The Case of Wagner is a
GermanGerman is a West Germanic language, related to and classified alongside English and Dutch. With an estimated 90 – 98 million native speakers, German is one of the world's major languages and is the most widely-spoken first language in the European Union....
book by the philosopher
Friedrich NietzscheFriedrich Wilhelm Nietzsche was a 19th-century German philosopher, poet, composer and classical philologist...
, originally published in 1888. Subtitled "A Musician's Problem", it has also been known as "The Wagner Case" in English.
Contents
The book is a critique of
Richard WagnerWilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
and the announcement of Nietzsche's rupture with the German artist, who had involved himself too much, in Nietzsche's eyes, in the
Völkisch movementThe volkisch movement is the German interpretation of the populist movement, with a romantic focus on folklore and the "organic"...
and antisemitism. His music is no longer represented as a possible "philosophical affect," and Wagner is
ironicallyIrony is a rhetorical device, literary technique, or situation in which there is a sharp incongruity or discordance that goes beyond the simple and evident intention of words or actions...
compared to
Georges BizetGeorges Bizet formally Alexandre César Léopold Bizet, was a French composer, mainly of operas. In a career cut short by his early death, he achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory.During a...
. However, Wagner is presented by Nietzsche as only a particular
symptomA symptom is a departure from normal function or feeling which is noticed by a patient, indicating the presence of disease or abnormality...
of a broader "disease" which is affecting
EuropeEurope is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
, that is
nihilismNihilism is the philosophical doctrine suggesting the negation of one or more putatively meaningful aspects of life. Most commonly, nihilism is presented in the form of existential nihilism which argues that life is without objective meaning, purpose, or intrinsic value...
. The book shows Nietzsche as a capable music-critic, and provides the setting for some of his further reflections on the nature of art and on its relationship to the future health of humanity.
This work is in sharp contrast with the second part of Nietzsche's
The Birth of TragedyThe Birth of Tragedy from the Spirit of Music is a 19th-century work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as The Birth of Tragedy, Or: Hellenism and Pessimism ...
, wherein he praised Wagner as fulfilling a need in music to go beyond the analytic and dispassionate understanding of music. Nietzsche also praised Wagner fulsomely in his essay 'Wagner at Bayreuth' (part of the
Untimely Meditations), but his disillusion with Wagner the composer and the man was first seen in his 1878 work
Human, All Too HumanHuman, All Too Human , subtitled A Book for Free Spirits , is a book by 19th century philosopher Friedrich Nietzsche, originally published in 1878...
. One of the last works that Nietzsche wrote returned to the critical theme of
The Case of Wagner. In
Nietzsche contra Wagner"Nietzsche contra Wagner" is a critical essay by Friedrich Nietzsche, composed of recycled passages from his past works, written in his last year of lucidity . It was not published until 1895, six years after Nietzsche's mental collapse. In it Nietzsche describes why he parted ways with his...
Nietzsche pulled together excerpts from his works to show that he consistently had the same thoughts about music, only that he had misapplied them to Wagner in the earliest works.
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