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Tejano music
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Tejano music (Spanish-Texan music) is the name given to various forms of folk and popular music originating among the Hispanic populations of Central and Southern Texas. In recent years artists such as the "Queen of Tejano" herself Selena Quintanilla, La Mafia, Jay Perez, Emilio Navaira, and Selena's brother A.B. Quintanilla's band, and Los Kumbia Kings, have transformed Tejano music from primarily a local, ethnic form of music to a genre with wide appeal in North America, Latin America, Europe, and beyond.
he 1690s Spain settled the area that is now known as Texas.
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Encyclopedia
Tejano music (Spanish-Texan music) is the name given to various forms of folk and popular music originating among the Hispanic populations of Central and Southern Texas. In recent years artists such as the "Queen of Tejano" herself Selena Quintanilla, La Mafia, Jay Perez, Emilio Navaira, and Selena's brother A.B. Quintanilla's band, and Los Kumbia Kings, have transformed Tejano music from primarily a local, ethnic form of music to a genre with wide appeal in North America, Latin America, Europe, and beyond.
Origins
In the 1690s Spain settled the area that is now known as Texas. In 1718, San Antonio was established as a midway point to the missions of east Texas.
In 1745, Spain settled the area we now call the Rio Grande Valley, thus was born the Tejano (a Texan of Spanish heritage). Because of the remoteness of Texas at the time and its proximity to Louisiana, Tejano culture was very much tied to the Cajun culture. These similarities are apparent today.
In the 1850s Europeans that came from Germany (first during Spanish time and 1830s), Poland and what is now the Czech Republic migrated to Texas and Mexico, bringing with them their style of music and dance. They brought with them the waltz, polkas and other popular forms of music and dance. However it was not until the Mexican Revolution (1910–1917) that forced many of these Europeans to flee Mexico and into South Texas, that their musical influence was to have a major impact on Tejanos.
At the turn of the century, Tejanos were mostly involved in ranching and agriculture. The only diversion was the occasional traveling musician who would come to the ranches and farms. Their basic instruments were the flute, guitar, and drum, and they sang songs that were passed down through the generations from songs originally sung in Spain and Mexico. One of these musicians was Lydia Mendoza, who became one of the first to record Spanish music as part of RCAs expansion of their popular race records of the 1920s. As these traveling musicos traveled into areas where the Germans, Poles and Czechs lived, they began to incorporate the oom-pah sound into their music. Narciso "El Huracan del Valle" Martinez, known as the father of Conjunto music, defined the accordion's role in Conjunto music.
Alice, Texas has long been recognized as "The Birthplace of Tejano" dating back to the mid 1940s when Armando Marroquin, Sr. of Alice and partner Paco Bentacourt of San Benito, Texas launched what was to be the first home based recording company to record Tejano artists exclusively. Ideal Records, which was based in Alice, under the direction of Marroquin became the perfect vehicle for Tejano groups and artists to get their music to the public. Marroquin, who also owned and operated a jukebox company, insured that Ideal recordings would be distributed throughout South Texas. The songs recorded, which were contributed by Tejano and Mexican composers, became very popular through jukeboxes placed in restaurants, cantinas or any other establishments that would have them, and the then very scarce Spanish language radio programs.
Central to the evolution of early Tejano music was the blend of traditional forms such as the Corrido and Mariachi, and Continental European styles, such as Polka, introduced by German and Czech settlers in the late 19th century. In particular, the accordion was adopted by Tejano folk musicians at the turn of the 20th century, and it became a popular instrument for amateur musicians in Texas and Northern Mexico. Small bands known as orquestas, featuring amateur musicians, became a staple at community dances.
Narciso Martínez (1911-1992) gave the accordion playing a new virtuosity in the 1930s, when he adopted the two button row accordion. At the same time, he formed a group with Santiago Almeida, a bajo sexto player. Their new musical style, known as Conjunto, soon became the popular music of the working class Tejano. Flaco Jimenez (1939-), the son of an accordionist and grandson of a man who had learned the instrument from a German immigrant, carried on Martinez's tradition of accordion virtuosity and became a fixture on the international World Music scene by the 1980s.
In the 1950s and 1960s, rock and roll and country music made inroads, and electric guitars and drums were added to conjunto combos. Also, performers such as Little Joe added both nuances of jazz and R&B, and a Chicano political consciousness.
The 1960s and '70s brought a new fusion of cultures and the first La Onda Tejana Broadcasters. Popular Tejano musician and producer Paulino Bernal of the legendary Conjunto Bernal discovered and introduced to the Tejano music scene the norteno band Los Relampagos Del Norte with Ramon Ayala and Cornelio Reyna on his Bego Records. His Tejano influence on their early recordings popularized this hot new act all the way until their breakup in the mid 1970s. Ramon Ayala still enjoys success on both sides of the border. Cornelio Reyna enjoyed a very successful career as an actor and singer and resurfaced in the Tejano scene with a major hit with his collaboration with Tejano artist La Mafia. He toured constantly until his recent death. In the 1960s and '70s the first La Onda Tejana broadcasting pioneers hit the airwaves including Marcelo Tafoya (first recipient of the Tejano Music Awards "Lifetime Achievement Award), Mary Rodriguez, Rosita Ornelas, and Luis Gonzalez these four were shortly followed by an influx of broadcasters including the famous Davila family of San Antonio. This central Texas support by popular broadcasters helped fuel the flames of La Onda.
In the late 1980s and early '90s, Houston based artist La Mafia, already with over a dozen Tejano Music Awards under their belt, originated a new Tejano style later to become a Tejano standard. La Mafia combined a pop-style beat to the popular Mexican-style cumbia and achieved success never before seen in the Tejano industry, becoming the first Tejano artist to sell over one million albums with "Estás Tocando Fuego" in 1992. With extensive touring from as early as 1988, they eventually opened the doors for such artists as Selena, Emilio Navaira, Jay Perez, Fama, Mazz, La Tropa F, and eventually, Elida y Avante. Electronic instruments and synthesizers increasingly dominated the sound, and Tejano music increasingly appealed to bilingual country and rock fans. In the wake of her murder, Selena's music received attention from a mainstream American audience as well. Selena or the "Queen of Tejano Music" became the first female Tejano music artist to win a Grammy and her album Ven Conmigo became the first Tejano album by a women artist to go gold.
Tejano Music is often danced similar to Country Music with various spins and some 2 step fused with the traditional 1 step Mexican dance. Most often then not if you can dance Country Music you can blend in on a Tejano Music Dance floor. It is danced progressively in a counter clockwise rotation around the dance floor just like Country Music.
Since 1998 Tejano Music has seen a decline of Tejano Music radio stations across the USA due to the huge influx of migrant workers from Mexico. Many big and small radio stations across the USA especially in Texas have converted over to Norteno/Banda music. Now there are only a few broadcast radio stations left, and airplay for artists is scarce. This has caused Tejano Music Internet Radio to become popular, but at the same time it stifles the growth of new Tejano Music Fans because it is no longer in the public mainstream. Whether Tejano Music will keep growing is yet to be seen with the new age of internet, and a few companies promoting internet Tejano Music communities.
This music is the favourite of Igor's father.
The elements of Tejano
Tejano music was born in Texas. Although it has influences from Mexico and other Latin American countries, the main influences are American. Contemporary classic Tejano artists such as David Lee Garza and Jay Perez exhibit influence from rock, blues, funk, and country.
It is important to understand that Tejano music has various categories of music and bands. Three major categories are Conjunto, Orchestra and Modern. A Conjunto band is composed of accordion, bajo sexto, bass, and drum. Examples of Conjunto Bands are Esteban "Steve" Jordan, The Hometown Boys and Jaime de Anda y Los Chamacos. An Orchestra consists of bass, drum, electric guitar, synthesizer, and a brass section on which it relies heavily for its sound. It can also have an accordion in the band at times. An example of an Orchestra is Ruben Ramos and the Texas Revolution. A Modern Tejano band consists of synthesizers, drums, electric guitar, bass and at times an accordion. It relies heavily on the synthesizer for its sound. Modern bands are La Mafia, Selena and her band Selena Y Los Dinos, Shelly Lares, Jay Perez, and Jimmy Gonzalez Y Mazz. Other categories consist of Progressive, Pop and Urban Tejano music. All of these categories are classified as Tejano.
With the keyboard, drum and the bajo sexto, a 12 string bass guitar from Spain, Tejanos now had a sound they could begin to call their own. In the 1940s, Valerio Longoria introduced lyrics to conjunto music, further establishing the Tejano claim to this new sound. Tejano music did retain some of its roots in the old European styles. Polkas and waltzes were still popular, and also popular was the German habit of dancing in a circle around the dance floor. It can also be noted that Country-Western is also danced in the same manner, but only in Texas.
In the 1950s, Isidiro Lopez further revolutionized the Tejano sound by emphasizing less on the traditional Spanish that Valerio used and using the new Tex-Mex instead. This created a newer sound and took us one step closer to the sound we have today. In the 1960s and '70s Little Joe and the Latinairs, later renamed La Familia, The Latin Breed, and others infused the orchestra sound into the Tejano sound, taking their influences from the Pop, R&B and other forms of music. In the late 70s and early 80s, Brownsville natives Joe Lopez, Jimmy Gonzalez y El Grupo Mazz introduced the keyboard sound to Tejano which was influenced by the Disco sound of the era, and during that period,La Mafia became the first Tejano band to put on Rock Style shows for their MTV generation.
Some of the major artists and bands of the past couple of decades include Selena, La Mafia, Roberto Pulido, Laura Canales, David Marez, Xelencia, La Fiebre, La Sombra, Culturas, Elsa Garcia, Gary Hobbs, Fama, Pete Astudillo, Ram Herrera,La Diferenzia, Patsy Torres, Michael Salgado, Intocable, Los Palominos, Jennifer Peña, Duelo and several regional local bands.
In the last few years or so there has been an increasing Mexican influence on Tejano music resulting in a sound more like Norteno. The Accordion, while a historically popular instrument in Tejano music, has gone from a secondary or specialty instrument to a "must have" instrument. Today, groups like Jaime de Anda Y Los Chamacos, Sunny Sauceda, Eddie Gonzalez, and La Tropa F emphasize the accordion.
At the turn of the 21st century, the Tejano influence has declined in part due to decreased promotion, the rise in regional Mexican and other Latin music, the breakup or retirement of established performers, and the emergence of few new performers. Most Tejano artists who performed throughout the 1990s during the music's peak who are still performing today have rarely played to the same widestream attention in recent years. Regardless, today's Tejano music, while far more pop-oriented than its Depression-era roots, is still a vital regional musical style in several Tejano communities as well as in other parts of the United States.
The term Tex-Mex is also used in American rock and roll for Tejano-influenced performers such as the Sir Douglas Quintet; Sam the Sham and the Pharaohs; Los Lobos; The Mars Volta; Sunny and the Sunliners; Louie and the Lovers; The Champs with "Tequila"; the Texas Tornados, featuring Flaco Jiménez, Freddy Fender, Augie Meyers, and Doug Sahm;Ceceilia with Viva Texas and Los Lonely Boys.
Texan accordion music has also influenced Basque trikitixa players.
Contemporary Swedish-American composer Sven-David Sandström has incorporated Tejano music stylings in his classical music.
See also
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