The Clown (novel)
Encyclopedia
The Clown is a 1963 novel by West German writer Heinrich Böll
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He describes himself as a clown with no church affiliation. His parents, devout Protestants, sent him to a Catholic school. He met Marie in school and fell in love with her. Although Marie was a Catholic, she agreed to live with him. They never got legally married, largely because Hans would not agree to sign a paper agreeing to raise his children as Catholics. He didn't even want to get a marriage license, because he thought that they were for people who didn't go to church. While living together, they never had any children. Marie always stated that even though she was living in sin, she was still a Catholic. Once in high school, Hans saw her holding hands with Zupfner, but she told him that Zupfner was only a friend. Hans brought her along on every trip and took her everywhere he went. After five years, there was a Catholic conference near their hotel in a German city. Marie wanted to breathe some Catholic air and ask Hans to go there. Hans had a performance at the same time. When they arrived late at night, he fell asleep. The next morning, he discovered Marie was gone, but had had left a note. He never saw her again. The note read: “I must take the path that I must take.”
Hans has a mystical peculiarity, as he can detect smells through the telephone. As he explains, he does not only suffer from depression, headaches, laziness and that mystical ability, but also he suffers from his disposition to monogamy. There is only one woman that he can live with: Marie. His reversal of values is clearly shown in his statement: "I believe that the living are dead, and that the dead live, not the way Protestants and Catholics believe it."
When he goes to his home in the Bonn, the first person he meets is his millionaire father. He remembers all of his memories from the past. He had a sister named Henrietta. The family forced her to volunteer for anti-aircraft duty seventeen years ago and she never came back. He also has a brother named Leo. He recently converted to Catholicism and is studying theology in college. Hans tells his father about his financial problems. After his father offers him to work for him for a relatively low wage, Hans rejects the offer. He tells his father that he and his brother never benefited from the wealth of their family. War has affected the family. They were never given enough food or pocket money. Many things were regarded as extravagances. Thus, he has no good memory from his past and maybe it was a factor that drove him, at age 21, to leave home to become a clown.
He calls many of his relatives in Bonn, but nobody can help him. He soon discovers that Marie is now in Rome on her honeymoon. This news only depresses him more. Finally, he calls his brother, Leo, who promises to bring him money the next day. But, in the middle of the conversation, Leo says that he has talked to Zupner about something and that they became friends. Because Leo has converted to Catholicism, his father no longer supports him. Therefore, Leo is not in a good position financially. In anger, Hans tells him not to come to bring the money. At the end, Hans takes his guitar to the train station and plays as people throw coins into his hat.
Böll tried to focus on the role of the Roman Catholic Church, to exhibit its role in Europe. He included an accurate depiction of moralities and politics in the novel. The church limited the relations between a Catholic and a Protestant and it categorized the German society into religious groups. Although the Protestants were shown as richer people in the novel, we saw that the society was mainly under the influence of Catholics, especially in political and moral issues. But what makes it much worse is that Hans does not get any benefit from any of those groups. He was shown as a kind of pagan, but a pagan who has some Protestant and Catholic relatives and contributes in some ceremonies of those religions. Though, he said his beliefs are quite different from both. This society caused An Artist like Hans to that point in his life. Even his art did not get approved in some political parties, although he was a great performer. But because his left knee became painful, he was unable to perform as well as before, when he is explaining his situation in the novel. In conclusion, he describes his age in this statement "If our era deserves a name, it would have to be called the era of prostitution”
Heinrich Böll
Heinrich Theodor Böll was one of Germany's foremost post-World War II writers. Böll was awarded the Georg Büchner Prize in 1967 and the Nobel Prize for Literature in 1972.- Biography :...
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Plot
Hans Schnier is the "Clown" of the novel's title. He is twenty-seven years old from a very wealthy family. At the beginning of the story he arrives in Bonn, Germany. As a clown, he had to travel across the country from city to city to perform as an artist. He always sees himself an artist. His home is in Bonn; therefore, he has to stay in different hotels when he is not in Bohn. The woman he has been living with, Marie, has left him to marry another man named Zupfner. Because of this, Hans has become depressed. He also has serious financial problems and he wants to get Marie back from Zupfner.He describes himself as a clown with no church affiliation. His parents, devout Protestants, sent him to a Catholic school. He met Marie in school and fell in love with her. Although Marie was a Catholic, she agreed to live with him. They never got legally married, largely because Hans would not agree to sign a paper agreeing to raise his children as Catholics. He didn't even want to get a marriage license, because he thought that they were for people who didn't go to church. While living together, they never had any children. Marie always stated that even though she was living in sin, she was still a Catholic. Once in high school, Hans saw her holding hands with Zupfner, but she told him that Zupfner was only a friend. Hans brought her along on every trip and took her everywhere he went. After five years, there was a Catholic conference near their hotel in a German city. Marie wanted to breathe some Catholic air and ask Hans to go there. Hans had a performance at the same time. When they arrived late at night, he fell asleep. The next morning, he discovered Marie was gone, but had had left a note. He never saw her again. The note read: “I must take the path that I must take.”
Hans has a mystical peculiarity, as he can detect smells through the telephone. As he explains, he does not only suffer from depression, headaches, laziness and that mystical ability, but also he suffers from his disposition to monogamy. There is only one woman that he can live with: Marie. His reversal of values is clearly shown in his statement: "I believe that the living are dead, and that the dead live, not the way Protestants and Catholics believe it."
When he goes to his home in the Bonn, the first person he meets is his millionaire father. He remembers all of his memories from the past. He had a sister named Henrietta. The family forced her to volunteer for anti-aircraft duty seventeen years ago and she never came back. He also has a brother named Leo. He recently converted to Catholicism and is studying theology in college. Hans tells his father about his financial problems. After his father offers him to work for him for a relatively low wage, Hans rejects the offer. He tells his father that he and his brother never benefited from the wealth of their family. War has affected the family. They were never given enough food or pocket money. Many things were regarded as extravagances. Thus, he has no good memory from his past and maybe it was a factor that drove him, at age 21, to leave home to become a clown.
He calls many of his relatives in Bonn, but nobody can help him. He soon discovers that Marie is now in Rome on her honeymoon. This news only depresses him more. Finally, he calls his brother, Leo, who promises to bring him money the next day. But, in the middle of the conversation, Leo says that he has talked to Zupner about something and that they became friends. Because Leo has converted to Catholicism, his father no longer supports him. Therefore, Leo is not in a good position financially. In anger, Hans tells him not to come to bring the money. At the end, Hans takes his guitar to the train station and plays as people throw coins into his hat.
Social issues
Apparently, this novel reflects the German society under Hitler and in the postwar years. It criticises many aspects of society such as political and religious beliefs, marriage issues, the conflict between Catholics and Protestants, the effect of war on families (a millionaire one), and many other things in the society of Germany. Heinrich Böll revealed all of those postwar problems and related them to some psychological aspects that harmed a man with some weird beliefs like Hans.Böll tried to focus on the role of the Roman Catholic Church, to exhibit its role in Europe. He included an accurate depiction of moralities and politics in the novel. The church limited the relations between a Catholic and a Protestant and it categorized the German society into religious groups. Although the Protestants were shown as richer people in the novel, we saw that the society was mainly under the influence of Catholics, especially in political and moral issues. But what makes it much worse is that Hans does not get any benefit from any of those groups. He was shown as a kind of pagan, but a pagan who has some Protestant and Catholic relatives and contributes in some ceremonies of those religions. Though, he said his beliefs are quite different from both. This society caused An Artist like Hans to that point in his life. Even his art did not get approved in some political parties, although he was a great performer. But because his left knee became painful, he was unable to perform as well as before, when he is explaining his situation in the novel. In conclusion, he describes his age in this statement "If our era deserves a name, it would have to be called the era of prostitution”