She (Angel episode)
Encyclopedia
"She" is episode 13 of season 1 in the television show Angel
Angel (TV series)
Angel is an American television series, a spin-off of the television series Buffy the Vampire Slayer. The series was created by Buffys creator, Joss Whedon, in collaboration with David Greenwalt, and first aired on October 5, 1999...

. Written by Marti Noxon
Marti Noxon
Martha Mills "Marti" Noxon is an American television and film writer first known for writing and producing Buffy the Vampire Slayer.- Production :...

 and directed by David Greenwalt
David Greenwalt
David Greenwalt is an American screenwriter, director and producer.He was the co-executive producer of Buffy the Vampire Slayer and co-creator of its spinoff, Angel. He is also co-creator of the short-lived cult television show Profit...

, it was originally broadcast on February 8, 2000 on the WB network
Television network
A television network is a telecommunications network for distribution of television program content, whereby a central operation provides programming to many television stations or pay TV providers. Until the mid-1980s, television programming in most countries of the world was dominated by a small...

. In She, Angel joins forces with Jheira, a demon princess on a desperate mission to rescue enslaved women escaping from a home dimension where the men exert absolute control over the women by mutilating them with a spinal lobotomy when each comes of age. After the showdown at a health spa where Jheira has set up a sanctuary for her fellow refugees, Angel confronts the arrogant princess about her cavalier disregard for the safety of humans, specifically Cordelia
Cordelia Chase
Cordelia Chase is a fictional character created by Joss Whedon for the television series Buffy the Vampire Slayer; she also appeared on Buffy's spin-off series Angel...

 and Wesley
Wesley Wyndam-Pryce
Wesley Wyndam-Pryce is a fictional character created by Joss Whedon for the television series Buffy the Vampire Slayer and Angel...

. Acknowledging each other as self-appointed champions of the helpless, the two demons achieve mutual understanding before parting ways.

Plot

At a party in Cordelia
Cordelia Chase
Cordelia Chase is a fictional character created by Joss Whedon for the television series Buffy the Vampire Slayer; she also appeared on Buffy's spin-off series Angel...

's beautiful new apartment, Wesley
Wesley Wyndam-Pryce
Wesley Wyndam-Pryce is a fictional character created by Joss Whedon for the television series Buffy the Vampire Slayer and Angel...

 participates with unself-conscious enjoyment, but when Cordelia's friend asks Angel to dance, a mental flash of the wackiness that could ensue prevents him from saying yes. Angel mopes into retreat in the kitchen, where he finds he can converse comfortably with his silent friend, phantom Dennis, who offers him a cold beverage. Meanwhile, a man standing watch at an ice factory has just popped open and taken a sip from his own cold one, when he hears spooky voices crying from inside the coffin-sized crate he's guarding. Believing there is someone alive and suffering inside, he breaks open the box, then stands staring in shock at its contents.

In the office the next morning, Cordelia informs Angel that he wasn't any fun at the party and that Wes was "cooler." Oblivious, Wesley checks the office fridge for leftover canapés. Realizing his friend is short on cash, Angel offers Wesley a staff position at Angel Investigations
Angel Investigations
Angel Investigations is a fictional detective agency run by the title character Angel previously on the WB television series Angel . It is sometimes abbreviated as AI...

, a move which Cordelia heartily approves—once Angel reassures her that hiring the formerly rogue demon hunter will not entail a cut in her own paycheck. However, Cordelia's enthusiasm turns to agony as she suddenly receives a graphic vision of a man being burned alive from the inside. With no sewer access to the Jericho Ice Factory, Wesley's first job is to drive Angel to the scene indicated by Cordelia's vision. Inside the facility, Angel finds the incinerated corpse as well as the crate he was guarding, now containing only ice. Hearing a noise from another section of the factory, Angel discovers the presence of a humanoid demon named Tae, who reveals that he is from another dimension, sent to bring back the vicious demon, a "vessel of pure rage," which has escaped from his realm into an unsuspecting L.A.

Angel begins his search for more information by breaking into Wilkers' office and pulling the ice factory files. Jimmying open the desk's top drawer, Angel finds an envelope containing an invoice for Jericho Ice (which he pockets) and a large amount of cash (which he doesn't). Apparently not realizing he is being observed, Angel is surprised by the sudden appearance of an exotic-looking female demon who, belying her small size, effortlessly knocks him out of the way with a powerful blow that scorches his arm. Receiving a call on her cell phone, the demon hardly spares Angel another glance before leaving in haste, pulling up the hood and wrapping her calf-length cardigan around her before she climbs into her vehicle. Recovering quickly enough to give chase, Angel calls Cordelia on a bad cell phone connection and describes the demon's appearance so she and Wesley can begin their research. Angel follows the attractive demon to an art gallery but she makes him and sets museum security after him. As cover, Angel removes his black coat and begins to lecture about one of the paintings to a group of people who stand rapt. After the security guards move past, Angel sees his quarry head toward the back of the building. Wrapping up his presentation to the appreciative applause of his unsuspecting audience, Angel follows.

In a storage room at the back of the gallery, the demon stands staring into space, then turns when Angel comes in behind her. Realizing he is a vampire (a human would have remained unconscious for hours from the force of her blow), she impatiently, imperiously, orders him to leave, but clearly has no attention to spare to forcibly eject him. At that moment, wind and lightening and thunder spring from nowhere, and there is a disturbance in the air near the room's back wall. A swirling portal forms, the shrieking coming from it seeming to draw rapidly closer. A naked humanoid girl drops out of the portal and hits the floor hard. As Angel pulls over a tarp to cover her, he gets a brief but clear glimpse of the girl's smooth forehead and of the raised ridges running along her upper spine. At that moment, Tae and his all-male team break into the room armed with kama weapons
Kama (weapon)
The is a traditional Filipino and Japanese farming implement similar to a small scythe used for reaping crops and also employed as a weapon...

. The female demon and Angel battle furiously, but Tae abducts the newly arrived girl and drives away with her. Looking helplessly after the speeding vehicle, Angel asks the female demon what will happen to the girl and learns that she will be "unmade." The male demons take the frightened girl to their base where, without further ado, they use a special clamping tool to cut out the raised ridges extending down from the girl's nape to between her shoulder blades. Gone breathless with fear, the girl screams in agony at the first cut.

Back at Angel's apartment, he brings his wary guest a bandage for the shallow cut on her arm while she drapes her cardigan over a railing and takes a look around. In response to her challenge that vampires are known killers, Angel tells her he was cursed, then evades her skeptical theory that he's been "cursed to help people," focusing the inquiry on her situation instead. The exotically beautiful demon accepts Angel's invitation to tell her story and introduces herself as Jheira, a princess from the Oden Tal dimension, dedicated to helping other female refugees escape her home world to the relative safety of L.A. Jheira tells Angel that for the women of Oden Tal, the personality is located in an area of the body called the "ko," the source of their desires and passions. At this, Jheira turns her back to Angel and shows him the raised ridges running for several inches along her spine. Angel, who found Jheira attractive at first sight, is now deeply aroused by her nearness and bends his head closer to her vulnerable neck. Resisting his own desires, he listens as Jheira tells him that the men of her dimension control the women by cutting out the ko, thus removing their "physical and sexual power," their volition. "We give up dreaming," she tells him bleakly. Feeling herself at the center of his intense predator's focus, Jheira begins to circle Angel as she explains that young women of Oden Tal must learn to control the raw power of their maturing ko, to which men of this world respond involuntarily. She tells him of her own struggle, with the help of the frozen water, to contain the "heat under her skin." Jheira proceeds to demonstrate her power to arouse them both, as well as her iron control of that power. Angel, fighting on several levels for self-control, moves a few steps away and asks pointedly about the incinerated corpse at the ice factory, and about the other four men crisped to death over the past year. Jheira grows defensive of her manifesto and starts to storm off, but Angel blocks her path. Her power flashes to the surface and they are almost irresistibly drawn to each other—a connection lethal to Angel—until Jheira damps the intensity of her radiant heat. Telling him again to stay out of her way, she escapes, leaving him wrung out, barely able to stand.

While Angel and Jheira fight Tae's team at the gallery, Wesley continues his research and discovers that the men of this demon species are called the Vigories of Oden Tal. Reading from an ancient volume, he tells Cordelia that the Vigories are said to be fierce warriors, and "the women live enslaved to them." Also learning that the Vigories are herbivores and must eat half their weight in partially rotted vegetation each day, Cordelia and Wesley leave the office to go looking for compost. They find Tae's team headquartered in a large plant nursery and overhear a briefing about their plans to capture Princess Jheira, cut her and take her back to Oden Tal to signal the end of all rebellion. Jheira, meanwhile, returns to the sanctuary she has created at the Palm Ridge Spa, where the other young women are being kept, rendered safe by lying in whirlpool tubs filled with ice. Jheira informs the spa's proprietor, Mars, that this sanctuary has been compromised and the girls must be moved to another, safer location. However, unaware that Tae is right on her tail, Jheira tells Mars they will leave the following day. In the meantime, unable to raise their boss by cell phone, Cordelia and Wesley barely escape detection at the Vigories' base and return to Angel's apartment both to locate him and seek his help. They find him, apparently unharmed and unconcerned, just emerging from the shower. Upon hearing their report that Tae's group plans an assault on an undisclosed location that recently started receiving large shipments of ice, Angel remembers the address listed on the invoice he lifted from Wilkers' office. Grimly determined to get there first, Angel gathers his team and heads to the Palm Ridge Spa.

Arriving at the spa, Angel leaves Cordelia and Wesley (who falls down getting out of the car) to act as lookouts. Angel brushes past Mars and, finding Jheira with the still-somnolent girls, tells her that Tae is closer behind than she thinks. At that moment, Cordelia frantically rushes in to report Tae's approach. While Cordelia and Wesley are still rousing the girls and trying to get them moving toward the back exit, Tae and his team burst in. Cordy and Wes continue with the evacuation, while Jheira and Angel engage Tae and his men in battle. The two demons manage to hold their own until Wesley and Cordelia, returning to the fight after securing the girls, are suddenly taken hostage. When presented with Tae's ultimatum to hand over the refugees or see the humans die, Jheira, hardly hesitating, says, "Then they die." As she wheels for the exit, Cordelia and Wesley seize the initiative and break away from their captors, who seem momentarily stunned at the failure of their ploy. Outside, Jheira makes her way towards the cab of the truck loaded with crates of ice-packed refugee girls. She is just steps away from freedom when two of the Vigories grab her from behind and restrain her for Tae, making sure that her ko is exposed. Jheira's nemesis holds up the cutting tool and prepares to mutilate the Princess of Oden Tal to bring her under immediate control. Appearing out of nowhere, Angel grabs Tae in a headlock and, giving him couple of demonstrative squeezes, threatens to snap their leader's neck unless the Vigories holding Jheira release her. As soon as they do, Angel tells Jheira to get the girls to safety. Giving Angel a slight nod, she climbs into the cab of the truck and drives away. As soon as Jheira is out of sight, Angel releases Tae and tells him to go back to Oden Tal, morphing into vamp face to let the Vigories know he can make good on his promise of mayhem if they continue their war in this dimension.

The next day, Angel arrives in the office first and squeezes a bag of whole coffee beans to test Cordelia's theory that he can effectively grind the coffee with his "vampire strength." The bag bursts, scattering coffee beans everywhere, just as Cordelia and Wesley come in the front door. Wesley immediately slips and falls, then starts to sweep the beans up with his bare hands, apologizing distractedly for making a mess. In what appears to be a natural segue for him, Wesley also apologizes, as he carefully regains his feet, for being taken hostage by Tae's men. Angel tries to reassure his friend and compliments him on a job well done, which prompts Wesley, in turn, to express his sincere regard for Angel. Cordelia is just teasing Wesley for turning groveling into an art, when Jheira walks in. Cordelia opens verbal fire on the warrior demon, asking if they can offer her anything, such as a couple of hostages to kill. Angel firmly shows Jheira into his office and closes the door. After ascertaining that the other women are safe, away from the city, Angel again tells Jheira that he'll stop her if she crosses the line and endangers people of his world while trying to protect people from hers. The sexual and political tension thick between them, Jheira looks at Angel, then agrees with his terms. She hesitates, clearly torn, clearly having found a "desirable mate," and Angel grows even more breathless. With the harsh discipline of an abnegation as rigid and as necessary as Angel's, Jheira turns toward the door, away from the object of her desire. As she walks away from him, Angel sees what he has already inescapably sensed—Jheira's ko glows red hot. Raging desire at war with self-preservation, Angel stands desperately immobile until She is out of range.

During the credit section, there is an amusing clip of Angel and Wesley dancing.

Acting

Bai Ling, who played Jheira, said of her character:
According to Ling, the character was once considered for a return:

Writing

Writer Tim Minear
Tim Minear
Tim Minear is an American screenwriter and director. He was born in New York, grew up in Whittier, California, and studied film at California State University, Long Beach....

 had originally put the dance David Boreanaz performs in his imagination into "Sense & Sensitivity" but removed it on Joss Whedon
Joss Whedon
Joseph Hill "Joss" Whedon is an American screenwriter, executive producer, director, comic book writer, occasional composer and actor, founder of Mutant Enemy Productions and co-creator of Bellwether Pictures...

's request; "Plus," Minear says, "we wanted to save it until it was just right. Here's this guy who looks like this, and he's a complete social retard. I think we've had a lot of success playing that aspect of the character." Instead of the black screen, the ending credits are superimposed over a reprise of Angel's and Wesley's dance routines.

Arc significance

  • In this episode, Wesley becomes an official member of Angel Investigations.
  • This episode holds the first mention of portals, which become highly important in many of the following seasons.

Continuity

  • Steve Paymer, who in "Rm w/a Vu" is actor David Paymer's
    David Paymer
    David Paymer is an American actor and television director, seen in such films as Quiz Show, Searching for Bobby Fischer, City Slickers, Crazy People, State and Main, Payback, Get Shorty, Carpool, The American President, Ocean's Thirteen, and Drag Me to Hell...

     brother, graces Cordelia's party with his (unseen) presence.
  • This is the second guest appearance for Sean Gunn, who played Lucas in "Hero
    Hero (Angel episode)
    "Hero" is episode 9 of season 1 in the television show Angel. Written by Tim Minear and Howard Gordon and directed by Tucker Gates, it was originally broadcast on November 30, 1999 on the WB television network...

    ".

Cultural references

  • Jheira's mission is an allusion to ending Female Genital Mutilation because women in some societies undergo the procedure to make them marriageable. Women on and off screen are having the source of sexual arousal removed to 'control' their behavior and ultimately them. When they first meet, Jheira is skeptical that Angel will understand or even care about her mission because he is a man. The source of his sexual pleasure is not being removed by his culture.
  • Carrie: Cordelia asks whether the attractive "hottie" demon "Carries" Angel when they first meet. Carrie's main power is telekenesis, which Jheira also exhibits when threatened.
  • Édouard Manet
    Édouard Manet
    Édouard Manet was a French painter. One of the first 19th-century artists to approach modern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism....

    : Going under cover as a museum guide, Angel gives a professional exegesis on one of this French painter's most famous works, which he refers to as "La Musique".
  • Charles Baudelaire
    Charles Baudelaire
    Charles Baudelaire was a French poet who produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, Les Fleurs du mal expresses the changing nature of beauty in modern, industrializing Paris during the nineteenth century...

    : Angel implies that Angelus is the eponymous demon of "Le Vampire", published by this French poet in Les Fleurs du mal
    Les Fleurs du mal
    Les Fleurs du mal is a volume of French poetry by Charles Baudelaire. First published in 1857 , it was important in the symbolist and modernist movements...

    in 1857.
  • Neiman Marcus
    Neiman Marcus
    Neiman Marcus, formerly Neiman-Marcus, is a luxury specialty retail department store operated by the Neiman Marcus Group in the United States. The company is headquartered in the One Marcus Square building in Downtown Dallas, Texas, and competes with other department stores such as Saks Fifth...

    : Cordelia's wish fulfillment dreams feature high-end department stores having going-out-of-business sales.
  • Nancy Mitford
    Nancy Mitford
    Nancy Freeman-Mitford, CBE , styled The Hon. Nancy Mitford before her marriage and The Hon. Mrs Peter Rodd thereafter, was an English novelist and biographer, one of the Bright Young People on the London social scene in the inter-war years...

    : On the hunt for "the world's biggest compost heap" at the plant nursery with Cordelia, Wesley is distracted by a flower he calls Nancy's Petticoat.
  • Namaste
    Namaste
    Namaste is a common spoken valediction or salutation originating from the Indian subcontinent. It is a customary greeting when individuals meet, and a valediction upon their parting. A non-contact form of salutation is traditionally preferred in India and Namaste is the most common form of such a...

    : Mars gently chides Jheira for her abruptness, using this more courteous greeting, one of whose meanings is, "I honor the place in you in which the entire Universe dwells, I honor the place in you which is of Love, of Truth, of Light and of Peace, When you are in that place in you, and I am in that place in me, we are One."
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