Show Boat (1936 film)
Encyclopedia
Show Boat is a 1936 film
based on the musical
play by Jerome Kern
(music) and Oscar Hammerstein II
(script and lyrics), which the team adapted from the novel
by Edna Ferber
.
This film version from Universal Pictures
, which had in 1929 filmed a part-talkie
version of Ferber's original novel
, is, for the most part, a faithful adaptation of the famed Broadway
musical
version of the novel, and retains the interracial subplot so important to both the novel and the show. Carl Laemmle
, head of Universal, had been deeply dissatisfied with the 1929 film, and had long wanted to make an all-sound version of the hit musical. It was originally scheduled to be made in 1934, but plans to make this version with Russ Columbo
as the gambler Gaylord Ravenal fell through when Columbo was accidentally killed that year, and shooting of the film was rescheduled. The film, with several members of the original Broadway cast, was begun in late 1935 and released in 1936.
In addition to the songs retained from the stage production, Kern and Hammerstein wrote three additional songs for the film. Two of them were performed in spots previously reserved for songs from the stage production.
putting on shows. She meets Gaylord Ravenal, a charming gambler, and eventually marries him. Together with their baby daughter, the couple leaves the boat and moves to Chicago, where they live off Gaylord's gambling winnings. After about ten years, he experiences an especially bad losing streak and leaves Magnolia, out of a sense of guilt that he is ruining her life because of his losses. Magnolia is forced to bring up her young daughter alone, but is reunited with the repentant Ravenal after twenty-three years. In a parallel plot, Julie LaVerne (the show boat's leading actress, who is part African-American, but "passing" as white) is forced to leave the boat because of her background, taking Steve Baker (her white husband, to whom, under the state's law, she is illegally married) with her. Julie is eventually also abandoned by her husband, and she consequently becomes an alcoholic, from which she presumably never recovers. Her husband, Steve, also presumably never returns to her. But Julie, who was Magnolia's best friend during their days on the show boat, secretly enables her to become a success on the stage in Chicago after Ravenal has abandoned Magnolia. In the film's most significant change from the show, Magnolia and Ravenal are reunited at the theatre in which Kim, their daughter, is starring in her first Broadway show, rather than back on the show boat, as in the stage production and the other film versions. The final sequence, however, does retain reprise
s of the songs "You Are Love
" and "Ol' Man River
".
as Magnolia and Allan Jones as Ravenal, with Charles Winninger
, Paul Robeson
, Helen Morgan
, Helen Westley
, Queenie Smith
, Sammy White
, Donald Cook
, Arthur Hohl
, and Hattie McDaniel
. It was directed by Frankenstein
/ Bride of Frankenstein
director James Whale
, who tried to bring as many people from the stage production as he could to work on the film. Winninger, Morgan and White had all previously played their roles in both the original 1927 stage production and the 1932 stage revival of the musical. Robeson, for whom the role of Joe was actually written, had appeared in the show onstage in London in 1928 and in the Broadway revival of 1932. Dunne had been brought in to replace Norma Terris
, the original Magnolia, in the touring version of the show, and had toured the U.S. in the role beginning in 1929.
The 1936 film also enlisted the services of the show's original orchestrator, Robert Russell Bennett
, and its original conductor, Victor Baravalle
. The screenplay for the film was written by Hammerstein.
The songs were performed and staged in a manner very similar to the way they were done in the original stage version, not counting the three new songs written for the film, of course. Many of the show's original vocal arrangements (by an uncredited Will Vodery
) were retained in the film. "Why Do I Love You?" had been filmed in a new setting - inside a running automobile - but was cut just before the film's release to tighten the running time. There is no word on whether or not this footage has survived.
Due to time constraints, Whale was forced to delete much of his ending sequence, including a "modern" dance number to contrast with the romantic, "Old South" production number we see Kim starring in, and which was intended to highlight African-American contributions to dance and music.
According to film historian Miles Kreuger in his book Show Boat: The History of a Classic American Musical, great care was taken by director James Whale to ensure a feeling of complete authenticity in the set and costume design for the 1936 film.
adaptations ever made. Ten numbers from the stage score are actually sung, with four others heard only as background music, and a tiny, almost unrecognizable fragment of the song "I Might Fall Back on You" is heard instrumentally at the beginning of the New Year's Eve
sequence. Except for the final ten minutes of the film and the three additional songs written for the movie by Kern and Hammerstein, the 1936 Show Boat follows the stage musical extremely closely, unlike the 1929 film and the 1951 version released by MGM. It is so faithful that even several instrumental pieces not by Kern which are included as part of the show's score are retained in the film. The film also retains much of the comedy in the show.
In 1996, this version of Show Boat was selected for preservation in the United States National Film Registry
by the Library of Congress
as being "culturally, historically, or aesthetically significant".
remake
; however, MGM's version did not begin filming until 1950, and was released in the summer of 1951. The fact that Paul Robeson was blacklisted
in 1950 further assured that the 1936 film would not be seen for a long time, and it was not widely seen again until after Robeson's death in 1976. In 1983 it made its debut on cable television
, and a few years later, on PBS. It was subsequently shown on TNT
and now turns up from time to time on TCM
. It was made available on VHS
beginning in 1990, but it has yet to be released on an authorized DVD
, although a Brazilian company, Classicline, released a DVD version in 2003. For several years, Warner Brothers, through which Turner now releases its official DVDs, has been promising a comprehensive set of all three Show Boat films, but as of 2011, this has still not come to pass, though there is a great demand for an official DVD release.
The Voyager Company, under its Criterion Collection Label, released two versions on laserdisc
in 1989 of the 1936 version. One was a special edition with extras that included the history of show boats in general and its stage and film history, and the other was a movie only version. MGM/UA Home Video released the 1929, 1936 and 1951 versions, as well as the Show Boat sequence from Till the Clouds Roll By
, as The Complete Show Boat collection on laserdisc
in 1995. The 1929 version was restored and this release is the most complete version available. The transfer for the 1936 version is the same as the Criterion Collection and the 1951 was from the restored stereo release MGM had done earlier. Although an analog format, the laserdisc
release is the only digital version of the 1929 and 1936 versions and is out of print.
In 2006 the 1936 Show Boat ranked #24 on the American Film Institute
's list of best musicals
.
Today, Turner Entertainment
owns the film as part of the pre-1986 MGM library, with fellow Time Warner
division Warner Bros.
handling distribution.
1936 in film
The year 1936 in film involved some significant events.-Events:*May 29 - Fritz Lang's first Hollywood film Fury, starring Spencer Tracy and Bruce Cabot, is released.*November 6 - first Porky Pig animated cartoon...
based on the musical
Show Boat
Show Boat is a musical in two acts with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It was originally produced in New York in 1927 and in London in 1928, and was based on the 1926 novel of the same name by Edna Ferber. The plot chronicles the lives of those living and working...
play by Jerome Kern
Jerome Kern
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A...
(music) and Oscar Hammerstein II
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II was an American librettist, theatrical producer, and theatre director of musicals for almost forty years. Hammerstein won eight Tony Awards and was twice awarded an Academy Award for "Best Original Song". Many of his songs are standard repertoire for...
(script and lyrics), which the team adapted from the novel
Show Boat (novel)
Show Boat is a 1926 novel by American author and dramatist Edna Ferber. It chronicles the lives of three generations of performers on the Cotton Blossom, a floating theater that travels between small towns on the banks of the Mississippi, from the 1880s to the 1920s...
by Edna Ferber
Edna Ferber
Edna Ferber was an American novelist, short story writer and playwright. Her novels were especially popular and included the Pulitzer Prize-winning So Big , Show Boat , and Giant .-Early years:Ferber was born August 15, 1885, in Kalamazoo, Michigan,...
.
This film version from Universal Pictures
Universal Pictures
-1920:* White Youth* The Flaming Disc* Am I Dreaming?* The Dragon's Net* The Adorable Savage* Putting It Over* The Line Runners-1921:* The Fire Eater* A Battle of Wits* Dream Girl* The Millionaire...
, which had in 1929 filmed a part-talkie
Part-talkie
A part-talkie is a partly, and most often primarily, silent film which includes one or more synchronous sound sequences with audible dialog or singing. During the silent portions lines of dialog are presented as "titles" -- printed text briefly filling the screen -- and the soundtrack is used only...
version of Ferber's original novel
Show Boat (1929 film)
Show Boat is a film based on the novel by Edna Ferber. This version was released by Universal in two editions, one a silent film for movie theatres still not equipped for sound, and one a part-talkie with a sound prologue...
, is, for the most part, a faithful adaptation of the famed Broadway
Broadway theatre
Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
musical
Musical theatre
Musical theatre is a form of theatre combining songs, spoken dialogue, acting, and dance. The emotional content of the piece – humor, pathos, love, anger – as well as the story itself, is communicated through the words, music, movement and technical aspects of the entertainment as an...
version of the novel, and retains the interracial subplot so important to both the novel and the show. Carl Laemmle
Carl Laemmle
Carl Laemmle , born in Laupheim, Württemberg, Germany, was a pioneer in American film making and a founder of one of the original major Hollywood movie studios - Universal...
, head of Universal, had been deeply dissatisfied with the 1929 film, and had long wanted to make an all-sound version of the hit musical. It was originally scheduled to be made in 1934, but plans to make this version with Russ Columbo
Russ Columbo
Ruggiero Eugenio di Rodolpho Colombo , known as Russ Columbo, was an American singer, violinist and actor, most famous for his signature tune, "You Call It Madness, But I Call It Love", his compositions "Prisoner of Love" and "Too Beautiful For Words", and the legend surrounding his early...
as the gambler Gaylord Ravenal fell through when Columbo was accidentally killed that year, and shooting of the film was rescheduled. The film, with several members of the original Broadway cast, was begun in late 1935 and released in 1936.
In addition to the songs retained from the stage production, Kern and Hammerstein wrote three additional songs for the film. Two of them were performed in spots previously reserved for songs from the stage production.
Plot
Magnolia Hawks is an eighteen-year-old on her family's show boat, the Cotton Palace (renamed from the stage original's Cotton Blossom) which travels the Mississippi RiverMississippi River
The Mississippi River is the largest river system in North America. Flowing entirely in the United States, this river rises in western Minnesota and meanders slowly southwards for to the Mississippi River Delta at the Gulf of Mexico. With its many tributaries, the Mississippi's watershed drains...
putting on shows. She meets Gaylord Ravenal, a charming gambler, and eventually marries him. Together with their baby daughter, the couple leaves the boat and moves to Chicago, where they live off Gaylord's gambling winnings. After about ten years, he experiences an especially bad losing streak and leaves Magnolia, out of a sense of guilt that he is ruining her life because of his losses. Magnolia is forced to bring up her young daughter alone, but is reunited with the repentant Ravenal after twenty-three years. In a parallel plot, Julie LaVerne (the show boat's leading actress, who is part African-American, but "passing" as white) is forced to leave the boat because of her background, taking Steve Baker (her white husband, to whom, under the state's law, she is illegally married) with her. Julie is eventually also abandoned by her husband, and she consequently becomes an alcoholic, from which she presumably never recovers. Her husband, Steve, also presumably never returns to her. But Julie, who was Magnolia's best friend during their days on the show boat, secretly enables her to become a success on the stage in Chicago after Ravenal has abandoned Magnolia. In the film's most significant change from the show, Magnolia and Ravenal are reunited at the theatre in which Kim, their daughter, is starring in her first Broadway show, rather than back on the show boat, as in the stage production and the other film versions. The final sequence, however, does retain reprise
Reprise
Reprise is a fundamental device in the history of art. In literature, a reprise consists of the rewriting of another work; in music, a reprise is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the...
s of the songs "You Are Love
You Are Love
You Are Love is a song by Jerome Kern and Oscar Hammerstein II from their classic 1927 musical play Show Boat. It is sung twice in the show - first, by Magnolia Hawks, the heroine, and riverboat gambler Gaylord Ravenal when they agree to marry near the end of Act I, and again in the penultimate...
" and "Ol' Man River
Ol' Man River
"Ol' Man River" is a song in the 1927 musical Show Boat that expresses the African American hardship and struggles of the time with the endless, uncaring flow of the Mississippi River; it is sung from the point-of-view of a dock worker on a showboat, and is the most famous song from the show...
".
Production history
This film version of Show Boat stars Irene DunneIrene Dunne
Irene Dunne was an American film actress and singer of the 1930s, 1940s and early 1950s. Dunne was nominated five times for the Academy Award for Best Actress, for her performances in Cimarron , Theodora Goes Wild , The Awful Truth , Love Affair and I Remember Mama...
as Magnolia and Allan Jones as Ravenal, with Charles Winninger
Charles Winninger
Charles Winninger was an American stage and film actor, most often cast in comedies or musicals, but equally at home in drama.-Biography:He began as a vaudeville actor...
, Paul Robeson
Paul Robeson
Paul Leroy Robeson was an American concert singer , recording artist, actor, athlete, scholar who was an advocate for the Civil Rights Movement in the first half of the twentieth century...
, Helen Morgan
Helen Morgan
Helen Morgan was an American singer and actress who worked in films and on the stage. A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s...
, Helen Westley
Helen Westley
Helen Westley was an American character actress.-Career:Born as Henrietta Remsen Meserole Manney, Helen Westley was a member of the original board of the Theatre Guild, and appeared in many of their productions, among them Peer Gynt, and some of their productions of plays by George Bernard...
, Queenie Smith
Queenie Smith
Queenie Smith was an American stage, television, and film actress.-Biography:Smith got an early start, being trained in ballet and dance and spent her teen years performing as a dancer with the Metropolitan Opera Company in operas such as Aida, La Traviata, and Faust...
, Sammy White
Sammy White (actor)
Sammy White was an American vaudeville song-and-dance comedian who appeared in a few films. He was born in Providence, Rhode Island. He appeared with Lew Clayton, as Clayton and White, in the Broadway show Schubert Gaieties of 1919.With his first wife, Eva Puck, White appeared in vaudeville as...
, Donald Cook
Donald Cook (actor)
Donald Cook was an American stage and film actor.Born in Portland, Oregon, he originally studied farming but later started business with a lumber company. He joined the Kansas Community Players and through this received an offer of stage work...
, Arthur Hohl
Arthur Hohl
Arthur Hohl was a stage and motion-picture character actor. He was born in Pittsburgh, Pennsylvania and began appearing in films in the early 1920s...
, and Hattie McDaniel
Hattie McDaniel
Hattie McDaniel was the first African-American actress to win an Academy Award. She won the award for Best Supporting Actress for her role of Mammy in Gone with the Wind ....
. It was directed by Frankenstein
Frankenstein (1931 film)
Frankenstein is a 1931 Pre-Code Horror Monster film from Universal Pictures directed by James Whale and adapted from the play by Peggy Webling which in turn is based on the novel of the same name by Mary Shelley. The film stars Colin Clive, Mae Clarke, John Boles and Boris Karloff, and features...
/ Bride of Frankenstein
Bride of Frankenstein
Bride of Frankenstein is a 1935 American horror film, the first sequel to Frankenstein...
director James Whale
James Whale
James Whale was an English film director, theatre director and actor. He is best remembered for his work in the horror film genre, having directed such classics as Frankenstein , The Old Dark House , The Invisible Man and Bride of Frankenstein...
, who tried to bring as many people from the stage production as he could to work on the film. Winninger, Morgan and White had all previously played their roles in both the original 1927 stage production and the 1932 stage revival of the musical. Robeson, for whom the role of Joe was actually written, had appeared in the show onstage in London in 1928 and in the Broadway revival of 1932. Dunne had been brought in to replace Norma Terris
Norma Terris
Norma Terris was an American musical theatre star. Her mother, a singer, named her after the heroine of Bellini's opera, Norma....
, the original Magnolia, in the touring version of the show, and had toured the U.S. in the role beginning in 1929.
The 1936 film also enlisted the services of the show's original orchestrator, Robert Russell Bennett
Robert Russell Bennett
Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers. In 1957 and 2008, Bennett received Tony Awards...
, and its original conductor, Victor Baravalle
Victor Baravalle
Victor Baravalle was an Italian born composer and conductor. He conducted the orchestra for the Broadway premiere production of Show Boat in 1927, as well as for the original stage productions of nine other Jerome Kern shows, among them The Cat and the Fiddle, Music in the Air, and Roberta...
. The screenplay for the film was written by Hammerstein.
The songs were performed and staged in a manner very similar to the way they were done in the original stage version, not counting the three new songs written for the film, of course. Many of the show's original vocal arrangements (by an uncredited Will Vodery
Will Vodery
Will Vodery was an African-American composer, conductor, orchestrator, and arranger, and one of the few black Americans of his time to make a name for himself as a composer on Broadway, working largely for Florenz Ziegfeld....
) were retained in the film. "Why Do I Love You?" had been filmed in a new setting - inside a running automobile - but was cut just before the film's release to tighten the running time. There is no word on whether or not this footage has survived.
Due to time constraints, Whale was forced to delete much of his ending sequence, including a "modern" dance number to contrast with the romantic, "Old South" production number we see Kim starring in, and which was intended to highlight African-American contributions to dance and music.
According to film historian Miles Kreuger in his book Show Boat: The History of a Classic American Musical, great care was taken by director James Whale to ensure a feeling of complete authenticity in the set and costume design for the 1936 film.
Reception
The 1936 version of Show Boat is considered by many film critics to be one of the classic film musicals of all time, and one of the best stage-to-filmStage-to-film
Stage-to-film is a term used when describing a motion picture that has been adapted from a stage play. There have been stage-to-film adaptations since the beginning of motion pictures...
adaptations ever made. Ten numbers from the stage score are actually sung, with four others heard only as background music, and a tiny, almost unrecognizable fragment of the song "I Might Fall Back on You" is heard instrumentally at the beginning of the New Year's Eve
New Year's Eve
New Year's Eve is observed annually on December 31, the final day of any given year in the Gregorian calendar. In modern societies, New Year's Eve is often celebrated at social gatherings, during which participants dance, eat, consume alcoholic beverages, and watch or light fireworks to mark the...
sequence. Except for the final ten minutes of the film and the three additional songs written for the movie by Kern and Hammerstein, the 1936 Show Boat follows the stage musical extremely closely, unlike the 1929 film and the 1951 version released by MGM. It is so faithful that even several instrumental pieces not by Kern which are included as part of the show's score are retained in the film. The film also retains much of the comedy in the show.
In 1996, this version of Show Boat was selected for preservation in the United States National Film Registry
National Film Registry
The National Film Registry is the United States National Film Preservation Board's selection of films for preservation in the Library of Congress. The Board, established by the National Film Preservation Act of 1988, was reauthorized by acts of Congress in 1992, 1996, 2005, and again in October 2008...
by the Library of Congress
Library of Congress
The Library of Congress is the research library of the United States Congress, de facto national library of the United States, and the oldest federal cultural institution in the United States. Located in three buildings in Washington, D.C., it is the largest library in the world by shelf space and...
as being "culturally, historically, or aesthetically significant".
Temporary withdrawal from circulation
Show Boat was successful at the box office, but was withdrawn from circulation in the 1940s, after MGM bought the rights so that they could film their own TechnicolorTechnicolor
Technicolor is a color motion picture process invented in 1916 and improved over several decades.It was the second major process, after Britain's Kinemacolor, and the most widely used color process in Hollywood from 1922 to 1952...
remake
Show Boat (1951 film)
Show Boat is a 1951 Technicolor film based on the musical by Jerome Kern and Oscar Hammerstein II and the novel by Edna Ferber....
; however, MGM's version did not begin filming until 1950, and was released in the summer of 1951. The fact that Paul Robeson was blacklisted
Hollywood blacklist
The Hollywood blacklist—as the broader entertainment industry blacklist is generally known—was the mid-twentieth-century list of screenwriters, actors, directors, musicians, and other U.S. entertainment professionals who were denied employment in the field because of their political beliefs or...
in 1950 further assured that the 1936 film would not be seen for a long time, and it was not widely seen again until after Robeson's death in 1976. In 1983 it made its debut on cable television
Cable television
Cable television is a system of providing television programs to consumers via radio frequency signals transmitted to televisions through coaxial cables or digital light pulses through fixed optical fibers located on the subscriber's property, much like the over-the-air method used in traditional...
, and a few years later, on PBS. It was subsequently shown on TNT
Turner Network Television
Turner Network Television is an American cable television channel created by media mogul Ted Turner and currently owned by the Turner Broadcasting System division of Time Warner...
and now turns up from time to time on TCM
Turner Classic Movies
Turner Classic Movies is a movie-oriented cable television channel, owned by the Turner Broadcasting System subsidiary of Time Warner, featuring commercial-free classic movies, mostly from the Turner Entertainment and MGM, United Artists, RKO and Warner Bros. film libraries...
. It was made available on VHS
VHS
The Video Home System is a consumer-level analog recording videocassette standard developed by Victor Company of Japan ....
beginning in 1990, but it has yet to be released on an authorized DVD
DVD
A DVD is an optical disc storage media format, invented and developed by Philips, Sony, Toshiba, and Panasonic in 1995. DVDs offer higher storage capacity than Compact Discs while having the same dimensions....
, although a Brazilian company, Classicline, released a DVD version in 2003. For several years, Warner Brothers, through which Turner now releases its official DVDs, has been promising a comprehensive set of all three Show Boat films, but as of 2011, this has still not come to pass, though there is a great demand for an official DVD release.
The Voyager Company, under its Criterion Collection Label, released two versions on laserdisc
Laserdisc
LaserDisc was a home video format and the first commercial optical disc storage medium. Initially licensed, sold, and marketed as MCA DiscoVision in North America in 1978, the technology was previously referred to interally as Optical Videodisc System, Reflective Optical Videodisc, Laser Optical...
in 1989 of the 1936 version. One was a special edition with extras that included the history of show boats in general and its stage and film history, and the other was a movie only version. MGM/UA Home Video released the 1929, 1936 and 1951 versions, as well as the Show Boat sequence from Till the Clouds Roll By
Till the Clouds Roll By
Till The Clouds Roll By is a 1946 American musical film made by MGM. The film is a fictionalized biography of composer Jerome Kern, who was originally involved with the production of the film, but died before it was completed...
, as The Complete Show Boat collection on laserdisc
Laserdisc
LaserDisc was a home video format and the first commercial optical disc storage medium. Initially licensed, sold, and marketed as MCA DiscoVision in North America in 1978, the technology was previously referred to interally as Optical Videodisc System, Reflective Optical Videodisc, Laser Optical...
in 1995. The 1929 version was restored and this release is the most complete version available. The transfer for the 1936 version is the same as the Criterion Collection and the 1951 was from the restored stereo release MGM had done earlier. Although an analog format, the laserdisc
Laserdisc
LaserDisc was a home video format and the first commercial optical disc storage medium. Initially licensed, sold, and marketed as MCA DiscoVision in North America in 1978, the technology was previously referred to interally as Optical Videodisc System, Reflective Optical Videodisc, Laser Optical...
release is the only digital version of the 1929 and 1936 versions and is out of print.
In 2006 the 1936 Show Boat ranked #24 on the American Film Institute
American Film Institute
The American Film Institute is an independent non-profit organization created by the National Endowment for the Arts, which was established in 1967 when President Lyndon B. Johnson signed the National Foundation on the Arts and the Humanities Act...
's list of best musicals
AFI's 100 Years of Musicals
Part of the AFI 100 Years… series, AFI's Greatest Movie Musicals is a list of the top musicals in American cinema. The list was unveiled by the American Film Institute at the Hollywood Bowl on September 3, 2006...
.
Today, Turner Entertainment
Turner Entertainment
Turner Entertainment Company, Inc. is an American media company founded by Ted Turner. Now owned by Time Warner, the company is largely responsible for overseeing its library for worldwide distribution Turner Entertainment Company, Inc. (commonly known as Turner Entertainment Co.) is an American...
owns the film as part of the pre-1986 MGM library, with fellow Time Warner
Time Warner
Time Warner is one of the world's largest media companies, headquartered in the Time Warner Center in New York City. Formerly two separate companies, Warner Communications, Inc...
division Warner Bros.
Warner Bros.
Warner Bros. Entertainment, Inc., also known as Warner Bros. Pictures or simply Warner Bros. , is an American producer of film and television entertainment.One of the major film studios, it is a subsidiary of Time Warner, with its headquarters in Burbank,...
handling distribution.
Cast
- Irene DunneIrene DunneIrene Dunne was an American film actress and singer of the 1930s, 1940s and early 1950s. Dunne was nominated five times for the Academy Award for Best Actress, for her performances in Cimarron , Theodora Goes Wild , The Awful Truth , Love Affair and I Remember Mama...
as Magnolia Hawks - Allan Jones as Gaylord Ravenal
- Charles WinningerCharles WinningerCharles Winninger was an American stage and film actor, most often cast in comedies or musicals, but equally at home in drama.-Biography:He began as a vaudeville actor...
as Cap'n Andy Hawks - Paul RobesonPaul RobesonPaul Leroy Robeson was an American concert singer , recording artist, actor, athlete, scholar who was an advocate for the Civil Rights Movement in the first half of the twentieth century...
as Joe - Helen MorganHelen MorganHelen Morgan was an American singer and actress who worked in films and on the stage. A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s...
as Julie LaVerne - Helen WestleyHelen WestleyHelen Westley was an American character actress.-Career:Born as Henrietta Remsen Meserole Manney, Helen Westley was a member of the original board of the Theatre Guild, and appeared in many of their productions, among them Peer Gynt, and some of their productions of plays by George Bernard...
as Parthenia "Parthy" Hawks - Queenie SmithQueenie SmithQueenie Smith was an American stage, television, and film actress.-Biography:Smith got an early start, being trained in ballet and dance and spent her teen years performing as a dancer with the Metropolitan Opera Company in operas such as Aida, La Traviata, and Faust...
as Ellie May Chipley - Sammy WhiteSammy White (actor)Sammy White was an American vaudeville song-and-dance comedian who appeared in a few films. He was born in Providence, Rhode Island. He appeared with Lew Clayton, as Clayton and White, in the Broadway show Schubert Gaieties of 1919.With his first wife, Eva Puck, White appeared in vaudeville as...
as Frank Schultz - Donald CookDonald Cook (actor)Donald Cook was an American stage and film actor.Born in Portland, Oregon, he originally studied farming but later started business with a lumber company. He joined the Kansas Community Players and through this received an offer of stage work...
as Steve Baker - Hattie McDanielHattie McDanielHattie McDaniel was the first African-American actress to win an Academy Award. She won the award for Best Supporting Actress for her role of Mammy in Gone with the Wind ....
as Queenie - Francis X. Mahoney as Rubber Face Smith
- Marilyn Knowlden as Kim as a child
- Sunnie O'Dea as Kim (at 16)
- Arthur HohlArthur HohlArthur Hohl was a stage and motion-picture character actor. He was born in Pittsburgh, Pennsylvania and began appearing in films in the early 1920s...
as Pete - Charles B. MiddletonCharles B. MiddletonCharles B. Middleton was an American stage and film actor. During a film career that began at age 46 and lasted almost 30 years, Charles Middleton appeared in nearly two hundred films as well as numerous plays...
as Sheriff Ike Vallon - J. Farrell MacDonaldJ. Farrell MacDonaldJoseph Farrell MacDonald was an American character actor and director. He played supporting roles and occasional leads. MacDonald, who was sometimes billed as "John Farrell Macdonald", "J.F...
as Windy McClain - Charles C. Wilson as Jim Green
- Clarence MuseClarence MuseClarence Muse was an actor, screenwriter, director, composer, and lawyer. He was inducted in the Black Filmmakers Hall of Fame in 1973. Muse was the first African American to "star" in a film. He acted for more than sixty years, and appeared in more than 150 movies.-Life and career:Born in...
as Sam, Doorman at Trocadero
Musical additions
The three new songs written by Kern and Hammerstein for the 1936 film are:- "I Have The Room Above Her" (a duet for Magnolia and Ravenal, sung in a new scene not included in the original play, but performed approximately in the spot in which the song I Might Fall Back On You was sung by Frank and Ellie, the comic dance team, in the show. "I Might Fall Back On You" is not sung in the film; a tiny fragment of it is heard instrumentally in the New Year's Eve sequence.) Harold Prince included "I Have the Room Above Her" in his 1993 stage revival of Show Boat.
- "Gallivantin' Around" (a blackfaceBlackfaceBlackface is a form of theatrical makeup used in minstrel shows, and later vaudeville, in which performers create a stereotyped caricature of a black person. The practice gained popularity during the 19th century and contributed to the proliferation of stereotypes such as the "happy-go-lucky darky...
number sung onstage by Magnolia, in place of the orchestral Olio DanceOlio (musical number)An olio is a Vaudeville number, short dance or song performed as musical encore after the performance of a dramatic play. It can also be defined as a collection of various artistic or literary works or musical pieces used between acts in a burlesque or minstrel show. This was common on showboats in...
performed by Frank in the original play). An instrumental version of "Gallivantin' Around" is played in the film's new final scene. - "Ah Still Suits Me" (a comic duet for Joe and Queenie, written specially to expand both their roles, and sung in a new scene specially written for the film) This song was also included in the 1989 Paper Mill PlayhousePaper Mill PlayhousePaper Mill Playhouse is a regional theatre with approximately 1200 seats, located in Millburn, New Jersey, less than 25 miles from Manhattan. Due to its location, it can draw from the pool of actors who live in New York City. Its location, as well as its focus on producing large-scale shows, makes...
stage revival of Show Boat, telecast by PBS.
Songs
(as listed on the Internet Movie Database)- Cotton Blossom - chorus of dock workers (song begins over opening credits)
- Cap'n Andy's Ballyhoo - Charles Winninger, danced by Queenie Smith and Sammy White
- Where's the Mate For Me? - Allan Jones
- Make Believe - Allan Jones and Irene Dunne
- Ol' Man River - Paul Robeson and Men's Chorus
- Can't Help Lovin' Dat Man - Helen Morgan, Hattie McDaniel, Paul Robeson and levee workers, danced by Dunne and levee workers
- Life Upon the Wicked Stage (instrumental version) - show boat brass band
- I Have The Room Above Her - Allan Jones and Irene Dunne
- At The Fair (Act II opening) - (instrumental version) - show boat brass band
- Gallivantin' Around -Irene Dunne and show boat chorus, danced by Irene Dunne and show boat chorus
- Ol' Man River (partial only) - Dock workers (humming)
- You Are Love - Allan Jones and Irene Dunne
- Cakewalk from Act I Finale - danced by levee workers
- Ol' Man River (partial reprise) - Paul Robeson in voiceover
- Ah Still Suits Me - Paul Robeson and Hattie McDaniel
- Why Do I Love You - heard as background music
- Nun's Processional - nuns' chorus (Sung in Latin)
- Make Believe (reprise) - Allan Jones
- Bill - Helen Morgan
- Can't Help Lovin' Dat Man (reprise) - Irene Dunne, danced by Sammy White
- Goodbye, My Lady Love -Queenie Smith and Sammy White, danced by them also
- After The Ball - Irene Dunne and Trocadero chorus
- Make Believe (reprise) (partial, and added to the film) - Allan Jones
- Gallivantin' Around (instrumental reprise)
- Finale (You Are Love and Ol' Man River) - Irene Dunne, Allan Jones, and, in voiceover, Paul Robeson
External links
- Showboat Film page, Reel Classics - photos, sound clips