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The Funk Brothers
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The Funk Brothers was the nickname of Detroit, Michigan, session musicians who performed the backing to most Motown Records recordings from 1959 until 1972, when the company moved to Los Angeles. The Funk Brothers played on Motown hits such as "My Girl", "I Heard It Through the Grapevine", "Baby Love", "Signed, Sealed, Delivered I'm Yours", "Papa Was a Rollin' Stone", "The Tears of a Clown", and "(Love is Like a) Heat Wave".
The role of the Funk Brothers is described in Paul Justman's 2002 documentary film Standing in the Shadows of Motown, based on Allan Slutsky's book of the same name. The opening titles proclaim the Funk Brothers as "having played on more number-one records than The Beatles, Elvis, The Rolling Stones, and The Beach Boys combined."
y members included bandleader Joe Hunter and Earl Van Dyke (piano); James Jamerson (bass guitar); Benny "Papa Zita" Benjamin and Richard "Pistol" Allen (drums); Robert White, Eddie Willis, and Joe Messina (guitar); Jack Ashford (tambourine, percussion, vibraphone, marimba); Jack Brokensha (vibraphone, marimba); and Eddie "Bongo" Brown (percussion).

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Encyclopedia
The Funk Brothers was the nickname of Detroit, Michigan, session musicians who performed the backing to most Motown Records recordings from 1959 until 1972, when the company moved to Los Angeles. The Funk Brothers played on Motown hits such as "My Girl", "I Heard It Through the Grapevine", "Baby Love", "Signed, Sealed, Delivered I'm Yours", "Papa Was a Rollin' Stone", "The Tears of a Clown", and "(Love is Like a) Heat Wave".
The role of the Funk Brothers is described in Paul Justman's 2002 documentary film Standing in the Shadows of Motown, based on Allan Slutsky's book of the same name. The opening titles proclaim the Funk Brothers as "having played on more number-one records than The Beatles, Elvis, The Rolling Stones, and The Beach Boys combined."
History
Notable members
Early members included bandleader Joe Hunter and Earl Van Dyke (piano); James Jamerson (bass guitar); Benny "Papa Zita" Benjamin and Richard "Pistol" Allen (drums); Robert White, Eddie Willis, and Joe Messina (guitar); Jack Ashford (tambourine, percussion, vibraphone, marimba); Jack Brokensha (vibraphone, marimba); and Eddie "Bongo" Brown (percussion). Hunter left in 1964, replaced on keyboards by Johnny Griffith and as bandleader by Van Dyke. Uriel Jones joined the band as a third drummer.
In 1967, guitarists Dennis Coffey and Melvin "Wah-Wah Watson" Ragin, who introduced the wah-wah pedal that defined Motown's psychedelic soul records, joined the band. Benny Benjamin died the next year, and Bob Babbitt began to replace James Jamerson on many recordings. Most members were black, while Messina, Brokensha, Babbitt, and Coffey were white.
Legacy and techniques
Until the release of the Standing in the Shadows of Motown documentary, the members of the band were not widely known. Studio musicians were not credited by Motown until Marvin Gaye's What's Going On in 1971, although Motown released a handful of singles and LPs by Earl Van Dyke. The Funk Brothers shared billing with Van Dyke on some recordings, although they were billed as "Earl Van Dyke & the Soul Brothers", since Motown CEO Berry Gordy, Jr. disliked the word "funk". Alternatively, the name "Funk Brothers" could have been given to the band ex post facto; the term "funky" as an adjective came to be associated with uptempo, southern-styled soul music in the second half of the 1960's; the term "funk" as a noun is typically associated with uptempo soul music from the 1970's onwards. It remains to be verified that the Motown session musicians were actually referred to as the Funk Brothers during the 1960's, as this name does not appear on any record label of the time, nor on any interview or article published about Motown in the 1960's.
The band used innovative techniques. For example, most Motown records feature two drummers, playing together or overdubbing one another Marvin Gaye's "I Heard It Through the Grapevine" used three drummers. A number of songs utilized instrumentation and percussion unusual in soul music. The Temptations' "It's Growing" features Earl Van Dyke playing a toy piano for the song's introduction, snow chains are used as percussion on Martha & the Vandellas' "Nowhere to Run", and a custom oscillator was built to create the synthesizer sounds used to accent Diana Ross & the Supremes' "Reflections" A tire iron was used in the Martha & the Vandellas "Dancing in the Streets".
Dissolution and later years
During the mid to late-1960s, one-fifth of Motown records began utilizing session musicians based in Los Angeles, usually covers and tributes of mainstream pop songs and showtunes. By 1970, an increasing number of Motown sessions were in Los Angeles instead of Detroit, notably all The Jackson 5's hit recordings. Nevertheless, Motown producers such as Norman Whitfield, Frank Wilson, Marvin Gaye, and Smokey Robinson steadfastly continued to record in Detroit.
The Funk Brothers were dismissed in 1972, when Berry Gordy moved Motown to Los Angeles. A few members, including Jamerson, migrated to Los Angeles, but found the environment uncomfortable. Jamerson died in 1983, Brown in 1984, Van Dyke in 1992, White in 1994, Allen and Griffith in 2002, and Hunter in 2007.
Awards and recognition
The Funk Brothers have received three Grammy awards:
Bassist James Jamerson was inducted into the Rock and Roll Hall of Fame in 2000, and drummer Benny Benjamin in 2003. In 2003, surviving members were invited to the White House to meet President George W. Bush, Secretary of State Colin Powell, and National Security Advisor Condoleezza Rice, in an event tied to Black History Month.
Members
Membership lists based upon research by Allan Slutsky, with some minor corrections.
Detroit musicians
- Keyboardists:
- Guitarists:
- Bassists:
- James Jamerson (19591972)
- Clarence Isabell (19591962)
- Tony Newton (19631967)
- Bob Babbitt (19671972)
- Eddie Watkins (19681972)
- Tweed Beard
- Joe Williams
- Michael Henderson
- Joe James
- Drums:
| Percussion:Vibes:Trumpets:- Herbie Williams, John "Little John" Wilson, Marcus Belgrave, Russell Conway, Johnny Trudell, Floyd Jones, Maurice Davis, Billy Horner, Don Slaughter, Eddie Jones
Saxophones:- Henry "Hank" Cosby, Andrew "Mike" Terry, Norris Patterson, Thomas "Beans" Bowles, Teddy Buckner, Ronnie Wakefield, "Lefty" Edwards, Eli Fountain, Ernie Rodgers, Kasuka Malia, Eugene "BeeBee" Moore, William "Wild Bill" Moore, Angelo Carlisi, Dan Turner, Bernie Peacock, Larry Nozero, Lanny Austin
Trombones:- Bob Cousar, George Bohanon, Paul Riser, Jimmy Wilkens, Don White, Carl Raetz, Patrick Lanier, Bill Johnson, Ed Gooch
Flute:Strings:- Gordon Staples and the Detroit Symphony Orchestra Strings Section
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Los Angeles musicians
Many of the Los Angeles players were members of The Wrecking Crew collective of studio musicians.
- Keyboards:
- Guitars:
- Arthur Wright
- David T. Walker
- Tommy Tedesco
- Louie Shelton
- Adolph Green
- Weldon T. Parks
- Bass:
| Drums:Percussion:- Gary Coleman
- Bobbye Porter
- King Errisson
- Joe Clayton
- Sandra Crouch
- Jerry Steinholtz
- Emil Richards
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Arrangers and conductors
Detroit: Paul Riser, Willie Shorter, Dave Van DePitte, Wade Marcus, Johnny Allen, Gil Askey, Ernie Wilkins, Jerry Long, Henry "Hank" Cosby, Slide Hampton, and H. B. BarnumLos Angeles: Gene Page, James Carmichael, and Arthur Wright
External links
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