Stabat Mater (Pärt)
Encyclopedia
Stabat Mater is a musical setting of the Stabat Mater
Stabat Mater
Stabat Mater is a 13th-century Roman Catholic hymn to Mary. It has been variously attributed to the Franciscan Jacopone da Todi and to Innocent III...

sequence
Sequence (poetry)
A sequence is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent there were sequences for many feasts in the Church's year.The sequence has always been sung...

 composed by Arvo Pärt
Arvo Pärt
Arvo Pärt is an Estonian classical composer and one of the most prominent living composers of sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-made compositional technique, tintinnabuli. His music also finds its inspiration and influence from...

 in 1985, a commission of the Alban Berg
Alban Berg
Alban Maria Johannes Berg was an Austrian composer. He was a member of the Second Viennese School with Arnold Schoenberg and Anton Webern, and produced compositions that combined Mahlerian Romanticism with a personal adaptation of Schoenberg's twelve-tone technique.-Early life:Berg was born in...

 Foundation. The piece is scored for a trio of singers: soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

, alto
Alto
Alto is a musical term, derived from the Latin word altus, meaning "high" in Italian, that has several possible interpretations.When designating instruments, "alto" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence,...

, and tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

; and a trio of string instrument
String instrument
A string instrument is a musical instrument that produces sound by means of vibrating strings. In the Hornbostel-Sachs scheme of musical instrument classification, used in organology, they are called chordophones...

s violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....

, viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...

, and violoncello; it has a duration of approximately 24 minutes. A version with expanded forces (mixed chorus and orchestra) was premiered on June 12, 2008 at the Großen Musikvereinssaal during the Wiener Festwochen 2008 with Kristjan Järvi conducting the Singverein der Gesellschaft der Musikfreunde in Wien
Wiener Singverein
The Vienna Singverein is the concert choir of the Vienna Musikverein with around 230 members. It is regularly requested by top orchestras and conductors for large and varied projects.- History :...

 and the Tonkünstler-Orchester Niederösterreich. This new version was commissioned by the Tonkünstler-Orchester. Stabat Mater is composed in Pärt's characteristic tintinnabuli
Tintinnabuli
Tintinnabuli is a compositional style created by the Estonian composer Arvo Pärt. He first introduced this new style in two works: Für Alina and Spiegel Im Spiegel . This simple style was influenced by the composer's mystical experiences with chant music...

 style (which he has employed nearly exclusively since 1976) in which arpeggiations
Arpeggio
An arpeggio is a musical technique where notes in a chord are played or sung in sequence, one after the other, rather than ringing out simultaneously...

 of a major
Major chord
In music theory, a major chord is a chord having a root, a major third, and a perfect fifth. When a chord has these three notes alone, it is called a major triad...

 or minor
Minor chord
In music theory, a minor chord is a chord having a root, a minor third, and a perfect fifth.When a chord has these three notes alone, it is called a minor triad....

 triad
Triad (music)
In music and music theory, a triad is a three-note chord that can be stacked in thirds. Its members, when actually stacked in thirds, from lowest pitched tone to highest, are called:* the Root...

 are combined with ascending or descending diatonic scales.

Structure

The Stabat Mater text consists of ten stanza
Stanza
In poetry, a stanza is a unit within a larger poem. In modern poetry, the term is often equivalent with strophe; in popular vocal music, a stanza is typically referred to as a "verse"...

s, in an AABCCB rhyme
Rhyme
A rhyme is a repetition of similar sounds in two or more words and is most often used in poetry and songs. The word "rhyme" may also refer to a short poem, such as a rhyming couplet or other brief rhyming poem such as nursery rhymes.-Etymology:...

 scheme and a syllabic meter of 887887. The poetic feet
Foot (prosody)
The foot is the basic metrical unit that generates a line of verse in most Western traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, the number of which is limited, with a few...

 are all trochee
Trochee
A trochee or choree, choreus, is a metrical foot used in formal poetry consisting of a stressed syllable followed by an unstressed one...

s. This verse form is characteristic of the later metrical sequence. As in several of Pärt’s works, measure breaks are determined not by regular groupings of beats and stress, but rather by the words themselves. Pärt places dotted lines in the score at line breaks in the poetry, and as in Passio
Passio Domini Nostri Jesu Christi secundum Joannem
Passio Domini Nostri Jesu Christi secundum Joannem is a passion cantata by Arvo Pärt for solo baritone , solo tenor , solo vocal quartet , choir, violin, oboe, cello, bassoon and organ...

, there is usually a rest following any punctuation.

On a large scale, Pärt frames the ten stanzas with an 108 measure introduction and coda
Coda (music)
Coda is a term used in music in a number of different senses, primarily to designate a passage that brings a piece to an end. Technically, it is an expanded cadence...

 nearly identical in structure and musical materials; the vocalists sing only the word “Amen”. Within these frames, Pärt divides the 10 stanzas into four groups, separated by instrumental interludes of a vastly different musical character. The four groups are stanzas 1-2, 3-5, 6-8, and 9-10. This grouping of 2+3+3+2 and its surrounding frame creates a perfectly symmetrical
Symmetry
Symmetry generally conveys two primary meanings. The first is an imprecise sense of harmonious or aesthetically pleasing proportionality and balance; such that it reflects beauty or perfection...

structure. It is possible to measure each of these section’s lengths in terms of both the measures created by the number of words and the rhythmic groupings of the underlying triple pulse. The chart below represents the proportions by means of the rhythmic groupings. The introduction is exactly the same length as the coda, the 2nd and 3rd interlude are each half the length of the 1st interlude, and stanzas 1-2 and 3-5 are roughly equal to 9-10 and 4-6.
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