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Spinto
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Spinto (from Italian, "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large dramatic climaxes at moderate intervals. Sometimes the terms lirico-spinto or jugendlich-dramatisch are used. This voice type is recognized by its "slice", allowing the singer to be heard over a full Romantic orchestra in roles including, in particular, the most taxing of the Verdi, Puccini and verismo parts, such as Otello.
Rosalind Plowright defines a spinto voice as one that has a tonal colour one down from its range.

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Encyclopedia
Spinto (from Italian, "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large dramatic climaxes at moderate intervals. Sometimes the terms lirico-spinto or jugendlich-dramatisch are used. This voice type is recognized by its "slice", allowing the singer to be heard over a full Romantic orchestra in roles including, in particular, the most taxing of the Verdi, Puccini and verismo parts, such as Otello.
Rosalind Plowright defines a spinto voice as one that has a tonal colour one down from its range. For example, a voice with a mezzo's tone colour and the high notes of a soprano, or a voice with a tenor range and a baritone's tone colour, is a spinto. She names Plácido Domingo as an instance of the latter. Plowright's generalisation does not hold true for all spinto tenors, however. Giovanni Martinelli, Giacomo Lauri-Volpi and Jussi Björling, for instance, sang spinto roles such as Radames with bright-toned voices that lacked any baritonal colouration.
See also
External links
- singing Vissi d'arte, illustrating the sound of a spinto voice and how it differs from a lyric voice. Hosted at . In order:
- Lyric (Claudia Muzio)
- Spinto (Leontyne Price)
- Spinto (Renata Tebaldi)
- Spinto (Zinka Milanov)
- Lyric (Montserrat Caballé)
- Spinto (Antonietta Stella)
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