dutch Courtesan is an early Jacobean stage play written by the dramatist and satirist John Marston circa 1604. It was performed by the Children of the Queen's Revels, one of the troupes of boy actors active at the time, in the Blackfriars Theatre in London.The play was entered into the...

, Massinger's The Parliament of Love
The Parliament of Love
The Parliament of Love is a late Jacobean era stage play, a comedy written by Philip Massinger. The play was never printed in the seventeenth century, and survived only in a defective manuscript — making it arguably the most problematical work in the Massinger canon.The Parliament of Love was...

, and A Cure for a Cuckold
A Cure for a Cuckold
A Cure for a Cuckold is a late Jacobean era stage play, a comedy written by John Webster and William Rowley. The play was first published in 1661, though composed some four decades earlier.-Date and performance:...

, by John Webster
John Webster
John Webster was an English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, which are often regarded as masterpieces of the early 17th-century English stage. He was a contemporary of William Shakespeare.- Biography :Webster's life is obscure, and the dates...

 and William Rowley
William Rowley
William Rowley was an English Jacobean dramatist, best known for works written in collaboration with more successful writers. His date of birth is estimated to have been c. 1585; he was buried on 11 February 1626...

.

In the Restoration

The play was revived during the Restoration
English Restoration
The Restoration of the English monarchy began in 1660 when the English, Scottish and Irish monarchies were all restored under Charles II after the Interregnum that followed the Wars of the Three Kingdoms...

 era, being performed at the Inner Temple
Inner Temple
The Honourable Society of the Inner Temple, commonly known as Inner Temple, is one of the four Inns of Court in London. To be called to the Bar and practise as a barrister in England and Wales, an individual must belong to one of these Inns...

 in 1670
1670 in literature
The year 1670 in literature involved some significant events.-Events:* The philosophical arguments of John Locke inspire the formation of the Board of Trade in London ....

, probably at Candlemas, 2 February. It was staged again in 1717
1717 in literature
The year 1717 in literature involved some significant events and new books.-Events:* Voltaire is sentenced to eleven months in the Bastille and is banished from Paris for criticizing the Duc D'Orléans...

; and scenes from the play were adapted for a farce, acted under the play's name at Drury Lane
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...

 in 1749
1749 in literature
The year 1749 in literature involved some significant events and new books.-New books:* Joseph Ames - Typographical Antiquities* George Berkeley - A Word to the Wise* John Brown - On Liberty...

.

Synopsis

The play is set in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

, and opens with two Frenchmen, the friends Dinant and Cleremont, discussing the ethics and manners of duel
Duel
A duel is an arranged engagement in combat between two individuals, with matched weapons in accordance with agreed-upon rules.Duels in this form were chiefly practised in Early Modern Europe, with precedents in the medieval code of chivalry, and continued into the modern period especially among...

ling. Dinant is disconsolate, because the woman he loves, Lamira, is marrying a rich old man named Champernell. Champernell won fame and fortune fighting at sea; but now he is crippled in an arm and a leg. Dinant and Champernell confront the wedding party as they leave the church; the two mock and insult the new-made man and wife. Champernell tries to fight back, but his injuries prevent him; both groom and bride are reduced to tears of frustration (him) and embarrassment (her). They are not without defenders, however: afterward, Lamira's brother Beaupre and Champernell's nephew Verdone meet Dinant and Cleremont, and challenge them to meet on the "field of honor".

The challenge is spied upon, by Lamira's old Nurse; Lamira foresaw this event, and is terrified that her brother will be killed by Dinant. To avoid this, Lamira summons Dinant, and complains that her honor has been insulted. Dinant agrees to meet her slanderer and defend her, even though he will miss his appointment with Beaupre and Verdone. Cleremont makes that appointment in a cold dawn, and is distressed to find himself alone against two potential combatants. To avoid fighting both or yielding his sword, he must obtain a second. He solicits passers-by but finds no one, until he encounters a diminutive lawyer named La-Writ, who is poring over his court documents as he walks toward the city. Cleremont manages to bully, cajole, and persuade the attorney to second him in the duel, even though La-Writ has never drawn his sword in anger in his life. Through a stroke of beginner's luck, La-Writ manages to disarm Beaupre, and then rescue Cleremont by disarming Verdone too. The two losers have to return to the city without their swords, and a buoyant-spirited La-Writ resumes his way.

Meanwhile, Dinant has wasted two hours, waiting to encounter a person who does not exist. As he suspects he's been fooled, he meets a swaggering and wild-talking La-Writ, and believes he's found the man he means to fight. Before they can duel, Cleremont breaks in upon them, and informs Dinant that the little lawyer is the man who saved his honor by taking his place in the morning's duel. La-Writ is now so transported with exaltation that he neglects his law practice to devote his time to quarreling with the town bravos.

When Champernell learns that Verdone and Beaupre have been defeated, he is irate and disgusted. Verdone explains that Dinant did not appear that morning, but that his place was taken by "a Devil hir'd from some Magician,/ I'th' shape of an Attorney". Verdone accuses Dinant of cowardice — and Lamira surprises everyone by defending her former suitor's reputation. Champernell is distressed and angered by this; but Lamira takes the upper hand by threatening to run away if he doubts her virtue. Her husband backs down, and Lamira decides to teach Dinant a lesson for hoping to make her an adulteress.

Lamira summons Dinant to a tryst; Cleremont comes with him. To complete their tryst, Lamira tells Cleremont that he must take her place in bed with her husband: the old man has a habit of reaching out to feel if she's still in bed, and if he feels no one, he'll be alarmed. Cleremont is humiliated to be put in this position — but his friendship for Dinant leads him to agree. Dinant thinks that he will finally enjoy Lamira; but she talks loudly, lights the lights, and has music played, spoiling the secrecy of the moment. It turns out that Cleremont has been lying in bed not with the old man, but with his sixteen-year old niece Anabel. Champernell, Beaupre, and Verdone laugh at the discomfiture of their two rivals.

La-Writ is now so passionate about quarreling that he fails to appear in court, and his cases are dismissed by the judge Vertaigne (who is also Lamira's father). La-Writ writes a challenge to the judge, and asks Cleremont to deliver it. This presents Cleremont with a dilemma: the code of duelling will not allow him to refuse to deliver the challenge — but delivering it to a judge will quickly land him in jail. He handles the matter by pretending that the challenge is a joke. Vertaigne takes it so, and sends his kinsman Sampson, another lawyer, to meet La-Writ in his place. When the two meet, their seconds, in pretending to observe the punctillios of the duelling code, deprive them of their swords and doublets — and then run off, leaving the two would-be duellists without swords, horses, or coats in the cold morning air.

Dinant and Cleremont plan to gain revenge on those who have embarrassed them. As Champernell, Vertaigne and their party are travelling to a country house, they are waylaid by a group of pretended bandits. Dinant and Cleremont appear to come to their rescue, and in the tumult and confusion the party is separated and the two old men are left alone in the woods. Champernell and Vertaigne soon stumble into La-Writ and Sampson. La-Writ is still talking big, full of his fictitious prowess; an irritated Champernell finally knocks him to the ground. Sampson is driven off, and Champernell beats La-Writ until the repentant attorney agrees to give up fighting and return to lawyering once again.

In the clutches of the feigned bandits, Lamira is frightened, but Anabel is determined to fight to preserve her honor. Cleremont, pretending to be a rescuer, absconds with Anabel to a waiting priest. Dinant confronts Lamira, who is repentant for tricking him, but still determined to preserve her virtue; and Dinant reconciles with her. At the end of the play, hard feelings are dispelled with a new understanding and tolerance, and a new couple in Cleremont and Anabel.

Stagecraft

When Champernell is introduced in the play's opening scene, the text states that he has suffered "The loss of a leg and an arm" — raising the question of how this was managed in the original stage production.
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