|
|
|
|
Tap dance
|
| |
|
| |
Tap dance was developed in the United States during the nineteenth century, and is popular in many parts of the world. The name comes from the tapping sound made when metal plates on the dancer's shoes touches a hard surface. Because the dancer makes sound, they are also considered a percussive musician.
influences of tap dancing may include:
During the 1930s, 1940s, and 1950s, the best tap dancers moved from Vaudeville to cinema and television.
Discussion
Ask a question about 'Tap dance' Start a new discussion about 'Tap dance' Answer questions from other users |
Encyclopedia
Tap dance was developed in the United States during the nineteenth century, and is popular in many parts of the world. The name comes from the tapping sound made when metal plates on the dancer's shoes touches a hard surface. Because the dancer makes sound, they are also considered a percussive musician.
History
The influences of tap dancing may include:
- Irish and English
- Irish freeform solo Sean-nós dance
- Irish competitive Stepdance
- Clogging, where there may be no accompanying music, just the noise of the shoes
- Step dancing in general.
- Stomp dancing, where the sound of other objects are used to enhance the stomping sound of the foot
- Masters would often challenge each other to be the best dancer and win students
- African
- African dances were often used as a form of communication and reflected most aspects of daily life
- Drum rhythms are often highly complex and syncopated
- African gumboot dance were developed in the 1970s in South Africa by mine workers and may have derived from Tap.
- Steps included gliding, shuffling, and large amounts of improvisation
- There seems to be no historical evidence of percussive (heel toe) dance footwear in this culture predating tap.
- Indian
- The ankle bells worn by Bharatanatyam dancers involved extremely intricate footwork, especially in the Suddha Nrittam items (tapping to the drum beats, with no other instruments playing).
- West Indies
- Complex rhythms dictated by drums
- Juba Dance a very quick and competitive dance involving intricate foot work, hand clapping and patting the bum
- There seems to be no historical evidence of percussive (heel toe) dance footwear in this culture
predating tap.
- Spanish
- Zapateado of Spanish flamenco, where nails are hammered into the heel and the front
part of the dancers' shoes, so that the rhythm of their steps can be heard - Spanish mad-step (practiced by early tap practitioners Eduardo Corrochio and Henry Rogers)
During the 1930s, 1940s, and 1950s, the best tap dancers moved from Vaudeville to cinema and television. Steve Condos, with his innovative style of percussion tap, created a whole new tap style that he introduced to audiences in Vaudeville, and later to the audiences of film and Broadway. Prominent tap dancers of this period included Fred Astaire, Ginger Rogers, Shirley Temple, John W. Bubbles, Charles "Honi" Coles, Vera-Ellen, Ruby Keeler, Gene Kelly, Ann Miller (credited as the fastest recorded tap dancer, a record she still holds), Jeni LeGon,, Fayard and Harold Nicholas of the Nicholas Brothers, Donald O'Connor, Eleanor Powell, Rita Hayworth, Betty Grable, PrinceSpencer, Bill "Bojangles" Robinson, and Jimmy Slyde.
During the 1930s tap dance mixed with Lindy Hop. "Flying swing outs" and "flying circles" are Lindy Hop moves with tap footwork. It also was performanced mostly anywhere which made it ideal for whose who couldnt get place in a hurry.
In the 1950s, the style of entertainment changed. Jazz music and tap dance declined, while rock and roll and pop music and the new jazz dance emerged. What is now called jazz dance evolved out of tap dance, so both dances have many moves in common. But jazz evolved separately from tap dance to become a new form in its own right. Well-known dancers during the 1960s and 1970s included Arthur Duncan and Tommy Tune.
No Maps on My Taps, the Emmy award winning PBS documentary of 1979, helped begin the recent revival of tap dance. The outstanding success of the animated film, Happy Feet, has further reinforced the popular appeal National Tap Dance Day in the United States, now celebrated May 25th, was signed into law by President George Bush on November 7, 1989. (May 25th was chosen because it is the birthday of famous tapper Bill "Bojangles" Robinson.) Prominent modern tap dancers have included Brenda Bufalino, Jay Fagan, Ted Bebblejad, Savion Glover, Peter Briansen, Gregory and Maurice Hines of Hines, Hines, and Dad, Alfonso Ribeiro, LaVaughn Robinson, Jason Samuels Smith, Chloe Arnold, Jared Grimes, Joseph Wiggan, Sarah Reich, Jason Janas, Acia Gray, Dormeshia Sumbry Edwards, Omar Edwards, Michelle Dorrance, Max Pollak, Derick Grant, Jumaane Taylor, Sam Weber and Grant Swift. Indie-pop band Tilly and the Wall also features a tap dancer, Jamie Williams, tapping as percussion. Orchestral-pop band Born Again Floozies combines tap dance, hoofing, and stomp dance with orchestral percussion and low brass as its rhythm section.
Characteristics of tap dance
Tap dancers make frequent use of syncopation. Choreography typically starts on the eighth or first beatcount. Another aspect of tap dancing is improvisation. This can either be done with music and follow the beats provided or without musical accompaniment, otherwise known as a cappella dancing.
Hoofers are tap dancers who dance primarily with their legs, making a louder, more grounded sound. This kind of tap dancing, also called "rhythm tap", came primarily from cities or poor areas. Today this is not the case, especially with such a wide variety of styles spreading throughout the world. Steve Condos rose out of his humble beginnings in Pittsburgh, PA to become a master in rhythmic tap. His innovative style influenced the work of Gregory Hines, Savion Glover and Marshall Davis, Jr. The majority of hoofers, such as Sammy Davis Jr., Savion Glover, Gregory Hines, and LaVaughn Robinson are African American men, although today the art form transcends racial and gender stereotypes. Savion Glover is the best-known living hoofer, who helped bring tap dance into mainstream media by choreographing and dancing for the major motion picture Happy Feet, a film about a tap dancing penguin. Another well-known tap film is 1989's Tap, starring the late Gregory Hines and many of the old-time hoofers.
Early dancers like Fred Astaire provided a more ballroom look to tap dancing, while Gene Kelly used his extensive ballet training to make tap dancing incorporate all the parts of the ballet. This style of tap led to what is today known as "Broadway style," which is more mainstream in American culture. It often involves high heeled tap shoes and show music, and is usually the type of tap first taught to beginners. The best examples of this style are found in Broadway musicals such as 42nd Street.
Common tap steps include the shuffle, shuffle ball change, flap, flap heel, cramproll, buffalo, Maxi Ford, single and double pullbacks, wings, Cincinnati, the shim sham shimmy (also called the Lindy), Irish, Waltz Clog, the paddle and roll, stomp, brushes, scuffs, and single and double toe punches, hot steps, heel clicks, single, double and triple time steps, riffs, over-the-tops, military time step, new yorkers, and chugs. In advanced tap dancing, basic steps are often combined together to create new steps.
External links
- International organization to promote and educate the public about tap dance.
- Tap dance video dictionary, syllabus, classes, and combinations.
- A collection of tap steps and moves on video, free to watch.
- Tap Company of the United States.
- at the Open Directory Project
|
| |
|
|
