The First Days of Spring
Encyclopedia
The First Days of Spring (1929) is a painting by the Spanish
surrealist
Salvador Dalí
. This is probably the most famous example of Dalí's early surrealist
work.
The setting for this image is an expansive, smooth gray plane. It is elevated on the right and steps down to a lower level at the left. Clustered in the middle of this space is a variety of strange and colorful surrealist images. In the distance is the small shadowy figures of a man holding the hand of a small boy. Toward the left is a figure seated in a chair with his back turned to the entire scene.
This work was created during a time of extreme personal stress for Dalí. His father was becoming increasingly disappointed with his son's choice of profession and unorthodox behavior. The figures of the man and boy appear several times in Dalí's future works. They represent Dali's wish to heal his relationship with his father. The seated figure on the left has also been speculated to represent the artist's father.
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
surrealist
Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members....
Salvador Dalí
Salvador Dalí
Salvador Domènec Felip Jacint Dalí i Domènech, Marquis de Púbol , commonly known as Salvador Dalí , was a prominent Spanish Catalan surrealist painter born in Figueres,Spain....
. This is probably the most famous example of Dalí's early surrealist
Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members....
work.
The setting for this image is an expansive, smooth gray plane. It is elevated on the right and steps down to a lower level at the left. Clustered in the middle of this space is a variety of strange and colorful surrealist images. In the distance is the small shadowy figures of a man holding the hand of a small boy. Toward the left is a figure seated in a chair with his back turned to the entire scene.
This work was created during a time of extreme personal stress for Dalí. His father was becoming increasingly disappointed with his son's choice of profession and unorthodox behavior. The figures of the man and boy appear several times in Dalí's future works. They represent Dali's wish to heal his relationship with his father. The seated figure on the left has also been speculated to represent the artist's father.