Structuralist film theory
Encyclopedia
Structuralist film theory is a branch of film theory
Film theory
Film theory is an academic discipline that aims to explore the essence of the cinema and provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large...

 that is rooted in Structuralism
Structuralism
Structuralism originated in the structural linguistics of Ferdinand de Saussure and the subsequent Prague and Moscow schools of linguistics. Just as structural linguistics was facing serious challenges from the likes of Noam Chomsky and thus fading in importance in linguistics, structuralism...

, itself based on structural linguistics
Structural Linguistics
Structural linguistics is an approach to linguistics originating from the work of Swiss linguist Ferdinand de Saussure. De Saussure's Course in General Linguistics, published posthumously in 1916, stressed examining language as a static system of interconnected units...

, a now-obsolete branch of linguistics. Structuralist film theory emphasizes how film
Film
A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects...

s convey meaning
Meaning (semiotics)
In semiotics, the meaning of a sign is its place in a sign relation, in other words, the set of roles that it occupies within a given sign relation. This statement holds whether sign is taken to mean a sign type or a sign token...

 through the use of code
Code (semiotics)
In semiotics, a code is a set of conventions or sub-codes currently in use to communicate meaning. The most common is one's spoken language, but the term can also be used to refer to any narrative form: consider the color scheme of an image , or the rules of a board game In semiotics, a code is a...

s and conventions not dissimilar to the way languages are used to construct meaning in communication.

An example of this is understanding how the simple combination of shots can create an additional idea: the blank expression on a person's face, an appetising meal, and then back to the person's face. While nothing in this sequence literally expresses hunger—or desire—the juxtaposition of the images convey that meaning to the audience.

Unraveling this additional meaning can become quite complex. Lighting, angle, shot duration, juxtaposition, cultural context, and a wide array of other elements can actively reinforce or undermine a sequence's meaning.

See also

  • Christian Metz
    Christian Metz (critic)
    Christian Metz was a French film theorist, best known for pioneering the application of Ferdinand de Saussure's theories of semiology to film...

  • Formalist film theory
    Formalist film theory
    Formalist film theory is a theory of film study that is focused on the formal, or technical, elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing...

  • Kuleshov Experiment (for more information on the phenomenon of multiple shots with differing impact)
  • semiotic literary criticism
    Semiotic literary criticism
    Semiotic literary criticism, also called literary semiotics, is the approach to literary criticism informed by the theory of signs or semiotics...

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