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Sound symbolism
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Sound symbolism or phonosemantics is a branch of linguistics and refers to the idea that vocal sounds have meaning. In particular, sound symbolism is the idea that phonemes (the written representations of sounds, transcribed between slashes like this: /b/) carry meaning in and of themselves.
OriginIn the 18th century, Mikhail Lomonosov propagated an idiosyncratic theory that words containing the front vowel sounds E, I, YU should be used when depicting tender subjects, and those with back vowel sounds O, U, Y - to when describing things that may cause fear ("like anger, envy, pain, and sorrow").
However, it is Ferdinand de Saussure (1857–1913) who is considered to be the founder of modern 'scientific' linguistics. Central to what de Saussure says about words are two related statements: firstly, he says that "the sign is arbitrary". This means that he considers the words that we use to indicate things and concepts could be any words - they are essentially just a consensus agreed upon by the speakers of a language and have no discernible pattern or relationship to the thing. Thus, the sounds themselves have no linguistic meaning. Secondly, he says that, because words are arbitrary, they have meaning only in relation to other words. A dog is a dog because it is not a cat or a mouse or a horse, etc. These ideas have permeated the study of words since the 19th century.
However, Saussure himself is said to have collected examples where sounds and referents were related. Ancient traditions link sounds and meaning, and some modern linguistic research does also.
Types of sound symbolismMargaret Magnus is the author of a comprehensive book designed to explain phonosemantics to the lay reader - Gods of the Word. This work describes three types of sound symbol using a model first proposed by Wilhelm von Humboldt (see below):
This is the least significant type of symbolism. It is simply imitative of sounds, or suggests something that makes a sound. Some examples are: crash, bang, whoosh.
ClusteringWords that share a sound sometimes have something in common. If we take for example all of the words that have no prefix or suffix and group them according to meaning, some of them will fall into a number of categories. So we find that there is a group of words beginning with /b/ are about barriers, bulges, bursting, and some other group about being banged, beaten, battered, bruised, blistered and bashed. This proportion is according to Magnus above the average for other letters.
Another hypothesis states that if a word begins with a particular phoneme, then there is likely to be a number of other words starting with that phoneme that refer to the same thing. An example given by Magnus is: if the basic word for 'house' in a given language starts with a /h/, then by clustering, disproportionately many words containing /h/ can be expected to concern housing: hut, home, hovel...
Clustering is language dependent, although closely related languages will have similar clustering relationships.
IconismIconism according to Magnus becomes apparent when comparing words which have the same sort of referent. One way is to look at a group of words that all refer to the same thing, and that differ only in their sound, like 'stamp', stomp', 'tamp', 'tromp', 'tramp', 'step'. An /m/ before the /p/ in some words makes the action more forceful - compare 'stamp' with 'step' or 'tamp'. According to Magnus, the /r/ sets the word in motion, especially after a /t/ so a 'tamp' is in one place, but a 'tramp' goes for a walk. The /p/ in all those words would be what emphasizes the individual steps.
It is suggested by Magnus that this kind of iconism is universal across languages.
Phenomimes and psychomimesSome languages possess a category of words midway between onomatopoeia and usual words. Whereas onomatopoeia refers to the use of words to imitate actual sounds, there are languages (for example Japanese) known for having a special class of words that "imitate" soundless states or events, called phenomimes (when they describe external phenomena) and psychomimes (when they describe psychological states). On a scale that orders all words according to the correlation between their meaning and their sound, with the sound-imitating words like meow and whack at one end, and with the conventional words like water and blue at the other end, the phenomimes and the psychomimes would be somewhere in the middle (see Japanese sound symbolism). In the case of Japanese, for example, such words are learned in early childhood and are considerably more effective than usual words in conveying feelings and states of mind, or in describing states, motions, and transformations in the outside world. They are not found, however, only in children's vocabulary, but widely used in daily conversation among adults and even in more formal writing.
In the sentence ??????????? hoshi ga kirakira hikatteiru, meaning "The stars are shining sparklingly", kirakira is a good example of a phenomime, which conveys the flickering starlight into a sequence of sounds that can be traced back to the original optical phenomenon.
The sentence ???????????????? densha ga konde ite iraira shite ita ("The train was so crowded it was getting on my nerves.") gives an example of a psychomime: the word iraira describes the irritated state of mind due to the train's being crowded.
Plato and the Cratylus DialogueIn Cratylus, Plato has Socrates commenting on the origins and correctness of various names and words. When Hermogenes asks if he can provide another hypothesis on how signs come into being (his own is simply 'convention'), Socrates initially suggests that they fit their referents in virtue of the sounds they are made of:
- "Now the letter rho, as I was saying, appeared to the imposer of names an excellent instrument for the expression of motion; and he frequently uses the letter for this purpose: for example, in the actual words rein and roe he represents motion by rho; also in the words tromos (trembling), trachus (rugged); and again, in words such as krouein (strike), thrauein (crush), ereikein (bruise), thruptein (break), kermatixein (crumble), rumbein (whirl): of all these sorts of movements he generally finds an expression in the letter R, because, as I imagine, he had observed that the tongue was most agitated and least at rest in the pronunciation of this letter, which he therefore used in order to express motion" - Cratylus.
However, faced by an overwhelming number of counterexamples given by Hermogenes, Socrates has to admit that "my first notions of original names are truly wild and ridiculous".
UpanishadsThe Upanishads contain a lot of material about sound symbolism, for instance:
- "The mute consonants represent the earth, the sibilants the sky, the vowels heaven. The mute consonants represent fire, the sibilants air, the vowels the sun… The mute consonants represent the eye, the sibilants the ear, the vowels the mind" - Aitrareya-Aranya-Upanishad
Shingon BuddhismKukai, the founder of Shingon wrote his Sound, word, reality in the 9th century which relates all sounds to the voice of the Dharmakaya Buddha.
Early Western phonosemanticsThe idea of phonosemantics was sporadically discussed during the Middle Ages and the Renaissance. In 1690, Locke wrote against the idea in an essay called "An Essay on Human Understanding". His argument was that if there were any connection between sounds and ideas, then we would all be speaking the same language, but this is an over-generalisation. Leibniz's book New Essays on Human Understanding published in 1765 contains a point by point critique of Locke's essay. Leibniz picks up on the generalization used by Locke and adopts a less rigid approach: clearly there is no perfect correspondence between words and things, but neither is the relationship completely arbitrary, although he seems vague about what that relationship might be.
Modern phonosemanticsIn 1836 Wilhelm von Humboldt published Über die Verschiedenheit des menschlichen Sprachbaues und ihren Einfluß auf die geistige Entwicklung des Menschengeschlechts. It is here that he establishes the three kinds of relationship between sounds and ideas as discussed above under Types of Sound Symbolism. Below is a sample of researchers in the field of phonosemantics.
Otto Jespersen suggests that: "Sound symbolism, we may say, makes some words more fit to survive." Dwight Bolinger of Harvard University was the primary proponent of phonosemantics through the late 1940s and the 1950s. In 1949, he published The Sign is Not Arbitrary. He concluded that morphemes cannot be defined as the minimal meaning-bearing units, in part because linguistic meaning is so ill-defined, and in part because there are obvious situations in which smaller units are meaning-bearing.
Ivan Fónagy (1963) correlates phonemes with metaphors. For example, nasal and velarized vowels are quite generally considered ‘dark’, front vowels as ‘fine’ and ‘high’. Unvoiced stops have been considered ‘thin’ by European linguists, whereas the fricatives were labelled ‘raw’ and ‘hairy’ by the Greeks.
Hans Marchand provided the first extensive list of English phonesthemes. He wrote, for example, that "/l/ at the end of a word symbolizes prolongation, continuation" or "nasals at the end of a word express continuous vibrating sounds."
Gérard Genette published the only full length history of phonosemantics, Mimologics (1976). In 450 pages, Genette details the evolution of the linguistic iconism among linguists and poets, in syntax, morphology and phonology.
Linguist Keith McCune demonstrated in his doctoral thesis that virtually every word in the Indonesian language has an iconic (phonosemantic) component. His two-volume doctoral thesis "The Internal Structure of Indonesian Roots" was completed at the University of Michigan in 1983 and published in Jakarta in 1985.
Relationship with poetryThe sound of words is important in the field of poetry, and rhetoric more generally. Tools such as euphony, alliteration, and rhyme all depend on the speaker or writer confidently choosing the best-sounding word.
John Mitchell's book Euphonics: A Poet's Dictionary of Enchantments collects lists of words of similar meaning and similar sounds. For example, the entry for V begins:
- Vital and vigorous but vain and vicious.
- Vitality is in words which relate to the Latin vita (life), vis (force) and vigor. In English are vim and vigour, vitality and velocity. The effect of V can be described as very vivacious. Like several other sounds V has a second, opposite meaning. In accordance with its relationship to the sounds W and F it is sometimes weak and flustured (German verwirrt), as in the words vain, vacuous, vapid, vague, vacillate, vagrant, vaporous, vertigo, veer, and vary.
Likewise, "gl-" words for shiny things: glisten, gleam, glint, glare, glam, glimmer, glaze, glass, glitz, gloss, glory, glow, and glitter. In German, nouns starting with "kno-" and "knö-" are mostly small and round: Knoblauch "garlic", Knöchel "ankle", Knödel "dumpling", Knolle "tuber", Knopf "button", Knorren "knot (in a tree)", Knospe "bud (of a plant)", Knoten "knot (in string or rope)".
See also
External links- Robin Allott.
- - an alternative approach to phonosemantics.
- Philosophy East and West Vol. 32:4 (October 1982)
- Asa M. Stepak
- a satirical but illustrative example of sound symbolism and iconicity using airstream mechanisms.
Sources- Magnus, M. Gods of the Word : Archetypes in the Consonants. (Truman State University Press, July 1999)
- The Sound Shape of Language by Roman Jakobson and Linda Waugh
- Euphonics: A Poet's Dictionary of Enchantments by John Mitchell (ISBN 904263 437)
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