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Telstar (song)
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"Telstar" – – is a 1962 instrumental record performed by The Tornados. It was the first single by a British band to reach number one on the U.S. Billboard Hot 100, and was also a number one hit in the UK. The record was named after the AT&T communications satellite Telstar, which went into orbit in July 1962. The song was released five weeks later on 17 August 1962. It was written and produced by Joe Meek, and featured a clavioline, a keyboard instrument with a distinctive electronic sound.

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Encyclopedia
"Telstar" – – is a 1962 instrumental record performed by The Tornados. It was the first single by a British band to reach number one on the U.S. Billboard Hot 100, and was also a number one hit in the UK. The record was named after the AT&T communications satellite Telstar, which went into orbit in July 1962. The song was released five weeks later on 17 August 1962. It was written and produced by Joe Meek, and featured a clavioline, a keyboard instrument with a distinctive electronic sound. "Telstar" won an Ivor Novello Award and is estimated to have sold at least five million copies worldwide.
This novelty record was intended to evoke the dawn of the space age, complete with sound effects that were meant to sound "space-like". A popular story at the time of the record's release was that the weird distortions and background noise came from sending the signal up to the Telstar satellite and re-recording it back on Earth. It is more likely that the effects were created in Meek's recording studio, which was a small flat above a shop in London. It has been claimed that the sounds intended to symbolize radio signals were produced by Meek running a pen around the rim of an ashtray, and that the "rocket blastoff" at the start of the record was actually a flushing toilet, with the recordings made to sound exotic by playing the tape in reverse at various speeds.
Plagiarism claim
A French composer, Jean Ledrut, accused Joe Meek of plagiarism, claiming that the tune of "Telstar" had been copied from "La Marche d'Austerlitz", a piece from a score that Ledrut had written for the 1960 film Austerlitz. This led to a lawsuit that prevented Meek from receiving royalties from the record during his lifetime, and the issue was not resolved in Meek's favour until a year after his death in 1967. It is unlikely that Meek was aware of Austerlitz, as it had been released only in France at the time.
"Magic Star" and other vocal versions
Meek produced later in 1962 a vocal version of "Telstar" titled "Magic Star", sung by Kenny Hollywood. It was released as a single by Decca Records (cat. nr F11546), with on the B-side "The Wonderful Story of Love", written by Geoff Goddard. The musical direction for both songs was done by Ivor Raymonde . "Magic Star" was covered by Margie Singleton, released by Mercury Records (cat. nr 72079) in January 1963, backed with "Only Your Shadow Knows".
Two Spanish vocal versions were released by Alberto Cortez and The Latin Quartet, titled "Magica Estrella."
With French lyrics by Jacques Plante, the song was released by Les Compagnons de la Chanson under the title "Telstar - Une étoile en plein jour" (a star in broad daylight).
Luxembourg-born German language singer Camillo Felgen recorded the German vocal version as "Telstar (Irgendwann Erwacht Ein Neuer Tag)" with lyrics by Carl Ulrich Blecher in 1963.
Track listing
- UK: Decca F11494
- USA: London Lon 9561 (as The Tornadoes)
- France: Decca 72.009 Simple
- West Germany: London 20654
Personnel
The Tornados
Other
Chart performance
The record was an immediate hit after its release, remaining in the UK pop charts for 25 weeks, five of them at number one, and in the American charts for 16 weeks. "Telstar" was the first U.S. number one by a British group. Up to that point, and since World War II, there had only been three British names that topped the U.S. chart: in May 1962 "Stranger on the Shore" by clarinetist Mr. Acker Bilk; the second was "He's Got the Whole World in His Hands" by Laurie London (1958), whilst the first was "Auf Wiederseh'n Sweetheart" by Vera Lynn (1952). See List of songs by British artists which reached number-one on the Hot 100 (USA).
Cover versions
There were numerous other artists who recorded "Telstar", most notable are:
- Ad Infinitum (1984)
- Apollo 100
- Bud Ashton (1962)
- Bitch Boys (2002)
- Black Market Audio
- The Challengers
- The Champs
- Les Compagnons de la Chanson ("Telstar - Une étoile en plein jour", French vocal version)
- Alberto Cortez (Spanish vocal version, titled "Magica Estrella")
- The Eagles (1960s)
- Duke Ellington
- Camillo Felgen (German vocal version, titled "Telstar (Irgendwann Erwacht Ein Neuer Tag)")
- Les Fingers
- Les Fradkin (2008)
- The Gaylads (vocal version called "Red rose", includes the Studio One band doing an organ version)
- Joe Goldmark
- Kenny Hollywood (vocal version, titled "Magic Star", 1962)
- Hot Butter
- The Ashley Hutchings Big Beat Combo (1994)
- Ricky King
- Laika and the Cosmonauts
- James Last (1966)
- The Latin Quartet (Spanish vocal version, titled "Magica Estrella")
- The Lively Ones
- Stephan Mathieu
- Takako Minekawa (1998)
- Jackie Mittoo
- Models
- Monsters From Mars
- Ronnie Montrose
- Los Mustang (Spain, 1960s)
- Not Breathing (2000)
- Orchestral Manoeuvres in the Dark (OMD) (1979)
- Portsmouth Sinfonia
- The Rapiers (2001)
- The Residents (1974)
- The Rockin' Rebels
- The Roosters (1981)
- The Routers
- The Shadows (1981)
- Margie Singleton (vocal version, titled "Magic Star (Tel-Star)", 1963)
- The Spotnicks
- Los Straitjackets
- The Supertones
- Susan and the Surftones (1996)
- Symarip
- The Television Personalities (1993)
- The Ukrainians
- The Ultras
- Caterina Valente
- Billy Vaughn ("1962's Greatest Hits," first track)
- Velvett Fogg ("Telstar 69", 1969)
- The Ventures
- Wolfman Jack
- Sam Wright Group (Big/C-17)
Use in popular culture
Other uses
- A number of football teams, such as East Fife and Telstar walk out on to the field of play to this song.
- The former British Prime Minister Margaret Thatcher named "Telstar" as one of her favourite pop songs, and chose it as one of her records on BBC Radio 4 programme Desert Island Discs.
- The WFMU Radio Show Seven Second Delay used this song as a theme song. It was picked by a listener who won a contest to pick the theme song during one of WFMU's pledge drives in 2001. They used it as a theme for one year, up through early 2002.
External links
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