|
|
|
|
Terracotta Army
|
| |
|
| |
The Terracotta Army are the Terracotta Warriors and Horses of Qin Shi Huang the First Emperor of China. The terracotta figures, dating from 210 BC, were discovered in 1974 by several local farmers near Xi'an, Shanxi province, China near the Mausouleum of the First Qin Emperor. . The figures vary in height (183–195 cm - 6ft–6ft 5in), according to their role, the tallest being the generals. The figures include warriors, chariots, horses, officials, acrobats, strongmen, and musicians.
Discussion
Ask a question about 'Terracotta Army' Start a new discussion about 'Terracotta Army' Answer questions from other users |
Encyclopedia
The Terracotta Army are the Terracotta Warriors and Horses of Qin Shi Huang the First Emperor of China. The terracotta figures, dating from 210 BC, were discovered in 1974 by several local farmers near Xi'an, Shanxi province, China near the Mausouleum of the First Qin Emperor. . The figures vary in height (183–195 cm - 6ft–6ft 5in), according to their role, the tallest being the generals. The figures include warriors, chariots, horses, officials, acrobats, strongmen, and musicians. Current estimates are that in the three pits containing the Terracotta Army there were over 8,000 soldiers, 130 chariots with 520 horses and 150 cavalry horses, the majority of which are still buried in the pits.
Introduction
The Terracotta Army was discovered in eastern outer suburbs of Xi'an, Shaanxi Province by local farmers drilling a water well 1.5 miles east of Lishan (a mountain).This discovery prompted archaeologists to proceed to Shaanxi Province, China to investigate. The Terracotta Army is a form of funerary art buried with the First Emperor of Qin (Qin Shi Huang, Shi Huang means the first emperor) in 210-209 BC (he declared himself the first emperor of China in 221 BC to the end of his life in 210 BC). Their purpose was to help rule another empire with Shi Huang Di in the afterlife. Consequently, they are also sometimes referred to as "Qin's Armies."
Mount Lishan is also where the material to make the terracotta warriors originated. In addition to the warriors, an entire man-made necropolis for the emperor has been excavated.
According to the historian Sima Qian (145 BC-90 BC) construction of this mausoleum began in 246 BC and involved 700,000 workers. Qin Shi Huang was thirteen when construction began. Sima Qian, in his most famous history of China, Shiji, completed a century after the mausoleum completion, wrote that the First Emperor was buried with palaces, scenic towers, officials, valuable utensils and 'wonderful objects,' with 100 rivers fashioned in mercury and above this heavenly bodies below which he wrote were 'the features of the earth.' Some translations of this passage refer to 'models' or 'imitations' but in fact he does not use those words. Recent scientific work at the site has shown high levels of mercury in the soil of Mount Lishan, appearing to add credence to the writing of ancient historian Sima Qian. The tomb of Shi Huang Di is near an earthen pyramid 76 meters tall and nearly 350 square meters. The tomb remains unopened, in the hope that it will remain intact. Only a portion of the site is presently excavated.
Qin Shi Huang’s necropolis complex was constructed to serve as an imperial compound or palace. It comprises several offices, halls and other structures and is surrounded by a wall with gateway entrances. The remains of the craftsmen working in the tomb have also been found within its confines, and it is believed they were sealed inside alive to prevent them from divulging information about the tombs.
It was also said as a legend that the Terracotta Warriors were real soldiers, buried with Emperor Qin so that they can guard him in the next life.
Construction
The terracotta figures were manufactured both in workshops by government laborers and also by local craftsmen. The head, arms, legs and torsos were created separately and then assembled. Studies show that eight face moulds were most likely used, and then clay was added to provide individual facial features. Once assembled, intricate features such as facial expressions were added. It is believed that their legs were made in much the same way that terracotta drainage pipes were manufactured at the time. This would make it an assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece of terracotta and subsequently firing it. In those days, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying that workshops that once made tiles and other mundane items were commandeered to work on the terracotta army. Upon completion, the terracotta figures were placed in the pits in precise military formation according to rank and duty.
The terracotta figures are life-like and life-sized. They vary in height, uniform and hairstyle in accordance with rank. The colored lacquer finish, individual facial features, and actual weapons and armor from battle were used in manufacturing these figures created a realistic appearance. The original weapons were stolen shortly after the creation of the army and the coloring has faded greatly. However, their existence serves as a testament to the amount of labour and skill involved in their construction. It also reveals the power the First Emperor possessed, enabling him to command such a monumental undertaking as this.
The pits
The four pits associated with the dig are about 1.5 km east of the burial ground and are about 7 meters deep.The outside walls of the tomb complex are as if placed there to protect the tomb from the east, where all the conquered states lay. They are solidly built with rammed earth walls and ground layers as hard as concrete. Pit one, 230 meters long, contains the main army, estimated at 8,000 figures. Pit One has 11 corridors, most of which are over 3 meters wide, and paved with small bricks with a wooden ceiling supported by large beams and posts. This design was also used for the tombs of noblemen and would have resembled palace hallways. The wooden ceilings were covered with reed mats and layers of clay for waterproofing, and then mounded with more soil making them, when built about 2 to 3 meters higher than ground level. Pit two has cavalry and infantry units as well as war chariots, and is thought to represent a military guard. Pit three is the command post, with high ranking officers and a war chariot. Pit four is empty, seemingly left unfinished by its builders.
Destruction and gradual decay
There is evidence of a large fire that burned the wooden structures that once housed the Terracotta Army. It was described by Sima Qian, who said that the fire was a consequence of a raid on the tomb by General Xiang Yu less than five years after the death of the First Emperor. According to Sima Qian, General Xiang’s army looted the tomb and the structures holding the Terracotta Army, as well as setting fire to the necropolis and starting a blaze that allegedly lasted three months. Because of this, only one statue has survived intact: a statue of a kneeling archer. Despite the fire, however, much of the remains of the Terracotta Army still survives in various stages of preservation, surrounded by remnants of the burnt wooden structures.
In 1999, it was reported that the warriors were suffering from "nine different kinds of mold," caused by raised temperatures and humidity in the building which houses the soldiers, and by the breath of tourists. In addition, the South China Morning Post reported that the figures have become oxidized grey from being exposed to the air, which may cause arms to fall off, and noses and hairstyles to disappear. However, officials have dismissed these claims. In Daily Planet Goes to China, the Terracotta Warriors segment reported that the Chinese scientists found soot on the surface of the statues, concluding that the pollution introduced from coal burning plants was responsible for the decaying of the terracotta statues.
The Sichuan earthquake caused some slight damages to several soldiers. One soldier in Pit #2 tilted to the right at 5 degrees. Several small cracks appeared on two soldiers and one horse statue in Pit #3. But overall the damage was minimal. Recently, officials have begun to bury sections of the pits, to preserve the figures.
British Museum exhibition
A set piece of 120 objects from the mausoleum and 20 terracotta warriors were displayed at the British Museum in London as its special exhibition "The First Emperor: China's Terracotta Army" from September 13, 2007 to April 2008. This Terracotta Army exhibition made 2008 the British Museum's most successful year ever, and made the British Museum the United Kingdom's top cultural attraction between 2007-08. The exhibition also brought in the most visitors to the British Museum since the King Tutankhamun exhibition in 1972. It was reported that the initial batch of pre-bookable tickets to the Terracotta Army exhibition sold out so fast that the museum extended the exhibition until midnight on Thursdays to Sundays. According to The Times, many people had to be turned away from the exhibition, despite viewings until midnight, and during the day of events to mark the Chinese new year, the crush was so intense that the gates to the museum had to be shut. The Terracotta Army has been described as the only other set of historic artifacts (along with the remnants of ruins of the Titanic) which can draw a crowd simply on the back of the name alone.
The show is currently open at the High Museum of Art in Atlanta, Georgia, United States, through April 2009.
Gallery
See also
Bibliography
- Debainne-Francfort, Corrine. "The Search for Ancient China," (Harry N. Abrams Inc. Pub. 1999): 91-99.
- Dillon, Michael(ed). "China: A Cultural and Historical Dictionary," (Curzon Press, 1998): 196.
- Ledderose, Lothar. "A Magic Army for the Emperor." from "Ten Thousand Things : Module and Mass Production in Chinese Art" ed. Lothar Ledderose, (Princeton UP, 2000): 51-73.
- Perkins, Dorothy. "Encyclopedia of China: The Essential Reference to China, Its History and Culture," (Roundtable Press, 1999): 517-518.
- Richards, Jack C. Interchange 2, Third Edition, (Cambridge University Press, 2005):80.
- Macmanus, Caitlyn. Oxford University specialty in China's history.
External links
|
| |
|
|
