The Last House on the Left (2009 film)
Encyclopedia
The Last House on the Left is a 2009 American film directed by Dennis Iliadis and written by Carl Ellsworth
and Adam Alleca. It is a remake
of the 1972 film of the same name
, and stars Monica Potter
, Tony Goldwyn
, Garret Dillahunt, and Sara Paxton
. The film follows the parents (Goldwyn and Potter) of Mari Collingwood (Paxton), who attempt to get revenge on a group of strangers, led by a man named Krug (Dillahunt), that have taken shelter at their home during a thunderstorm. The Collingwoods discover that the Krug and his group have shot their daughter and left her for dead.
The film rights were picked up by Rogue Pictures
in 2006, with the remake being the first film produced by Wes Craven
's new production studio Midnight Pictures. Craven, who wrote and directed the 1972 original, was interested to see what kind of film could be produced on a large budget, as the limited funds in 1972 forced him to eliminate scenes he had wanted to film to tell a complete story. Alleca's original script included elements of the supernatural, which prompted the studio to reject it and bring in Ellsworth to perform a rewrite. One of the elements director Iliadis wanted to avoid with this film, given its graphic nature, was turning it into torture porn — a sub-genre of horror popularized by the Saw franchise. For Craven and Iliadis, The Last House on the Left primarily illustrates how even the most normal of families can be driven to evil acts if pushed too far.
The film was released on March 13, 2009, and took the top spot away from Watchmen
with $5.6 million in weekend revenue. The Last House on the Left was met with mixed reviews from critics, with Dillahunt's performance often praised and the rape sequence criticized as being too realistic to handle. Audience opinion ranked the film at a "B" level, from a scale of "A to F"; the film would ultimately gross approximately $45 million worldwide.
) and John Collingwood (Tony Goldwyn
), and their daughter, Mari (Sara Paxton
), head out on vacation to their lake house. Shortly after arriving, Mari borrows the family car and drives into town to spend time with her friend Paige (Martha MacIsaac
). While Paige works the cash register at a local store, she and Mari meet Justin (Spencer Treat Clark
), a teenager passing through the town who invites them both back to his hotel room to smoke some marijuana. While the three are hanging out in the hotel room, Justin's family members return: Krug (Garret Dillahunt), Justin’s father; Francis (Aaron Paul
), Justin’s uncle; and Sadie (Riki Lindhome
), Krug’s girlfriend.
Krug shows Justin a local newspaper that has Krug’s and Sadie’s pictures on the front page, and which explains how Sadie and Francis broke Krug out of police custody and killed the two officers that were transporting him. Believing it too risky to let Paige and Mari go, the gang kidnaps them and uses their vehicle to leave town. While Krug searches for the highway, Mari convinces him to take a road that leads him to her parent’s lake house; Mari then attempts to jump out of the vehicle, but the ensuing fight among the passengers causes Krug to crash into a tree. Frustrated by Mari’s attempts to escape, Sadie and Francis proceed to beat Mari as she crawls away from the wreckage. Krug attempts to teach his son to "be a man" by forcing him to fondle Mari’s breasts. When Justin refuses, Krug decides to rape
Mari. Paige begins insulting him to get him to stop; in response, Krug stabs Paige with his knife and rapes Mari, forcing her to watch Paige bleed to death. Afterward, Mari musters enough strength to escape the group and make it to the lake so that she can swim to safety. Before she can swim far enough Krug shoots her in the back, leaving her to bleed out in the lake.
A storm forces Krug and his gang to seek refuge with John and Emma, whose home is nearby. Justin realizes that they are Mari’s parents, and intentionally leaves a necklace Mari was wearing on the counter to alert them about their daughter. When John and Emma find Mari barely alive on their porch, and the necklace on the counter, they realize that the people who did this to Mari are in their home. As they try and find the key to their boat, so that they can take Mari to the hospital, they decide to get revenge on those responsible. When Francis happens upon Mari he is attacked and killed by John and Emma. When the couple goes after Krug and Sadie they find Justin in possession of Krug’s gun; Justin gives the gun to John so he can kill Krug. Sadie awakes and interrupts John, allowing Krug to escape the couple: he then realizes that they are Mari’s parents. After Emma shoots Sadie in the head, John chases Krug. With a combined effort from Emma, John, and Justin, Krug is knocked unconscious. John paralyzes Krug from the neck down, and leaves him to die with his head in an active microwave oven; then he, Emma, Mari, and Justin take the boat to the local hospital.
finalized a deal to remake The Last House on the Left with original writer and director Wes Craven
as a producer. The company intended to preserve the storyline of the original film. In September 2006, it was announced that Craven had formed a production company, Midnight Pictures, under the umbrella of Rogue Pictures, and the remake for The Last House on the Left was selected as the company's first project. One of the reasons Craven agreed to remake The Last House on the Left was because of the money involved. In 1972, he did not have the budget to film every piece of the story he wanted to tell. With the 2009 remake, a larger budget allowed the filmmakers to pace themselves more during filming, taking more care while shooting, and expand the scope of the story more. One of the ways to accomplish this was for the producers to find a "rising young director to bring a new perspective for the story". According to the producers, who were impressed with Hardcore—which explored the world of teenage prostitution—director Dennis Iliadis was the person they were looking for. Co-producer Cody Zwieg stated, "Hardcore wasn’t a genre or a horror film but showed completely believable characters in horrific, realistic situations. Many directors could handle the surface elements, the blood and shock moments of Last House, but Dennis proved that he could do it all without exploiting his characters and their situations." According to Iliadis, the director was quick to accept the responsibility of remaking The Last House on the Left, having already been a fan of Craven’s and seen all of his films.
An early draft for the remake had moved the setting to northern California, and altered the third act to include elements of the supernatural. When that script was rejected, Carl Ellsworth was brought in to touch up the script written by Adam Alleca. Ellsworth had previously worked with Craven on Red Eye
, but had never seen the original Last House on the Left. After reading the script and watching the 1972 film—the latter he found difficult to watch because of its extreme nature—Ellsworth decided that the first thing they needed to do was to establish someone whose survival you wanted the audience to root for. The writer wanted to know how the "typical family" would react to such a heinous act being perpetrated on their daughter, and what they were truly capable of. Craven points out that most of the early script problems were based around deciding what elements to include. They were never sure how much of the Krug family needed to be seen, what elements from the original film should be included, or even if Mari should live or die.
One of the changes that Ellsworth made was keeping Mari alive, as the character is found dead in the original film. The writer believes keeping Mari alive when her parents find her adds to the suspense, because there is now a "ticking clock" for the parents to get their daughter to the hospital. Another change to the character was making her a swimmer. Director Iliadis wanted to give Mari a "big character trait" that could be used as a coping mechanism for the character, as well as become an important component to her escaping Krug. As Iliadis explains, "Well the idea was to find something where she channels all her energy and that was a big character trait because her brother is dead. It’s like she’s carrying him on her back. She needs to perform for two people now. She has to compensate for him so all her energy is in the water. The only area where she feels slightly free is when she’s in the water swimming like crazy, so it’s interesting having that as a character trait, and then having that as a key element for her trying to escape."
The writer changed the fate of another character, Krug's son Justin attempting to give the audience a better "sense of hope". Craven points out that early on he suggested that Krug have a son who commits suicide, but found it interesting to see "this strange Romeo and Juliet thing happening" between Krug’s son and Mari. He also stated that he likes the fact that John Collingwood is a doctor who actually gets to use his skills in the film, unlike in the original where the character is merely identified as being a doctor. Craven comments, "[it is] an extraordinary moment" when John is forced to improvise a way to restore a collapsed lung; "It made it real." Ellsworth wanted to create a level of interest in the characters that would "engage [the audience]", as opposed to simply leaving the family in "even worse shape [by] the end of the movie". He asserts that the film does not have a happy ending, but that there is some hope left at the end. Director Dennis Iliadis further explains that the point is to show the family from a different light. Initially the director feared that they were "wussing out" with the ending; he eventually decided that what you really see is a family that has physically survived this encounter, but are "dead in many ways". Iliadis expressed that he did not want to go the way of "torture porn", which is what he sees most horror films moving toward, but instead show a sense of "urgency" with the parents’ actions.
came in her audition was "good", but it was this sense of intelligence and intensity that Paxton brought with her. The actress also had the "innocent face" the director was looking for, someone who had this "wholesomely American look" that would not allow anyone to enjoy watching her go through these intense events.
Iliadis auditioned dozens of actors before he hired Garret Dillahunt for the role of Krug, the leader of the family that kidnaps Mari. According to Iliadis, the actors coming in kept trying to portray Krug as the "typical bad guy", and that was not what the director wanted. In Iliadis's opinion, "the most sadistic criminal will smile"; when Dillahunt came in he brought a slyness to the character, and created "ambiguity and subtleties" to the character that Iliadis liked. Dillahunt attempted to humanize Krug by approaching the character more as a man who feels love for his son, but is bitter about how his life has turned out and is fearful that he is losing his position as the leader. He further clarifies that Krug fails to take responsibility for his own actions, instead blaming others, and prefers to deliver his own "twisted justice" to those he feels have wronged him.
Dillahunt took inspiration from Andrew Cunanan
, the man who killed Gianni Versace
, when he recalled the brutality in which Cunanan murdered a man just for his car. Dillahunt recalls how an FBI profiler noted that this type of rage is typically directed toward someone the perpetrator knows, yet Cunanan managed to pull some element from his own life and place it on this random person who attempted to stand his ground against the would-be carjacker. To Dillahunt, that was how he wanted to approach Krug. To him, Mari actually shows that she is not afraid of Krug, which causes him to go "crazy". That being said, the actor felt like the scene where his character rapes Mari was one of the hardest things emotionally to film. He notes that part of him was happy that Sara Paxton
was cast as Mari, because they had worked together in the past, so they knew each other. On the other hand, he felt uncomfortable acting out such a scene with a person he considered to be a friend. Paxton echoed his sentiments to Craven, who stated the actress expressed to him a greater feeling of trust that the person who would have to do these "horrible" things to her was someone she knew, and as a result made them at least partially more bearable to act.
At the time Riki Lindhome
was called in to audition for the role of Sadie, December 2007, she had not heard of Craven's original film. On the day of her audition, Lindhome was informed that she had missed her scheduled appointment and that she would need to return come January. Lindhome took the time to watch the original movie and read an article in Vanity Fair
about the film, giving her some familiarity with the story and her role when she went to audition. Lindhome says she finds her character "creepy for no apparent reason", because the film does not attempt to justify why the three antagonists do what they do. The actress characterizes Sadie as being "equally as bad as [the men]", being just as vicious as the others. Lindhome admits that early in production it was easier for her to detach herself from the violent character she was portraying, but as filming continued and the cast grew closer she says that it became more difficult and "upsetting" to perform some of the scenes. According to Lindhome, as a response to seeing how some of the scenes were affecting the women, the producers sent Paxton, Lindhome, and Martha MacIsaac
to a spa
for a weekend.
Before filming started, some of the actors had to undergo various training exercises for their roles. Dillahunt, Lindhome, and Aaron Paul
—the latter portrays Francis—had to take part in gun training, while Sara Paxton had to get up each morning for swimming lessons so that she looked like an experienced swimmer. Iliadis also spent several weeks with the actors in rehearsal. It was Iliadis’s hope that space to rehearse their roles, and then time during filming to develop their characters individually, would help them to trust Iliadis as the director more.
for himself, but also because he likes to allow the directors the chance to make their own film. For the 2009 remake, Iliadis wanted to keep a consistency among the scenes of his film, as compared to the 1972 original. Iliadis stated that he felt the intercutting of comedic scenes with the rape scene in the 1972 film had the tendency to take one out of the moment. Iliadis wanted to "cut those diversions out", as a way of "[throwing the audience] into this scene with no place to cut away to". For Iliadis, taking this approach helped to create more drama for the event. The producers brought in a medical technician
to provide insight, based on his job experience witnessing the people's deaths, and lend realism to the actors' portrayals. Lindhome states that the technician would explain how someone would react given a particular event, like getting shot or stabbed. Iliadis also felt that his work on Hardcore helped to train him for this film. As the director points out, Hardcore contained "very difficult scenes", like a sixteen-year old girl having an "existential breakdown during an orgy", and Iliadis sees those scenes as training for him to learn how to make sure the actors are still being respected, as well as making sure that the scene is focused on the characters instead of simply going for "titillation".
For the ending of the film, Iliadis and the rest of the creative team chose to include the song "Dirge", by psychedelic rock
band Death in Vegas
. Iliadis was hoping to find something that was both "ironic" and "innocent" at the same time, given the events in the film that would precede its usage. To the director, the choice helped to illuminate the fact that nothing will be the same for this family again. Craven comments on the choice to have John Collingwood return to finish off Krug at the end. Craven explains, "I also found it interesting that the Dr., whose oath 'does no harm', intentionally [kills Krug] and that it kinda shows that when seeking revenge you can become something evil yourself if you don't stop once what's been necessary is done. So I also found it intriguing that we're just seeing these wonderful, perfect people but the father comes back and goes out of his way to do this."
ratings board. The biggest setback by the board involved the rape scene. In the original cut of the film, the scene was at least one minute longer, but the board forced the scene to be trimmed if the filmmakers wanted an R-rating. There were other minor aspects trimmed as well, like an extended stabbing sequence with Paige. What shocked Craven was when the MPAA told them that this was a "special" film that did not "need" the extension on those scenes. Craven believed that the MPAA viewed the film more as an artistic horror film, which he sees as both a blessing and a curse. In Craven's experience, once the MPAA becomes focused on certain elements they dislike in horror films that they otherwise like, they become determined to see it removed before release. Regardless of the MPAA's appreciation of the edited version of the film, the DVD
and Blu-ray copies of the film, which were released on August 18, 2009, contain both a rated and unrated cut. The DVD sales have brought in approximately $20 million in revenue.
, the previous weekend's top film, with approximately $5,304,344. From March 13 - 15, The Last House on the Left took in an additional $5,318,215 and $3,170,125, respectively, to round out its opening weekend with $14,118,685. By comparison, the 1972 original earned an estimated $3.1 million, in unadjusted dollars, during its entire box office run. Adjusting for inflation, that would be approximately $16,468,225 in 2009. As of August 18, 2009 the film has grossed $45,286,226 worldwide.
, The Last House on the Left has an overall 41% approval rating from critics, with an average
score of 4.9/10. Among Rotten Tomatoes' Top Critics, which consists of popular and notable critics from the top newspapers, websites, television and radio programs, the film holds an overall approval rating of 42%. By comparison, Metacritic
, which assigns a normalized
rating out of 100 to reviews from mainstream critics, the film has received an average score of 42, based on 27 reviews. CinemaScore
polls reported that the average grade cinemagoers gave the film was "B" on an A+ to F scale, with exit polling showing that 57% of the audience was female, 60% was under 25, and with Hispanics and Caucasians making up 36% and 35%, respectively.
The San Francisco Chronicle
s Peter Hartlaub felt the remake departed from the traditional template used by more recent remakes—"include twice as many kills, [find] boring young actors from TV shows, rewrite the script so you lose everything interesting about the original, [and] make up an excuse to add cell phones"—which ultimately made it far more effective. Hartlaub cited the script, which he felt devoted as much time to character development as "carnage", and the "good acting", particularly Tony Goldwyn, as reasons why this remake succeeds. Kyle Smith
, of the New York Post
, agreed that the film succeeded where other remakes had failed. For Smith, it was the replacement of the "quick-cutting, loud noises and camera tricks" clichés with "long takes, genuinely disturbing violence and stretches with no dialogue to pin you to the story", which made this film more effective. Smith also commended Dillahunt’s acting, as well as Iliadis's "casual, matter-of-fact approach that multiplies the horror to an almost unbearable level". In contrast, USA Today
's Claudia Puig stated that director Dennis Iliadis failed at trying to keep the film from becoming another "torture porn". Puig felt that the killing scenes were too drawn out, noting the technique was down to heighten the effect, but actually comes across more as "repugnant and fetishized violence". She also noted that the parents seemed to find enjoyment in exacting their revenge, even when their daughter lay dying in the next room. New York Daily News
' Joe Neumaier was in agreement with Puig when he referred to the film as "stomach-churningly anti-human" because of its violence, and questioned why Goldwyn and Potter even signed on to the film. Neumaier suggests that the film's violence fails to create the sense of "theatricality of the Saw or Hostel films", or even provide audiences with "the unkillable-monster nostalgia of [the] Friday the 13th re-do". Neumaier also states that the 2009 film lacks the reasoning to exist that Craven's 1972 original had, which was to push the "boundaries of cinema's new permissiveness".
When comparing the 2009 film to its 1972 counterpart, Newsday
s Rafer Guzman stated that Iliadis's film contains better "production values" than the 1972 original, but overall it keeps the "marrow of the story". Guzman suggests that some of the violence may have ventured too close to hysteria, and that this film is no Virgin Spring — which Guzman reminds that Roger Ebert
"famously compared the original to"—but overall the film is "horribly, shamefully satisfying". The Chicago Tribune
's Michael Phillips, who disliked the 1972 film and went so far as to call the original "unstable trash", found the remake to be a better film. Phillips noted that the 2009 film was well written—apart from a couple of moments that felt like they belonged in a different movie—well acted, and contains characters that seem like "real people [with] plausible behavior, amid plausible tension, borne of a terrible situation". He also suggests that, contrary to other critic opinion, the 2009 remake does not attempt to follow the current trend of Hostel or Saw-like films simply because audiences are gravitating toward them as of late. Mark Olsen, of the Los Angeles Times
, believes the 2009 remake is "deeply misguided refraction of the original". Olsen points to what he feels is the addition of unnecessary back story for the family, and Iliadis's choice to film the rape scene in a "verdant, scenic forest", which gave the sequence an "art-directed falseness, draining the audience-implicating authenticity and replacing it with the easy distance of knowing entertainment". Olsen also felt that changing the trinket Mari holds in the original film to a keepsake from her deceased brother turns the family into "heroic characters" who appear to be "defending their entitlement to a rustic second home and vintage motorboat, not their right to exist".
Dennis Harvey of Variety
believed that the film lacked in comparison to the 1972 original in almost every aspect. Harvey felt like the film spent more time trying to please current horror conventions than create an effective update to Craven’s film. Harvey criticized the choice of changing a "credibly ordinary family" into "typical modern movie-fantasy clan". He also noted that Dillahunt’s portrayal of Krug is no match for David Hess. Michael Rechtshaffen, from The Hollywood Reporter
, felt that the remake followed close to the original—something fans of the 1972 film would appreciate—but that the film lacked the timing of the Craven's film. Craven was responding to the graphic images being sent back during the Vietnam War and allowed his film "sociological context", while Iliadis's 2009 film comes across as "exploitative". Although Rechtshaffen points out that the parents lack the training and skill of Liam Neeson
's character in Taken
, the performances from all of the actors are "uniformly sturdy".
Lisa Kennedy of The Denver Post
suggested that some viewers may want to leave the theater before finishing the movie, as Paige and Mari’s fight to survive is "so disturbing" and "earnest", the murders and rapes so "verite
" that it forced the reviewer to "fear for women in the audience who have been victims of rape". Yet, Kennedy believes the film manages to create a deeper message by identifying the "truly horrific" nature of what occurs by following the events with "a deep pause". Comparing this remake to the multiple Michael Bay
slasher remakes, Kennedy states that this film "is not an idea-free flick", and that it "[engages] what the word 'horror' means". Roger Ebert was also appalled by the rape sequence of the film, and noted that the rest of the violence seemed to fall within the standard of trying to invent new ways to kill people simply to please horror fans. At the same time, he praised the performances of Goldwyn, Potter, Paxton, and Dillahunt. He noted that the audience actually fears for the parents, and that Dillahunt is convincing as the "evil leader of a pack of degenerates".
Carl Ellsworth
Carl Ellsworth is an American screenwriter whose best known movies include Disturbia and The Last House on the Left.-Filmography:*Red Eye *Disturbia...
and Adam Alleca. It is a remake
Remake
A remake is a piece of media based primarily on an earlier work of the same medium.-Film:The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source...
of the 1972 film of the same name
The Last House on the Left (1972 film)
The Last House on the Left is a 1972 horror film written and directed by Wes Craven and produced by Sean S. Cunningham.The story is inspired by the 1960 Swedish film The Virgin Spring, directed by Ingmar Bergman, which in turn is based on the 13th century Swedish ballad "Töres döttrar i Wänge"...
, and stars Monica Potter
Monica Potter
Monica Potter is an American film and television actress.-Early life:Potter, one of four daughters, was born in Cleveland, Ohio, to an Irish American Roman Catholic family. Her father, Paul Brokaw, was the inventor of the first flame-resistant car wax, and her mother, Nancy, was a secretary....
, Tony Goldwyn
Tony Goldwyn
Anthony Howard "Tony" Goldwyn is an American actor and director. He portrayed the villain Carl Bruner in Ghost, Colonel Bagley in The Last Samurai, and the voice of the title character of the Disney animated Tarzan.-Early life:...
, Garret Dillahunt, and Sara Paxton
Sara Paxton
Sara Paxton is an American actress, model and singer. She grew up in California and began acting at an early age, appearing in many minor roles in both films and television shows, before coming to wider renown in 2004, after playing the title role in the series Darcy's Wild Life and Sarah Borden...
. The film follows the parents (Goldwyn and Potter) of Mari Collingwood (Paxton), who attempt to get revenge on a group of strangers, led by a man named Krug (Dillahunt), that have taken shelter at their home during a thunderstorm. The Collingwoods discover that the Krug and his group have shot their daughter and left her for dead.
The film rights were picked up by Rogue Pictures
Rogue Pictures
Rogue is a subsidiary of Relativity Media. The company has about 25 titles in its library.- Background :In 1997, Rogue Pictures was formed as a division of PolyGram Pictures but the name was dropped in 2000 after Universal Pictures bought PolyGram...
in 2006, with the remake being the first film produced by Wes Craven
Wes Craven
Wesley Earl "Wes" Craven is an American actor, film director, writer, producer, perhaps best known as the director of many horror films, particularly slasher films, including the famed A Nightmare on Elm Street and Wes Craven's New Nightmare, featuring the iconic Freddy Krueger character, the...
's new production studio Midnight Pictures. Craven, who wrote and directed the 1972 original, was interested to see what kind of film could be produced on a large budget, as the limited funds in 1972 forced him to eliminate scenes he had wanted to film to tell a complete story. Alleca's original script included elements of the supernatural, which prompted the studio to reject it and bring in Ellsworth to perform a rewrite. One of the elements director Iliadis wanted to avoid with this film, given its graphic nature, was turning it into torture porn — a sub-genre of horror popularized by the Saw franchise. For Craven and Iliadis, The Last House on the Left primarily illustrates how even the most normal of families can be driven to evil acts if pushed too far.
The film was released on March 13, 2009, and took the top spot away from Watchmen
Watchmen (film)
Watchmen is a 2009 superhero film directed by Zack Snyder and starring Malin Åkerman, Billy Crudup, Matthew Goode, Jackie Earle Haley, Jeffrey Dean Morgan, and Patrick Wilson. It is an adaptation of the comic book of the same name by Alan Moore and Dave Gibbons...
with $5.6 million in weekend revenue. The Last House on the Left was met with mixed reviews from critics, with Dillahunt's performance often praised and the rape sequence criticized as being too realistic to handle. Audience opinion ranked the film at a "B" level, from a scale of "A to F"; the film would ultimately gross approximately $45 million worldwide.
Plot
After settling their affairs, Emma (Monica PotterMonica Potter
Monica Potter is an American film and television actress.-Early life:Potter, one of four daughters, was born in Cleveland, Ohio, to an Irish American Roman Catholic family. Her father, Paul Brokaw, was the inventor of the first flame-resistant car wax, and her mother, Nancy, was a secretary....
) and John Collingwood (Tony Goldwyn
Tony Goldwyn
Anthony Howard "Tony" Goldwyn is an American actor and director. He portrayed the villain Carl Bruner in Ghost, Colonel Bagley in The Last Samurai, and the voice of the title character of the Disney animated Tarzan.-Early life:...
), and their daughter, Mari (Sara Paxton
Sara Paxton
Sara Paxton is an American actress, model and singer. She grew up in California and began acting at an early age, appearing in many minor roles in both films and television shows, before coming to wider renown in 2004, after playing the title role in the series Darcy's Wild Life and Sarah Borden...
), head out on vacation to their lake house. Shortly after arriving, Mari borrows the family car and drives into town to spend time with her friend Paige (Martha MacIsaac
Martha MacIsaac
Martha MacIsaac is a Canadian television and film actress and former child actress....
). While Paige works the cash register at a local store, she and Mari meet Justin (Spencer Treat Clark
Spencer Treat Clark
Spencer Treat Clark is an American actor who has appeared in several films, including Gladiator, Mystic River, and Unbreakable.-Life and career:...
), a teenager passing through the town who invites them both back to his hotel room to smoke some marijuana. While the three are hanging out in the hotel room, Justin's family members return: Krug (Garret Dillahunt), Justin’s father; Francis (Aaron Paul
Aaron Paul
Aaron Michael Paul is an American actor. After appearing in several roles in American television, including a recurring role on the HBO series Big Love, Paul came to prominence in the late 2000s for his critically acclaimed portrayal of Jesse Pinkman in the AMC series Breaking Bad, for which he...
), Justin’s uncle; and Sadie (Riki Lindhome
Riki Lindhome
Riki Lindhome is an American actress and musician. She is best known for television roles in shows including Gilmore Girls, House, The Big Bang Theory and United States of Tara and is also one half of the musical comedy duo Garfunkel And Oates...
), Krug’s girlfriend.
Krug shows Justin a local newspaper that has Krug’s and Sadie’s pictures on the front page, and which explains how Sadie and Francis broke Krug out of police custody and killed the two officers that were transporting him. Believing it too risky to let Paige and Mari go, the gang kidnaps them and uses their vehicle to leave town. While Krug searches for the highway, Mari convinces him to take a road that leads him to her parent’s lake house; Mari then attempts to jump out of the vehicle, but the ensuing fight among the passengers causes Krug to crash into a tree. Frustrated by Mari’s attempts to escape, Sadie and Francis proceed to beat Mari as she crawls away from the wreckage. Krug attempts to teach his son to "be a man" by forcing him to fondle Mari’s breasts. When Justin refuses, Krug decides to rape
Rape
Rape is a type of sexual assault usually involving sexual intercourse, which is initiated by one or more persons against another person without that person's consent. The act may be carried out by physical force, coercion, abuse of authority or with a person who is incapable of valid consent. The...
Mari. Paige begins insulting him to get him to stop; in response, Krug stabs Paige with his knife and rapes Mari, forcing her to watch Paige bleed to death. Afterward, Mari musters enough strength to escape the group and make it to the lake so that she can swim to safety. Before she can swim far enough Krug shoots her in the back, leaving her to bleed out in the lake.
A storm forces Krug and his gang to seek refuge with John and Emma, whose home is nearby. Justin realizes that they are Mari’s parents, and intentionally leaves a necklace Mari was wearing on the counter to alert them about their daughter. When John and Emma find Mari barely alive on their porch, and the necklace on the counter, they realize that the people who did this to Mari are in their home. As they try and find the key to their boat, so that they can take Mari to the hospital, they decide to get revenge on those responsible. When Francis happens upon Mari he is attacked and killed by John and Emma. When the couple goes after Krug and Sadie they find Justin in possession of Krug’s gun; Justin gives the gun to John so he can kill Krug. Sadie awakes and interrupts John, allowing Krug to escape the couple: he then realizes that they are Mari’s parents. After Emma shoots Sadie in the head, John chases Krug. With a combined effort from Emma, John, and Justin, Krug is knocked unconscious. John paralyzes Krug from the neck down, and leaves him to die with his head in an active microwave oven; then he, Emma, Mari, and Justin take the boat to the local hospital.
Production
In August 2006, Rogue PicturesRogue Pictures
Rogue is a subsidiary of Relativity Media. The company has about 25 titles in its library.- Background :In 1997, Rogue Pictures was formed as a division of PolyGram Pictures but the name was dropped in 2000 after Universal Pictures bought PolyGram...
finalized a deal to remake The Last House on the Left with original writer and director Wes Craven
Wes Craven
Wesley Earl "Wes" Craven is an American actor, film director, writer, producer, perhaps best known as the director of many horror films, particularly slasher films, including the famed A Nightmare on Elm Street and Wes Craven's New Nightmare, featuring the iconic Freddy Krueger character, the...
as a producer. The company intended to preserve the storyline of the original film. In September 2006, it was announced that Craven had formed a production company, Midnight Pictures, under the umbrella of Rogue Pictures, and the remake for The Last House on the Left was selected as the company's first project. One of the reasons Craven agreed to remake The Last House on the Left was because of the money involved. In 1972, he did not have the budget to film every piece of the story he wanted to tell. With the 2009 remake, a larger budget allowed the filmmakers to pace themselves more during filming, taking more care while shooting, and expand the scope of the story more. One of the ways to accomplish this was for the producers to find a "rising young director to bring a new perspective for the story". According to the producers, who were impressed with Hardcore—which explored the world of teenage prostitution—director Dennis Iliadis was the person they were looking for. Co-producer Cody Zwieg stated, "Hardcore wasn’t a genre or a horror film but showed completely believable characters in horrific, realistic situations. Many directors could handle the surface elements, the blood and shock moments of Last House, but Dennis proved that he could do it all without exploiting his characters and their situations." According to Iliadis, the director was quick to accept the responsibility of remaking The Last House on the Left, having already been a fan of Craven’s and seen all of his films.
Writing
| "What would a typical family do in such an extreme scenario? [...] We're asking ourselves through it: 'How are they going to do this? How would we do it?' Then that poses the opportunity to really explore the extreme nature. In terms of Krug - these are evil human beings. Humans are capable of evil shit all the time, so it was a chance for me to get into the R-rated version of [these themes]." |
| — Ellsworth on the film's primary themes. |
An early draft for the remake had moved the setting to northern California, and altered the third act to include elements of the supernatural. When that script was rejected, Carl Ellsworth was brought in to touch up the script written by Adam Alleca. Ellsworth had previously worked with Craven on Red Eye
Red Eye (film)
Red Eye is a 2005 thriller film directed by Wes Craven and starring Rachel McAdams as a hotel manager ensnared in an assassination plot by a terrorist while aboard a red-eye flight to Miami. The film score was composed and conducted by Marco Beltrami.-Plot:Lisa Reisert fears flying...
, but had never seen the original Last House on the Left. After reading the script and watching the 1972 film—the latter he found difficult to watch because of its extreme nature—Ellsworth decided that the first thing they needed to do was to establish someone whose survival you wanted the audience to root for. The writer wanted to know how the "typical family" would react to such a heinous act being perpetrated on their daughter, and what they were truly capable of. Craven points out that most of the early script problems were based around deciding what elements to include. They were never sure how much of the Krug family needed to be seen, what elements from the original film should be included, or even if Mari should live or die.
One of the changes that Ellsworth made was keeping Mari alive, as the character is found dead in the original film. The writer believes keeping Mari alive when her parents find her adds to the suspense, because there is now a "ticking clock" for the parents to get their daughter to the hospital. Another change to the character was making her a swimmer. Director Iliadis wanted to give Mari a "big character trait" that could be used as a coping mechanism for the character, as well as become an important component to her escaping Krug. As Iliadis explains, "Well the idea was to find something where she channels all her energy and that was a big character trait because her brother is dead. It’s like she’s carrying him on her back. She needs to perform for two people now. She has to compensate for him so all her energy is in the water. The only area where she feels slightly free is when she’s in the water swimming like crazy, so it’s interesting having that as a character trait, and then having that as a key element for her trying to escape."
The writer changed the fate of another character, Krug's son Justin attempting to give the audience a better "sense of hope". Craven points out that early on he suggested that Krug have a son who commits suicide, but found it interesting to see "this strange Romeo and Juliet thing happening" between Krug’s son and Mari. He also stated that he likes the fact that John Collingwood is a doctor who actually gets to use his skills in the film, unlike in the original where the character is merely identified as being a doctor. Craven comments, "[it is] an extraordinary moment" when John is forced to improvise a way to restore a collapsed lung; "It made it real." Ellsworth wanted to create a level of interest in the characters that would "engage [the audience]", as opposed to simply leaving the family in "even worse shape [by] the end of the movie". He asserts that the film does not have a happy ending, but that there is some hope left at the end. Director Dennis Iliadis further explains that the point is to show the family from a different light. Initially the director feared that they were "wussing out" with the ending; he eventually decided that what you really see is a family that has physically survived this encounter, but are "dead in many ways". Iliadis expressed that he did not want to go the way of "torture porn", which is what he sees most horror films moving toward, but instead show a sense of "urgency" with the parents’ actions.
Casting
When casting for the film, Iliadis wanted to find actors who would not portray these characters in a stereotypical way. As Craven explains, they wanted someone who would take these characters in a direction that most actors would not—they wanted originality. Craven states, "You need an actor who can bring a complete sense of commitment to that character without making it silly and not be afraid to go in there to the point where someone might say, 'Oh, you got bad in you?' You have to be brave enough and mature enough to know we've all got it, and you're not afraid of putting it out there and if you've got a problem with seeing that, tough." For instance, Iliadis wanted to avoid casting some superficially sexy actress in the role of Mari, because he did not want the rape sequence to appear enjoyable to the viewers in any possible way. Iliadis notes that when Sara PaxtonSara Paxton
Sara Paxton is an American actress, model and singer. She grew up in California and began acting at an early age, appearing in many minor roles in both films and television shows, before coming to wider renown in 2004, after playing the title role in the series Darcy's Wild Life and Sarah Borden...
came in her audition was "good", but it was this sense of intelligence and intensity that Paxton brought with her. The actress also had the "innocent face" the director was looking for, someone who had this "wholesomely American look" that would not allow anyone to enjoy watching her go through these intense events.
| "We were casting for Krug and everyone was coming and doing the squinty eyes and (he growls) and Garret brought this intensity, this evil which is not premeditated, and when that evil emerges it’s even stronger because it comes from a real human being who’s very angry. It doesn’t come from someone who has just decided to be bad." |
| — Iliadis on casting Garret Dillahunt as Krug. |
Iliadis auditioned dozens of actors before he hired Garret Dillahunt for the role of Krug, the leader of the family that kidnaps Mari. According to Iliadis, the actors coming in kept trying to portray Krug as the "typical bad guy", and that was not what the director wanted. In Iliadis's opinion, "the most sadistic criminal will smile"; when Dillahunt came in he brought a slyness to the character, and created "ambiguity and subtleties" to the character that Iliadis liked. Dillahunt attempted to humanize Krug by approaching the character more as a man who feels love for his son, but is bitter about how his life has turned out and is fearful that he is losing his position as the leader. He further clarifies that Krug fails to take responsibility for his own actions, instead blaming others, and prefers to deliver his own "twisted justice" to those he feels have wronged him.
Dillahunt took inspiration from Andrew Cunanan
Andrew Cunanan
Andrew Phillip Cunanan was an American serial killer who murdered at least five people, including fashion designer Gianni Versace, during a three-month period in 1997, ending with Cunanan's suicide, at age 27...
, the man who killed Gianni Versace
Gianni Versace
Gianni Versace was an Italian fashion designer and founder of Gianni Versace S.p.A., an international fashion house, which produces accessories, fragrances, makeup and home furnishings as well as clothes. He also designed costumes for the theatre and films, and was a friend of Madonna, Elton John,...
, when he recalled the brutality in which Cunanan murdered a man just for his car. Dillahunt recalls how an FBI profiler noted that this type of rage is typically directed toward someone the perpetrator knows, yet Cunanan managed to pull some element from his own life and place it on this random person who attempted to stand his ground against the would-be carjacker. To Dillahunt, that was how he wanted to approach Krug. To him, Mari actually shows that she is not afraid of Krug, which causes him to go "crazy". That being said, the actor felt like the scene where his character rapes Mari was one of the hardest things emotionally to film. He notes that part of him was happy that Sara Paxton
Sara Paxton
Sara Paxton is an American actress, model and singer. She grew up in California and began acting at an early age, appearing in many minor roles in both films and television shows, before coming to wider renown in 2004, after playing the title role in the series Darcy's Wild Life and Sarah Borden...
was cast as Mari, because they had worked together in the past, so they knew each other. On the other hand, he felt uncomfortable acting out such a scene with a person he considered to be a friend. Paxton echoed his sentiments to Craven, who stated the actress expressed to him a greater feeling of trust that the person who would have to do these "horrible" things to her was someone she knew, and as a result made them at least partially more bearable to act.
At the time Riki Lindhome
Riki Lindhome
Riki Lindhome is an American actress and musician. She is best known for television roles in shows including Gilmore Girls, House, The Big Bang Theory and United States of Tara and is also one half of the musical comedy duo Garfunkel And Oates...
was called in to audition for the role of Sadie, December 2007, she had not heard of Craven's original film. On the day of her audition, Lindhome was informed that she had missed her scheduled appointment and that she would need to return come January. Lindhome took the time to watch the original movie and read an article in Vanity Fair
Vanity Fair (magazine)
Vanity Fair is a magazine of pop culture, fashion, and current affairs published by Condé Nast. The present Vanity Fair has been published since 1983 and there have been editions for four European countries as well as the U.S. edition. This revived the title which had ceased publication in 1935...
about the film, giving her some familiarity with the story and her role when she went to audition. Lindhome says she finds her character "creepy for no apparent reason", because the film does not attempt to justify why the three antagonists do what they do. The actress characterizes Sadie as being "equally as bad as [the men]", being just as vicious as the others. Lindhome admits that early in production it was easier for her to detach herself from the violent character she was portraying, but as filming continued and the cast grew closer she says that it became more difficult and "upsetting" to perform some of the scenes. According to Lindhome, as a response to seeing how some of the scenes were affecting the women, the producers sent Paxton, Lindhome, and Martha MacIsaac
Martha MacIsaac
Martha MacIsaac is a Canadian television and film actress and former child actress....
to a spa
Destination spa
A destination spa is a short term residential/lodging facility with the primary purpose of providing individual services for spa-goers to develop healthy habits. Historically many such spas were developed at the location of natural hot springs or sources of mineral waters...
for a weekend.
Before filming started, some of the actors had to undergo various training exercises for their roles. Dillahunt, Lindhome, and Aaron Paul
Aaron Paul
Aaron Michael Paul is an American actor. After appearing in several roles in American television, including a recurring role on the HBO series Big Love, Paul came to prominence in the late 2000s for his critically acclaimed portrayal of Jesse Pinkman in the AMC series Breaking Bad, for which he...
—the latter portrays Francis—had to take part in gun training, while Sara Paxton had to get up each morning for swimming lessons so that she looked like an experienced swimmer. Iliadis also spent several weeks with the actors in rehearsal. It was Iliadis’s hope that space to rehearse their roles, and then time during filming to develop their characters individually, would help them to trust Iliadis as the director more.
Filming
Craven chose to give Iliadis his freedom while filming the remake, partially because Craven was in the process of working on a new filmMy Soul to Take
My Soul to Take is a 2010 American horror film, written and directed by Wes Craven. It is his first film since 1994's Wes Craven's New Nightmare that he both wrote and directed.The film stars Max Thieriot as the protagonist Adam "Bug" Hellerman, who is one of seven teenagers chosen to die.The film...
for himself, but also because he likes to allow the directors the chance to make their own film. For the 2009 remake, Iliadis wanted to keep a consistency among the scenes of his film, as compared to the 1972 original. Iliadis stated that he felt the intercutting of comedic scenes with the rape scene in the 1972 film had the tendency to take one out of the moment. Iliadis wanted to "cut those diversions out", as a way of "[throwing the audience] into this scene with no place to cut away to". For Iliadis, taking this approach helped to create more drama for the event. The producers brought in a medical technician
Emergency medical technician
Emergency Medical Technician or Ambulance Technician are terms used in some countries to denote a healthcare provider of emergency medical services...
to provide insight, based on his job experience witnessing the people's deaths, and lend realism to the actors' portrayals. Lindhome states that the technician would explain how someone would react given a particular event, like getting shot or stabbed. Iliadis also felt that his work on Hardcore helped to train him for this film. As the director points out, Hardcore contained "very difficult scenes", like a sixteen-year old girl having an "existential breakdown during an orgy", and Iliadis sees those scenes as training for him to learn how to make sure the actors are still being respected, as well as making sure that the scene is focused on the characters instead of simply going for "titillation".
For the ending of the film, Iliadis and the rest of the creative team chose to include the song "Dirge", by psychedelic rock
Psychedelic rock
Psychedelic rock is a style of rock music that is inspired or influenced by psychedelic culture and attempts to replicate and enhance the mind-altering experiences of psychedelic drugs. It emerged during the mid 1960s among folk rock and blues rock bands in United States and the United Kingdom...
band Death in Vegas
Death in Vegas
Death in Vegas are a psychedelic rock and electronic rock band from the United Kingdom, comprising two permanent members: Richard Fearless and Tim Holmes...
. Iliadis was hoping to find something that was both "ironic" and "innocent" at the same time, given the events in the film that would precede its usage. To the director, the choice helped to illuminate the fact that nothing will be the same for this family again. Craven comments on the choice to have John Collingwood return to finish off Krug at the end. Craven explains, "I also found it interesting that the Dr., whose oath 'does no harm', intentionally [kills Krug] and that it kinda shows that when seeking revenge you can become something evil yourself if you don't stop once what's been necessary is done. So I also found it intriguing that we're just seeing these wonderful, perfect people but the father comes back and goes out of his way to do this."
Release
The Last House on the Left was released on March 13, 2009, to 2,402 theaters, but it was not without its dilemmas with the MPAAMotion Picture Association of America
The Motion Picture Association of America, Inc. , originally the Motion Picture Producers and Distributors of America , was founded in 1922 and is designed to advance the business interests of its members...
ratings board. The biggest setback by the board involved the rape scene. In the original cut of the film, the scene was at least one minute longer, but the board forced the scene to be trimmed if the filmmakers wanted an R-rating. There were other minor aspects trimmed as well, like an extended stabbing sequence with Paige. What shocked Craven was when the MPAA told them that this was a "special" film that did not "need" the extension on those scenes. Craven believed that the MPAA viewed the film more as an artistic horror film, which he sees as both a blessing and a curse. In Craven's experience, once the MPAA becomes focused on certain elements they dislike in horror films that they otherwise like, they become determined to see it removed before release. Regardless of the MPAA's appreciation of the edited version of the film, the DVD
DVD
A DVD is an optical disc storage media format, invented and developed by Philips, Sony, Toshiba, and Panasonic in 1995. DVDs offer higher storage capacity than Compact Discs while having the same dimensions....
and Blu-ray copies of the film, which were released on August 18, 2009, contain both a rated and unrated cut. The DVD sales have brought in approximately $20 million in revenue.
Box office
On its opening day, The Last House on the Left grossed $5,630,345, on 2,800 screens across 2,402 theaters, putting it slightly ahead of WatchmenWatchmen (film)
Watchmen is a 2009 superhero film directed by Zack Snyder and starring Malin Åkerman, Billy Crudup, Matthew Goode, Jackie Earle Haley, Jeffrey Dean Morgan, and Patrick Wilson. It is an adaptation of the comic book of the same name by Alan Moore and Dave Gibbons...
, the previous weekend's top film, with approximately $5,304,344. From March 13 - 15, The Last House on the Left took in an additional $5,318,215 and $3,170,125, respectively, to round out its opening weekend with $14,118,685. By comparison, the 1972 original earned an estimated $3.1 million, in unadjusted dollars, during its entire box office run. Adjusting for inflation, that would be approximately $16,468,225 in 2009. As of August 18, 2009 the film has grossed $45,286,226 worldwide.
Critical response
Based on 125 reviews collected by Rotten TomatoesRotten Tomatoes
Rotten Tomatoes is a website devoted to reviews, information, and news of films—widely known as a film review aggregator. Its name derives from the cliché of audiences throwing tomatoes and other vegetables at a poor stage performance...
, The Last House on the Left has an overall 41% approval rating from critics, with an average
Weighted mean
The weighted mean is similar to an arithmetic mean , where instead of each of the data points contributing equally to the final average, some data points contribute more than others...
score of 4.9/10. Among Rotten Tomatoes' Top Critics, which consists of popular and notable critics from the top newspapers, websites, television and radio programs, the film holds an overall approval rating of 42%. By comparison, Metacritic
Metacritic
Metacritic.com is a website that collates reviews of music albums, games, movies, TV shows and DVDs. For each product, a numerical score from each review is obtained and the total is averaged. An excerpt of each review is provided along with a hyperlink to the source. Three colour codes of Green,...
, which assigns a normalized
Normalization (statistics)
In one usage in statistics, normalization is the process of isolating statistical error in repeated measured data. A normalization is sometimes based on a property...
rating out of 100 to reviews from mainstream critics, the film has received an average score of 42, based on 27 reviews. CinemaScore
CinemaScore
CinemaScore is a market research firm based in Las Vegas. It surveys film audiences to rate their viewing experiences with letter grades, reports the results, and forecasts box office receipts based on the data.-Background:...
polls reported that the average grade cinemagoers gave the film was "B" on an A+ to F scale, with exit polling showing that 57% of the audience was female, 60% was under 25, and with Hispanics and Caucasians making up 36% and 35%, respectively.
The San Francisco Chronicle
San Francisco Chronicle
thumb|right|upright|The Chronicle Building following the [[1906 San Francisco earthquake|1906 earthquake]] and fireThe San Francisco Chronicle is a newspaper serving primarily the San Francisco Bay Area of the U.S. state of California, but distributed throughout Northern and Central California,...
s Peter Hartlaub felt the remake departed from the traditional template used by more recent remakes—"include twice as many kills, [find] boring young actors from TV shows, rewrite the script so you lose everything interesting about the original, [and] make up an excuse to add cell phones"—which ultimately made it far more effective. Hartlaub cited the script, which he felt devoted as much time to character development as "carnage", and the "good acting", particularly Tony Goldwyn, as reasons why this remake succeeds. Kyle Smith
Kyle Smith
Kyle Smith is an American critic, novelist and essayist. He is a staff film critic for the New York Post. His film reviewing style has been called "an exercise in hilarious hostility" by Entertainment Weekly....
, of the New York Post
New York Post
The New York Post is the 13th-oldest newspaper published in the United States and is generally acknowledged as the oldest to have been published continuously as a daily, although – as is the case with most other papers – its publication has been periodically interrupted by labor actions...
, agreed that the film succeeded where other remakes had failed. For Smith, it was the replacement of the "quick-cutting, loud noises and camera tricks" clichés with "long takes, genuinely disturbing violence and stretches with no dialogue to pin you to the story", which made this film more effective. Smith also commended Dillahunt’s acting, as well as Iliadis's "casual, matter-of-fact approach that multiplies the horror to an almost unbearable level". In contrast, USA Today
USA Today
USA Today is a national American daily newspaper published by the Gannett Company. It was founded by Al Neuharth. The newspaper vies with The Wall Street Journal for the position of having the widest circulation of any newspaper in the United States, something it previously held since 2003...
's Claudia Puig stated that director Dennis Iliadis failed at trying to keep the film from becoming another "torture porn". Puig felt that the killing scenes were too drawn out, noting the technique was down to heighten the effect, but actually comes across more as "repugnant and fetishized violence". She also noted that the parents seemed to find enjoyment in exacting their revenge, even when their daughter lay dying in the next room. New York Daily News
New York Daily News
The Daily News of New York City is the fourth most widely circulated daily newspaper in the United States with a daily circulation of 605,677, as of November 1, 2011....
' Joe Neumaier was in agreement with Puig when he referred to the film as "stomach-churningly anti-human" because of its violence, and questioned why Goldwyn and Potter even signed on to the film. Neumaier suggests that the film's violence fails to create the sense of "theatricality of the Saw or Hostel films", or even provide audiences with "the unkillable-monster nostalgia of [the] Friday the 13th re-do". Neumaier also states that the 2009 film lacks the reasoning to exist that Craven's 1972 original had, which was to push the "boundaries of cinema's new permissiveness".
When comparing the 2009 film to its 1972 counterpart, Newsday
Newsday
Newsday is a daily American newspaper that primarily serves Nassau and Suffolk counties and the New York City borough of Queens on Long Island, although it is sold throughout the New York metropolitan area...
s Rafer Guzman stated that Iliadis's film contains better "production values" than the 1972 original, but overall it keeps the "marrow of the story". Guzman suggests that some of the violence may have ventured too close to hysteria, and that this film is no Virgin Spring — which Guzman reminds that Roger Ebert
Roger Ebert
Roger Joseph Ebert is an American film critic and screenwriter. He is the first film critic to win a Pulitzer Prize for Criticism.Ebert is known for his film review column and for the television programs Sneak Previews, At the Movies with Gene Siskel and Roger Ebert, and Siskel and Ebert and The...
"famously compared the original to"—but overall the film is "horribly, shamefully satisfying". The Chicago Tribune
Chicago Tribune
The Chicago Tribune is a major daily newspaper based in Chicago, Illinois, and the flagship publication of the Tribune Company. Formerly self-styled as the "World's Greatest Newspaper" , it remains the most read daily newspaper of the Chicago metropolitan area and the Great Lakes region and is...
's Michael Phillips, who disliked the 1972 film and went so far as to call the original "unstable trash", found the remake to be a better film. Phillips noted that the 2009 film was well written—apart from a couple of moments that felt like they belonged in a different movie—well acted, and contains characters that seem like "real people [with] plausible behavior, amid plausible tension, borne of a terrible situation". He also suggests that, contrary to other critic opinion, the 2009 remake does not attempt to follow the current trend of Hostel or Saw-like films simply because audiences are gravitating toward them as of late. Mark Olsen, of the Los Angeles Times
Los Angeles Times
The Los Angeles Times is a daily newspaper published in Los Angeles, California, since 1881. It was the second-largest metropolitan newspaper in circulation in the United States in 2008 and the fourth most widely distributed newspaper in the country....
, believes the 2009 remake is "deeply misguided refraction of the original". Olsen points to what he feels is the addition of unnecessary back story for the family, and Iliadis's choice to film the rape scene in a "verdant, scenic forest", which gave the sequence an "art-directed falseness, draining the audience-implicating authenticity and replacing it with the easy distance of knowing entertainment". Olsen also felt that changing the trinket Mari holds in the original film to a keepsake from her deceased brother turns the family into "heroic characters" who appear to be "defending their entitlement to a rustic second home and vintage motorboat, not their right to exist".
Dennis Harvey of Variety
Variety (magazine)
Variety is an American weekly entertainment-trade magazine founded in New York City, New York, in 1905 by Sime Silverman. With the rise of the importance of the motion-picture industry, Daily Variety, a daily edition based in Los Angeles, California, was founded by Silverman in 1933. In 1998, the...
believed that the film lacked in comparison to the 1972 original in almost every aspect. Harvey felt like the film spent more time trying to please current horror conventions than create an effective update to Craven’s film. Harvey criticized the choice of changing a "credibly ordinary family" into "typical modern movie-fantasy clan". He also noted that Dillahunt’s portrayal of Krug is no match for David Hess. Michael Rechtshaffen, from The Hollywood Reporter
The Hollywood Reporter
Formerly a daily trade magazine, The Hollywood Reporter re-launched in late 2010 as a unique hybrid publication serving the entertainment industry and a consumer audience...
, felt that the remake followed close to the original—something fans of the 1972 film would appreciate—but that the film lacked the timing of the Craven's film. Craven was responding to the graphic images being sent back during the Vietnam War and allowed his film "sociological context", while Iliadis's 2009 film comes across as "exploitative". Although Rechtshaffen points out that the parents lack the training and skill of Liam Neeson
Liam Neeson
Liam John Neeson, OBE is an Irish actor who has been nominated for an Oscar, a BAFTA and three Golden Globe Awards.He has starred in a number of notable roles including Oskar Schindler in Schindler's List, Michael Collins in Michael Collins, Peyton Westlake in Darkman, Jean Valjean in Les...
's character in Taken
Taken (film)
Taken is a 2008 action thriller film produced by Luc Besson, starring Liam Neeson, Maggie Grace, and Famke Janssen. The screenplay is written by Besson and Robert Mark Kamen, and was directed by Pierre Morel...
, the performances from all of the actors are "uniformly sturdy".
Lisa Kennedy of The Denver Post
The Denver Post
-Ownership:The Post is the flagship newspaper of MediaNews Group Inc., founded in 1983 by William Dean Singleton and Richard Scudder. MediaNews is today one of the nation's largest newspaper chains, publisher of 61 daily newspapers and more than 120 non-daily publications in 13 states. MediaNews...
suggested that some viewers may want to leave the theater before finishing the movie, as Paige and Mari’s fight to survive is "so disturbing" and "earnest", the murders and rapes so "verite
Cinéma vérité
Cinéma vérité is a style of documentary filmmaking, combining naturalistic techniques with stylized cinematic devices of editing and camerawork, staged set-ups, and the use of the camera to provoke subjects. It is also known for taking a provocative stance toward its topics.There are subtle yet...
" that it forced the reviewer to "fear for women in the audience who have been victims of rape". Yet, Kennedy believes the film manages to create a deeper message by identifying the "truly horrific" nature of what occurs by following the events with "a deep pause". Comparing this remake to the multiple Michael Bay
Michael Bay
Michael Benjamin Bay is an American film director and producer. He is known for directing high-budget action films characterized by their fast edits, stylistic visuals and substantial practical special effects...
slasher remakes, Kennedy states that this film "is not an idea-free flick", and that it "[engages] what the word 'horror' means". Roger Ebert was also appalled by the rape sequence of the film, and noted that the rest of the violence seemed to fall within the standard of trying to invent new ways to kill people simply to please horror fans. At the same time, he praised the performances of Goldwyn, Potter, Paxton, and Dillahunt. He noted that the audience actually fears for the parents, and that Dillahunt is convincing as the "evil leader of a pack of degenerates".