Numerous
performances of William Shakespeare'sWilliam Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
playWilliam Shakespeare's plays have the reputation of being among the greatest in the English language and in Western literature. Traditionally, the 37 plays are divided into the genres of tragedy, history, and comedy; they have been translated into every major living language, in addition to being...
s have occurred since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the
Lord Chamberlain's MenThe Lord Chamberlain's Men was a playing company for whom Shakespeare worked for most of his career. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronised by James I.It was...
but
King's MenThe King's Men was the company of actors to which William Shakespeare belonged through most of his career. Formerly known as The Lord Chamberlain's Men during the reign of Queen Elizabeth, it became The King's Men in 1603 when King James ascended the throne and became the company's patron.The...
acting companies at the
GlobeThe Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, and was destroyed by fire on 29 June 1613...
and
Blackfriars TheatreBlackfriars Theatre was the name of a theatre in the Blackfriars district of the City of London during the Renaissance. The theatre began as a venue for child actors associated with the Queen's chapel choirs; in this function, the theatre hosted some of the most innovative drama of Elizabeth and...
s. Among the actors of these original performances were
Richard BurbageRichard Burbage was an English actor and theatre owner. He was the younger brother of Cuthbert Burbage. They were both actors in drama....
(who played the title role in the first performances of
HamletThe Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
,
OthelloThe Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story "Un Capitano Moro" by Cinthio, a disciple of Boccaccio, first published in 1565...
,
Richard IIIRichard III is a history play by William Shakespeare, believed to have been written in approximately 1591. It depicts the Machiavellian rise to power and subsequent short reign of Richard III of England. The play is grouped among the histories in the First Folio and is most often classified...
and
King LearKing Lear is a tragedy by William Shakespeare. The title character descends into madness after foolishly disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. The play is based on the legend of Leir of Britain, a mythological...
),
Richard CowleyRichard Cowley was an actor in English Renaissance theatre, a colleague of William Shakespeare and Richard Burbage in the Lord Chamberlain's Men and the King's Men.Cowley was in the c...
, and
William KempeWilliam Kempe , also spelt Kemp, was an English actor and dancer specializing in comic roles and best known for having been one of the original players in early dramas by William Shakespeare...
.
Shakespeare's plays continued to be staged after his death until the Interregnum (1642–1660), when most public stage performances were banned by the
PuritanThe Puritans were a significant grouping of English Protestants in the 16th and 17th centuries. Puritanism in this sense was founded by some Marian exiles from the clergy shortly after the accession of Elizabeth I of England in 1558, as an activist movement within the Church of England...
rulers. After the
English RestorationThe Restoration of the English monarchy began in 1660 when the English, Scottish and Irish monarchies were all restored under Charles II after the Interregnum that followed the Wars of the Three Kingdoms...
, Shakespeare's plays were performed in playhouses, with elaborate scenery, and staged with music, dancing, thunder, lightning, wave machines, and
fireworksFireworks are a class of explosive pyrotechnic devices used for aesthetic and entertainment purposes. The most common use of a firework is as part of a fireworks display. A fireworks event is a display of the effects produced by firework devices...
. During this time the texts were "reformed" and "improved" for the stage, an undertaking which has seemed shockingly disrespectful to posterity.
VictorianThe Victorian era of British history was the period of Queen Victoria's reign from 20 June 1837 until her death on 22 January 1901. It was a long period of peace, prosperity, refined sensibilities and national self-confidence...
productions of Shakespeare often sought pictorial effects in "authentic" historical costumes and sets. The staging of the reported sea fights and barge scene in
Antony and CleopatraAntony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. It was first printed in the First Folio of 1623. The plot is based on Thomas North's translation of Plutarch's Lives and follows the relationship between Cleopatra and Mark Antony...
was one spectacular example. Such elaborate scenery for the frequently changing locations in Shakespeare's plays often led to a loss of pace. Towards the end of the 19th century,
William PoelWilliam Poel was an English actor, theatrical manager and dramatist best known for his presentations of Shakespeare.-Life and career:...
led a reaction against this heavy style. In a series of "Elizabethan" productions on a
thrust stageIn theatre, a thrust stage is one that extends into the audience on three sides and is connected to the backstage area by its up stage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area...
, he paid fresh attention to the structure of the drama. In the early 20th century,
Harley Granville-BarkerHarley Granville-Barker was an English actor-manager, director, producer, critic and playwright....
directed quarto and folio texts with few cuts, while
Edward Gordon CraigEdward Henry Gordon Craig , sometimes known as Gordon Craig, was an English modernist theatre practitioner; he worked as an actor, director and scenic designer, as well as developing an influential body of theoretical writings...
and others called for abstract staging. Both approaches have influenced the variety of Shakespearean production styles seen today.
Performances during Shakespeare's lifetime
The troupe for which Shakespeare wrote his earliest plays is not known with certainty; the title page of the 1594 edition of
Titus Andronicus reveals that it had been acted by three different companies. After the plagues of 1592–3, Shakespeare's plays were performed by the Lord Chamberlain's Men, a new company of which Shakespeare was a founding member, at
The TheatreThe Theatre was an Elizabethan playhouse located in Shoreditch , just outside the City of London. It was the second permanent theatre ever built in England, after the Red Lion, and the first successful one...
and the
CurtainThe Curtain Theatre was an Elizabethan playhouse located in Curtain Close, Shoreditch , just outside the City of London. It opened in 1577, and continued staging plays until 1622....
in
ShoreditchShoreditch is an area of London within the London Borough of Hackney in England. It is a built-up part of the inner city immediately to the north of the City of London, located east-northeast of Charing Cross.-Etymology:...
, north of the Thames. Londoners flocked there to see the first part of
Henry IV, Leonard Digges recalling, "Let but Falstaff come, Hal, Poins, the rest...and you scarce shall have a room". When the landlord of the Theatre announced that he would not renew the company's lease, they pulled the playhouse down and used the timbers to construct the
Globe TheatreThe Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, and was destroyed by fire on 29 June 1613...
, the first London playhouse built by actors for actors, on the south bank of the Thames at
SouthwarkSouthwark is a district of south London, England, and the administrative headquarters of the London Borough of Southwark. Situated east of Charing Cross, it forms one of the oldest parts of London and fronts the River Thames to the north...
. The Globe opened in autumn 1599, with
Julius Caesar one of the first plays staged. Most of Shakespeare's greatest post-1599 plays were written for the Globe, including
Hamlet,
Othello and
King Lear.
The Globe, like London's other open-roofed public theatres, employed a thrust-stage, covered by a cloth canopy. A two-storey facade at the rear of the stage hid the
tiring houseIn British English and American English show business lexicon, the green room is that space in a theatre, a studio, or a similar venue, which accommodates performers or speakers not yet required on stage...
and, through windows near the top of the facade, opportunities for balcony scenes such as the one in
Romeo and Juliet. Doors at the bottom of the facade may have been used for discovery scenes like that at the end of
The TempestThe Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where Prospero, the exiled Duke of Milan, plots to restore his daughter Miranda to her rightful place,...
. A trap door in the stage itself could be used for stage business, like some of that involving the ghost in
Hamlet. This trapdoor area was called "hell", as the canopy above was called "heaven."
Less is known about other features of staging and production. Stage props seem to have been minimal, although costuming was as elaborate as was feasible. The "two hours' traffic" mentioned in the prologue to
Romeo and Juliet was not fanciful; the city government's hostility meant that performances were officially limited to that length of time. Though it is not known how seriously companies took such injunctions, it seems likely either that plays were performed at near-breakneck speed or that the play-texts now extant were cut for performance, or both.
The other main theatre where Shakespeare's original plays were performed was the second
Blackfriars TheatreBlackfriars Theatre was the name of a theatre in the Blackfriars district of the City of London during the Renaissance. The theatre began as a venue for child actors associated with the Queen's chapel choirs; in this function, the theatre hosted some of the most innovative drama of Elizabeth and...
, an indoor theatre built by
James BurbageJames Burbage was an English actor, theatre impresario, and theatre builder in the English Renaissance theatre. He built The Theatre, the facility famous as the first permanent dedicated theatre built in England since Roman times...
, father of
Richard BurbageRichard Burbage was an English actor and theatre owner. He was the younger brother of Cuthbert Burbage. They were both actors in drama....
, and
impresarioAn impresario is a person who organizes and often finances concerts, plays or operas; analogous to a film producer in filmmaking, television production and an angel investor in business...
of the Lord Chamberlain's Men. However, neighborhood protests kept Burbage from using the theater for the Lord Chamberlain's Men performances for a number of years. Finally, in
1608The year 1608 in literature involved some significant events.-Events:*January 10 - Ben Jonson's The Masque of Beauty is performed by Queen Anne and her retinue at the Banqueting House, Whitehall, a sequel to The Masque of Blackness....
the King's Men (as the company was then known) took possession of the theatre. Thereafter the King's Men played in Blackfriars for the seven months in winter, and at the Globe during the summer.
After the Lord Chamberlain's Men were renamed the
King's MenThe King's Men was the company of actors to which William Shakespeare belonged through most of his career. Formerly known as The Lord Chamberlain's Men during the reign of Queen Elizabeth, it became The King's Men in 1603 when King James ascended the throne and became the company's patron.The...
in 1603, they entered a special relationship with the new court of
King JamesJames VI and I was King of Scots as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the English and Scottish crowns on 24 March 1603...
. Performance records are patchy, but it is known that the King's Men performed seven of Shakespeare's plays at court between 1 November 1604 and 31 October 1605, including two performances of
The Merchant of Venice. After 1608, the troupe performed at the indoor
Blackfriars TheatreBlackfriars Theatre was the name of a theatre in the Blackfriars district of the City of London during the Renaissance. The theatre began as a venue for child actors associated with the Queen's chapel choirs; in this function, the theatre hosted some of the most innovative drama of Elizabeth and...
during the winter and the Globe during the summer. The indoor setting, combined with the Jacobean vogue for lavishly staged masques, created new conditions for performance which enabled Shakespeare to introduce more elaborate stage devices. In
Cymbeline, for example, Jupiter descends "in thunder and lightning, sitting upon an eagle: he throws a thunderbolt. The ghosts fall on their knees." Plays produced at the indoor theater presumably also made greater use of sound effects and music.
On June 29, 1613, the Globe Theatre went up in flames during a performance of
Henry the Eighth. A theatrical cannon, set off during the performance, misfired, igniting the wooden beams and thatching. According to one of the few surviving documents of the event, no one was hurt except a man who put out his burning breeches with a bottle of ale. The event pinpoints the date of a Shakespeare play with rare precision. Sir
Henry WottonSir Henry Wotton was an English author and diplomat. He is often quoted as saying, "An ambassador is an honest gentleman sent to lie abroad for the good of his country." -Life:The son of Thomas Wotton , brother of Edward Wotton, 1st Baron Wotton, and grandnephew of the diplomat...
recorded that the play "was set forth with many extraordinary circumstances of pomp and ceremony". The theatre was rebuilt but, like all the other theatres in London, the Globe was closed down by the
PuritanThe Puritans were a significant grouping of English Protestants in the 16th and 17th centuries. Puritanism in this sense was founded by some Marian exiles from the clergy shortly after the accession of Elizabeth I of England in 1558, as an activist movement within the Church of England...
s in 1642.
The actors in Shakespeare's company included
Richard BurbageRichard Burbage was an English actor and theatre owner. He was the younger brother of Cuthbert Burbage. They were both actors in drama....
,
Will KempeWill Kempe is a film and television actor. Born and raised on the island of Bermuda, Kempe was later educated in England...
,
Henry CondellHenry Condell was an actor in the King's Men, the playing company for which William Shakespeare wrote. With John Heminges, he was instrumental in preparing the First Folio, the collected plays of Shakespeare, published in 1623....
and
John HemingesJohn Heminges was an English Renaissance actor. Most noted now as one of the editors of William Shakespeare's 1623 First Folio, Heminges served in his time as an actor and financial manager for the King's Men.-Life:Heminges was born in Droitwich Spa, Worcestershire in 1556...
. Burbage played the leading role in the first performances of many of Shakespeare's plays, including
Richard III,
Hamlet,
Othello, and
King Lear. The popular comic actor Will Kempe played Peter in
Romeo and Juliet and
DogberryDogberry is a self-satisfied night constable in Shakespeare's Much Ado about Nothing.In the play, Dogberry is the chief of the citizen-police in Messina. As is usual in Shakespearean comedy, and Renaissance comedy generally, he is a figure of comic incompetence...
in
Much Ado About Nothing, among other parts. He was replaced around the turn of the 16th century by
Robert ArminRobert Armin was an English actor, a member of the Lord Chamberlain's Men. He became the leading comedy actor with the troupe associated with William Shakespeare following the departure of Will Kempe around 1600...
, who played roles such as
TouchstoneTouchstone is an interesting fictional character in Shakespeare's play As You Like It. Touchstone is the court fool or jester, portrayed as a wise man with a dry, cynical wit. Throughout the play he comments on the other characters of the play and thus, contributes to a better understanding of the...
in
As You Like It and the fool in
King Lear. Little is certainly known about acting styles. Critics praised the best actors for their naturalness. Scorn was heaped on ranters and on those who "tore a passion to tatters", as Hamlet has it. Also with Hamlet, playwrights complain of clowns who improvise on stage (modern critics often blame Kemp in particular in this regard). In the older tradition of comedy which reached its apex with
Richard TarltonRichard Tarlton , an English actor, was the most famous clown of his era.His birthplace is unknown, but reports of over a century later give it as Condover in Shropshire, with a later move to Ilford in Essex...
, clowns, often the main draw of a troupe, were responsible for creating comic by-play. By the Jacobean era, that type of humor had been supplanted by verbal wit.
Interregnum and Restoration performances
Shakespeare's plays continued to be staged after his death until the Interregnum (1642–1660), when most public stage performances were banned by the
PuritanThe Puritans were a significant grouping of English Protestants in the 16th and 17th centuries. Puritanism in this sense was founded by some Marian exiles from the clergy shortly after the accession of Elizabeth I of England in 1558, as an activist movement within the Church of England...
rulers. While denied the use of the stage, costumes and scenery, actors still managed to ply their trade by performing "
drollA droll is a short comical sketch of a type that originated during the Puritan Interregnum in England. With the closure of the theatres, actors were left without any way of plying their art. Borrowing scenes from well-known plays of the Elizabethan theatre, they added dancing and other...
s" or short pieces of larger plays that usually ended with some type of jig. Shakespeare was among the many playwrights whose works were plundered for these scenes. Among the drolls taken from Shakespeare were
Bottom the Weaver (
BottomNick Bottom is a character in Shakespeare's A Midsummer Night's Dream who provides comic relief throughout the play, and is famously known for getting his head transformed into that of an ass by the elusive Puck within the play.- Overview :...
's scenes from
A Midsummer Night's DreamA Midsummer Night's Dream is a play that was written by William Shakespeare. It is believed to have been written between 1590 and 1596. It portrays the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta...
) and
The Grave-makers (the gravedigger's scene from
HamletThe Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
.
At the
RestorationThe Restoration of the English monarchy began in 1660 when the English, Scottish and Irish monarchies were all restored under Charles II after the Interregnum that followed the Wars of the Three Kingdoms...
in 1660, Shakespeare's plays were divided between the two newly licensed companies: the
King's CompanyThe King's Company was one of two enterprises granted the rights to mount theatrical productions in London at the start of the English Restoration. It existed from 1660 to 1682.-History:...
of
Thomas KilligrewThomas Killigrew was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England.-Life and work:...
and the
DukeJames II & VII was King of England and King of Ireland as James II and King of Scotland as James VII, from 6 February 1685. He was the last Catholic monarch to reign over the Kingdoms of England, Scotland, and Ireland...
's Men of
William DavenantSir William Davenant , also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil...
. The licensing system prevailed for two centuries; from 1660 to 1843, only two main companies regularly presented Shakespeare in London. Davenant, who had known early-Stuart actors such as
John LowinJohn Lowin was an English actor born in the St Giles-without-Cripplegate, London, the son of a tanner. Like Robert Armin, he was apprenticed to a goldsmith. While he is not recorded as a free citizen of this company, he did perform as a goldsmith, Leofstane, in a 1611 city pageant written by...
and
Joseph TaylorJoseph Taylor was a 17th-century actor. As the successor of Richard Burbage with the King's Men, he was arguably the most important actor in the later Jacobean and the Caroline eras....
, was the main figure establishing some continuity with earlier traditions; his advice to his actors is thus of interest as possible reflections of original practices.
On the whole, though, innovation was the order of the day for Restoration companies.
John DownesJohn Downes worked as a prompter at the Duke's Company, and later the United Company, for most of the Restoration period 1660—1700...
reports that the King's Men initially included some Caroline actors; however, the forced break of the Interregnum divided both companies from the past. Restoration actors performed on
prosceniumA proscenium theatre is a theatre space whose primary feature is a large frame or arch , which is located at or near the front of the stage...
stages, often in the evening, between six and nine. Set-design and
propsA theatrical property, commonly referred to as a prop, is an object used on stage by actors to further the plot or story line of a theatrical production. Smaller props are referred to as "hand props". Larger props may also be set decoration, such as a chair or table. The difference between a set...
became more elaborate and variable. Perhaps most noticeably,
boy playerBoy player is a common term for the adolescent males employed by Medieval and English Renaissance playing companies. Some boy players worked for the mainstream companies and performed the female roles, as women did not perform on the English stage in this period...
s were replaced by actresses. The audiences of comparatively expensive indoor theaters were richer, better educated, and more homogeneous than the diverse, often unruly crowds at the Globe. Davenant's company began at the
Salisbury Court TheatreThe Salisbury Court Theatre was a theatre in 17th-century London. It was located in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salibury Court was acquired by Richard Sackville in 1564; when Thomas Sackville was created Earl of Dorset...
, then moved to the theater at
Lincoln's Inn FieldsLincoln's Inn Fields is the largest public square in London, UK. It was laid out in the 1630s under the initiative of the speculative builder and contractor William Newton, "the first in a long series of entrepreneurs who took a hand in developing London", as Sir Nikolaus Pevsner observes...
, and finally settled in the
Dorset Garden TheatreThe Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in...
. Killigrew began at
Gibbon's Tennis CourtGibbon's Tennis Court was a building off Vere Street and Clare Market, near Lincoln's Inn Fields in London, England. Originally built as a real tennis court, it was used as a playhouse from 1660 to 1663, shortly after the English Restoration...
before settling into
Christopher WrenSir Christopher Wren FRS is one of the most highly acclaimed English architects in history.He used to be accorded responsibility for rebuilding 51 churches in the City of London after the Great Fire in 1666, including his masterpiece, St. Paul's Cathedral, on Ludgate Hill, completed in 1710...
's new theatre in
Drury LaneThe Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
. Patrons of both companies expected fare quite different from what had pleased Elizabethans. For tragedy, their tastes ran to
heroic dramaHeroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. The sub-genre of heroic drama evolved through several works of the middle to later 1660s; John Dryden's The Indian Emperour and Roger Boyle's The Black...
; for comedy, to the
comedy of mannersThe comedy of manners is a genre of play/television/film which satirizes the manners and affectations of a social class, often represented by stock characters, such as the miles gloriosus in ancient times, the fop and the rake during the Restoration, or an old person pretending to be young...
. Though they liked Shakespeare, they seem to have wished his plays to conform to these preferences.
Restoration writers obliged them by adapting Shakespeare's plays freely. Writers such as
William DavenantSir William Davenant , also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil...
and
Nahum TateNahum Tate was an Irish poet, hymnist, and lyricist, who became England's poet laureate in 1692.-Life:Nahum Teate came from a family of Puritan clergymen...
rewrote some of Shakespeare's plays to suit the tastes of the day, which favoured the courtly comedy of
BeaumontFrancis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher....
and
FletcherJohn Fletcher was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; both during his lifetime and in the early Restoration, his fame rivalled Shakespeare's...
and the
neo-classical rules of dramaThe classical unities, Aristotelian unities or three unities are rules for drama derived from a passage in Aristotle's Poetics. In their neoclassical form they are as follows:...
. In 1681, Tate provided
The History of King LearThe History of King Lear is an adaptation by Nahum Tate of William Shakespeare's King Lear. It first appeared in 1681, some seventy-five years after Shakespeare's version, and is believed to have replaced Shakespeare's version on the English stage in whole or in part until 1838.Unlike Shakespeare's...
, a modified version of Shakespeare's original tragedy with a happy ending. According to Stanley Wells, Tate's version "supplanted Shakespeare's play in every performance given from 1681 to 1838," when
William Charles Macready-Life:He was born in London, and educated at Rugby.It was his intention to go up to Oxford, but in 1809 the embarrassed affairs of his father, the lessee of several provincial theatres, called him to share the responsibilities of theatrical management. On 7 June 1810 he made a successful first...
played Lear from a shortened and rearranged version of Shakespeare's text. "Twas my good fortune", Tate said, "to light on one expedient to rectify what was wanting in the regularity and probability of the tale, which was to run through the whole a love betwixt Edgar and Cordelia that never changed words with each other in the original".
Tate's
Lear remains famous as an example of an ill-conceived adaptation arising from insensitivity to Shakespeare's tragic vision. Tate's genius was not in language - many of his interpolated lines don't even scan - but in structure; his Lear begins brilliantly with the Edmund the Bastard's first attention-grabbing speech, and ends with Lear's heroic saving of Cordelia in the prison and a restoration of justice to the throne. Tate's worldview, and that of the theatrical world that embraced (and demanded) his "happy ending" versions of the Bard's tragic works (such as
King Lear and
Romeo and Juliet) for over a century, arose from a profoundly different sense of morality in society and of the role that theatre and art should play within that society. Tate's versions of Shakespeare see the responsibility of theatre as a transformative agent for positive change by holding a moral mirror up to our baser instincts. Tate's versions of what we now consider some of the Bard's greatest works dominated the stage throughout the 18th century precisely because the Ages of Enlightenment and Reason found Shakespeare's "tragic vision" immoral, and his tragic works unstageable. Tate is seldom performed today, though in 1985, the
Riverside Shakespeare CompanyThe Riverside Shakespeare Company of New York City was founded in 1977 as a professional theatre company on the Upper West Side of New York City, by W. Stuart McDowell and Gloria Skurski...
mounted a successful production of
The History of King LearThe History of King Lear is an adaptation by Nahum Tate of William Shakespeare's King Lear. It first appeared in 1681, some seventy-five years after Shakespeare's version, and is believed to have replaced Shakespeare's version on the English stage in whole or in part until 1838.Unlike Shakespeare's...
at
The Shakespeare CenterThe Shakespeare Center was the home of the Riverside Shakespeare Company, an Equity professional theatre company in New York City, beginning in 1982, when the then six-year-old theatre company established its center of theatre production and advanced actor training at the 90 year-old West Park...
, heralded by some as a "Lear for the Age of Ronald Reagan.".
Perhaps a more typical example of the purpose of Restoration revisions is Davenant's
The Law Against Lovers, a 1662 comedy combining the main plot of
Measure for MeasureMeasure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was classified as comedy, but its mood defies those expectations. As a result and for a variety of reasons, some critics have labelled it as one of Shakespeare's problem plays...
with subplot of
Much Ado About NothingMuch Ado About Nothing is a comedy written by William Shakespeare about two pairs of lovers, Benedick and Beatrice, and Claudio and Hero....
. The result is a snapshot of Restoration comic tastes. Beatrice and Benedick are brought in to parallel Claudio and Hero; the emphasis throughout is on witty conversation, and Shakespeare's thematic focus on lust is steadily downplayed. The play ends with three marriages: Benedick's to Beatrice, Claudio's to Hero, and Isabella's to an Angelo whose attempt on Isabella's virtue was a ploy. Davenant wrote many of the bridging scenes and recast much of Shakespeare's verse as
heroic coupletA heroic couplet is a traditional form for English poetry, commonly used for epic and narrative poetry; it refers to poems constructed from a sequence of rhyming pairs of iambic pentameter lines. The rhyme is always masculine. Use of the heroic couplet was first pioneered by Geoffrey Chaucer in...
s.
A final feature of Restoration stagecraft impacted productions of Shakespeare. The taste for
operaOpera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
that the exiles had developed in France made its mark on Shakespeare as well. Davenant and
John DrydenJohn Dryden was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden.Walter Scott called him "Glorious John." He was made Poet...
worked
The Tempest into an opera,
The Enchanted Island; their work featured a sister for Miranda, a man, Hippolito, who has never seen a woman, and another paired marriage at the end. It also featured many songs, a spectacular shipwreck scene, and a masque of flying cupids. Other of Shakespeare's works given operatic treatment included
A Midsummer Night's DreamA Midsummer Night's Dream is a play that was written by William Shakespeare. It is believed to have been written between 1590 and 1596. It portrays the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta...
(as
The Fairy Princess in 1692) and
Charles GildonCharles Gildon , was an English hack writer who was, by turns, a translator, biographer, essayist, playwright, poet, author of fictional letters, fabulist, short story author, and critic. He provided the source for many lives of Restoration figures, although he appears to have propagated or...
's
Measure for MeasureMeasure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was classified as comedy, but its mood defies those expectations. As a result and for a variety of reasons, some critics have labelled it as one of Shakespeare's problem plays...
(by way of an elaborate masque.)
However ill-guided such revisions may seem now, they made sense to the period's dramatists and audiences. The dramatists approached Shakespeare not as
bardolatorsBardolatry is a term that refers to the excessive adulation of William Shakespeare, a portmanteau of "bard" and "idolatry." Shakespeare has been known as "the Bard" since the nineteenth century. One who idolizes Shakespeare is known as a Bardolater....
, but as theater professionals. Unlike Beaumont and Fletcher, whose "plays are now the most pleasant and frequent entertainments of the stage", according to Dryden in 1668, "two of theirs being acted through the year for one of Shakespeare's or Jonson's"., Shakespeare appeared to them to have become dated. Yet almost universally, they saw him as worth updating. Though most of these revised pieces failed on stage, many remained current on stage for decades;
Thomas OtwayThomas Otway was an English dramatist of the Restoration period, best known for Venice Preserv'd, or A Plot Discover'd .-Life:...
's Roman adaptation of
Romeo and Juliet, for example, seems to have driven Shakespeare's original from the stage between 1680 and 1744. It was in large part the revised Shakespeare that took the lead place in the repertory in the early 18th century, while
Beaumont and FletcherBeaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I ....
's share steadily declined.
18th century
The 18th century witnessed three major changes in the production of Shakespeare's plays. In England, the development of the star system transformed both acting and production; at the end of the century, the
RomanticRomanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...
revolution touched acting as it touched all the arts. At the same time, actors and producers began to return to Shakespeare's texts, slowly weeding out the Restoration revisions. Finally, by the end of the century Shakespeare's plays had been established as part of the repertory outside of Great Britain: not only in the United States but in many European countries.
Britain
In the 18th century, Shakespeare dominated the London stage, while Shakespeare productions turned increasingly into the creation of star turns for star actors. After the
Licensing ActThe Licensing Act or Theatrical Licensing Act of 21 June 1737 was a landmark act of censorship of the British stage and one of the most determining factors in the development of Augustan drama...
of 1737, one fourth of the plays performed were by Shakespeare, and on at least two occasions rival London playhouses staged the very same Shakespeare play at the same time (
Romeo and JulietRomeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young star-crossed lovers whose deaths ultimately unite their feuding families. It was among Shakespeare's most popular archetypal stories of young, teenage lovers.Romeo and Juliet belongs to a...
in 1755 and
King LearKing Lear is a tragedy by William Shakespeare. The title character descends into madness after foolishly disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. The play is based on the legend of Leir of Britain, a mythological...
the next year) and still commanded audiences. This occasion was a striking example of the growing prominence of Shakespeare stars in the theatrical culture, the big attraction being the competition and rivalry between the male leads at Covent Garden and Drury Lane,
Spranger BarrySpranger Barry was an Irish actor.-Life:He was born in Skinner's Row, Dublin, the son of a silversmith, to whose business he was brought up...
and
David GarrickDavid Garrick was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of theatrical practice throughout the 18th century and was a pupil and friend of Dr Samuel Johnson...
. In the 1740s,
Charles MacklinCharles Macklin , originally Cathal MacLochlainn , was an actor and dramatist born in Culdaff, a village on the scenic Inishowen Peninsula in County Donegal, part of the Province of Ulster in the north of Ireland. He was one of the most distinguished actors of his day, equally in tragedy and comedy...
, in roles such as
MalvolioMalvolio is the steward of Olivia's household in William Shakespeare's comedy, Twelfth Night, or What You Will.-Style:Malvolio's ethical values are commonly used to define his appearance.In the play, Malvolio is defined as a "kind of" Puritan...
and
ShylockShylock is a fictional character in Shakespeare's The Merchant of Venice.-In the play:In The Merchant of Venice, Shylock is a Jewish moneylender who lends money to his Christian rival, Antonio, setting the security at a pound of Antonio's flesh...
, and
David GarrickDavid Garrick was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of theatrical practice throughout the 18th century and was a pupil and friend of Dr Samuel Johnson...
, who won fame as Richard III in 1741, helped make Shakespeare truly popular. Garrick went on to produce 26 of the plays at
Drury Lane TheatreThe Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
between 1747 and 1776, and he held a great
Shakespeare JubileeThe Shakespeare Jubilee was staged in Stratford-upon-Avon between 5-7 September 1769. The jubilee was organised by the actor and theatre manager David Garrick to celebrate the jubilee of the birth of William Shakespeare. It had a major impact on the rising tide of bardolatry that led to Shakespeare...
at Stratford in 1769. He freely adapted Shakespeare's work, however, saying of
Hamlet: "I had sworn I would not leave the stage till I had rescued that noble play from all the rubbish of the fifth act. I have brought it forth without the grave-digger's trick, Osrick, & the fencing match." Apparently no incongruity was perceived in having Barry and Garrick, in their late thirties, play adolescent Romeo one season and geriatric King Lear the next. 18th century notions of verisimilitude did not usually require an actor to be physically appropriate for a role, a fact epitomized by a 1744 production of
Romeo and Juliet in which
Theophilus CibberTheophilus Cibber was an English actor, playwright, author, and son of the actor-manager Colley Cibber.He began acting at an early age, and followed his father into theatrical management. In 1727, Alexander Pope satirized Theophilus Cibber in his Dunciad as a youth who "thrusts his person full...
, then forty, played Romeo to the Juliet of his teenaged daughter Jennie.
Elsewhere in Europe
Some of Shakespeare's work was performed in continental Europe even during his lifetime;
Ludwig TieckJohann Ludwig Tieck was a German poet, translator, editor, novelist, writer of Novellen, and critic, who was one of the founding fathers of the Romantic movement of the late 18th and early 19th centuries.-Early life:...
pointed out German versions of
Hamlet and other plays, of uncertain provenance, but certainly quite old. but it was not until after the middle of the next century that Shakespeare appeared regularly on German stages. In Germany
LessingLessing - German family of writers and artists*Johann Gottfried Lessing pastor primarus in Kamenz, well respected, published theologian, translator and father of Gotthold Ephraim Lessing and Karl Gotthelf Lessing...
compared Shakespeare to German folk literature. Goethe organised a Shakespeare jubilee in Frankfurt in 1771, stating that the dramatist had shown that the Aristotelian unities were "as oppressive as a prison" and were "burdensome fetters on our imagination".
HerderJohann Gottfried von Herder was a German philosopher, theologian, poet, and literary critic. He is associated with the periods of Enlightenment, Sturm und Drang, and Weimar Classicism.-Biography:...
likewise proclaimed that reading Shakespeare's work opens "leaves from the book of events, of providence, of the world, blowing in the sands of time." This claim that Shakespeare's work breaks though all creative boundaries to reveal a chaotic, teeming, contradictory world became characteristic of Romantic criticism, later being expressed by
Victor HugoVictor-Marie Hugo was a Frenchpoet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France....
in the preface to his play
Cromwell, in which he lauded Shakespeare as an artist of the
grotesqueThe word grotesque comes from the same Latin root as "Grotto", meaning a small cave or hollow. The original meaning was restricted to an extravagant style of Ancient Roman decorative art rediscovered and then copied in Rome at the end of the 15th century...
, a genre in which the tragic, absurd, trivial and serious were inseparably intertwined.
19th century
Theatres and theatrical scenery became ever more elaborate in the 19th century, and the acting editions used were progressively cut and restructured to emphasize more and more the
soliloquiesA soliloquy is a device often used in drama whereby a character relates his or her thoughts and feelings to him/herself and to the audience without addressing any of the other characters, and is delivered often when they are alone or think they are alone. Soliloquy is distinct from monologue and...
and the stars, at the expense of pace and action. Performances were further slowed by the need for frequent pauses to change the scenery, creating a perceived need for even more cuts in order to keep performance length within tolerable limits; it became a generally accepted maxim that Shakespeare's plays were too long to be performed without substantial cuts. The platform, or apron, stage, on which actors of the 17th century would come forward for audience contact, was gone, and the actors stayed permanently behind the
fourth wallThe fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play...
or proscenium arch, further separated from the audience by the
orchestraAn orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...
(see image at right).
Victorian productions of Shakespeare often sought pictorial effects in "authentic" historical costumes and sets. The staging of the reported sea fights and barge scene in
Antony and CleopatraAntony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. It was first printed in the First Folio of 1623. The plot is based on Thomas North's translation of Plutarch's Lives and follows the relationship between Cleopatra and Mark Antony...
was one spectacular example. Too often, the result was a loss of pace. Towards the end of the century,
William PoelWilliam Poel was an English actor, theatrical manager and dramatist best known for his presentations of Shakespeare.-Life and career:...
led a reaction against this heavy style. In a series of "Elizabethan" productions on a
thrust stageIn theatre, a thrust stage is one that extends into the audience on three sides and is connected to the backstage area by its up stage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area...
, he paid fresh attention to the structure of the drama.
Through the 19th century, a roll call of legendary actors' names all but drown out the plays in which they appear:
Sarah SiddonsSarah Siddons was a Welsh actress, the best-known tragedienne of the 18th century. She was the elder sister of John Philip Kemble, Charles Kemble, Stephen Kemble, Ann Hatton and Elizabeth Whitlock, and the aunt of Fanny Kemble. She was most famous for her portrayal of the Shakespearean character,...
(1755—1831),
John Philip KembleJohn Philip Kemble was an English actor. He was born into a theatrical family as the eldest son of Roger Kemble, actor-manager of a touring troupe. His elder sister Sarah Siddons achieved fame with him on the stage of the Theatre Royal, Drury Lane...
(1757—1823),
Henry IrvingSir Henry Irving , born John Henry Brodribb, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility for season after season at the Lyceum Theatre, establishing himself and his company as...
(1838—1905), and
Ellen TerryDame Ellen Terry, GBE was an English stage actress who became the leading Shakespearean actress in Britain. Among the members of her famous family is her great nephew, John Gielgud....
(1847—1928). To be a star of the legitimate drama came to mean being first and foremost a "great Shakespeare actor", with a famous interpretation of, for men, Hamlet, and for women, Lady Macbeth, and especially with a striking delivery of the great soliloquies. The acme of spectacle, star, and soliloquy Shakespeare performance came with the reign of actor-manager Henry Irving and his co-star Ellen Terry in their elaborately staged productions, often with orchestral
incidental musicIncidental music is music in a play, television program, radio program, video game, film or some other form not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the "film score" or "soundtrack"....
, at the Lyceum Theatre, London from 1878 to 1902. At the same time, a revolutionary return to the roots of Shakespeare's original texts, and to the platform stage, absence of scenery, and fluid scene changes of the Elizabethan theatre, was being effected by
William PoelWilliam Poel was an English actor, theatrical manager and dramatist best known for his presentations of Shakespeare.-Life and career:...
's
Elizabethan Stage SocietyThe Elizabethan Stage Society was a theatrical society dedicated to putting on productions of drama from the Elizabethan and Jacobean eras, particularly those of William Shakespeare. It was founded in 1895 by William Poel...
.
20th century
In the early 20th century,
Harley Granville-BarkerHarley Granville-Barker was an English actor-manager, director, producer, critic and playwright....
directed quarto and folio texts with few cuts, while
Edward Gordon CraigEdward Henry Gordon Craig , sometimes known as Gordon Craig, was an English modernist theatre practitioner; he worked as an actor, director and scenic designer, as well as developing an influential body of theoretical writings...
and others called for abstract staging. Both approaches have influenced the variety of Shakespearean production styles seen today.
The 20th century also saw a multiplicity of visual interpretations of Shakespeare's plays.
Gordon CraigEdward Henry Gordon Craig , sometimes known as Gordon Craig, was an English modernist theatre practitioner; he worked as an actor, director and scenic designer, as well as developing an influential body of theoretical writings...
's design for
HamletThe Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
in 1911 was groundbreaking in its
CubistCubism was a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture...
influence. Craig defined space with simple flats: monochrome canvases stretched on wooden frames, which were hinged together to be self-supporting. Though the construction of these flats was not original, its application to Shakespeare was completely new. The flats could be aligned in many configurations and provided a technique of simulating architectural or abstract lithic structures out of supplies and methods common to any theater in Europe or the Americas. Craig's iconoclastic design was the first of many
paradigm shiftA Paradigm shift is, according to Thomas Kuhn in his influential book The Structure of Scientific Revolutions , a change in the basic assumptions, or paradigms, within the ruling theory of science...
s in the design of Shakespeare's plays of the 20th century.
The second major shift of 20th-century scenography of Shakespeare was in
Barry Vincent JacksonSir Barry Vincent Jackson, , was a distinguished theatre director and the founder of the Birmingham Repertory Theatre.-Life and career:He was the son of George Jackson of Birmingham and was educated privately....
's 1923 production of
CymbelineCymbeline , also known as Cymbeline, King of Britain or The Tragedy of Cymbeline, is a play by William Shakespeare, based on legends concerning the early Celtic British King Cunobelinus. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance...
at the Birmingham Rep. This production was groundbreaking because it reintroduced the idea of modern dress back into Shakespeare. It was not the first modern-dress production since there were a few minor examples before
World War IWorld War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
, but
Cymbeline was the first to call attention to the device in a blatant way. Iachimo was costumed in evening dress for the wager, the court was in military uniforms, and the disguised
ImogenImogen was the daughter of King Cymbeline, in Shakespeare's play, Cymbeline. She was described by William Hazlitt as "perhaps the most tender and the most artless" of all Shakespeare's women.-Name:...
in knickerbockers and cap. It was for this production that critics invented the
catch phraseA catchphrase is a phrase or expression recognized by its repeated utterance. Such phrases often originate in popular culture and in the arts, and typically spread through a variety of mass media , as well as word of mouth...
"Shakespeare in plus-fours". The experiment was moderately successful, and the director, H.K. Ayliff, two years later staged
HamletThe Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
in modern dress. These productions paved the way for the modern-dress Shakespearean productions that we are familiar with today.
In 1936,
Orson WellesGeorge Orson Welles , best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio...
was hired by the
Federal Theatre ProjectThe Federal Theatre Project was a New Deal project to fund theatre and other live artistic performances in the United States during the Great Depression. It was one of five Federal One projects sponsored by the Works Progress Administration...
to direct a groundbreaking production of
MacbethThe Tragedy of Macbeth is a play by William Shakespeare about a regicide and its aftermath. It is Shakespeare's shortest tragedy and is believed to have been written sometime between 1603 and 1607...
in
HarlemHarlem is a neighborhood in the New York City borough of Manhattan, which since the 1920s has been a major African-American residential, cultural and business center. Originally a Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands...
with an all
African AmericanAfrican Americans are citizens or residents of the United States who have at least partial ancestry from any of the native populations of Sub-Saharan Africa and are the direct descendants of enslaved Africans within the boundaries of the present United States...
cast. The production became known as the
Voodoo MacbethThe Voodoo Macbeth is a common nickname for the Federal Theatre Project's 1936 New York production of William Shakespeare's Macbeth, featuring an all-African American cast directed by Orson Welles...
, as Welles changed the setting to an 18th century
HaitiHaiti , officially the Republic of Haiti , is a Caribbean country. It occupies the western, smaller portion of the island of Hispaniola, in the Greater Antillean archipelago, which it shares with the Dominican Republic. Ayiti was the indigenous Taíno or Amerindian name for the island...
run by an evil king thoroughly controlled by African magic. Initially hostile, the black community took to the production thoroughly, ensuring full houses for ten weeks at the
Lafayette TheatreLafayette Theatre may refer to:* Lafayette Theatre , in Suffern, Rockland County, New York, USA* Lafayette Theatre , in Harlem, Manhattan, New York City, New York, USA* Lafayette Circus , Manhattan, NYC, 1825...
and prompting a small
BroadwayBroadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
success and a national tour. Despite its innovative nature, this
Macbeth exhibited some of the patronizing attitudes that black leaders had been denouncing. When Macbeth (Maurice Ellis) fell ill, Welles went on in the title role wearing
blackfaceBlackface is a form of theatrical makeup used in minstrel shows, and later vaudeville, in which performers create a stereotyped caricature of a black person. The practice gained popularity during the 19th century and contributed to the proliferation of stereotypes such as the "happy-go-lucky darky...
, a politically loaded decision that stirred some controversy.
Other notable productions of the 20th century that follow this trend of relocating Shakespeare's plays are H.K. Ayliff's
MacbethThe Tragedy of Macbeth is a play by William Shakespeare about a regicide and its aftermath. It is Shakespeare's shortest tragedy and is believed to have been written sometime between 1603 and 1607...
of 1928 set on the battlefields of
World War IWorld War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
,
Welles'George Orson Welles , best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio...
Julius CaesarGaius Julius Caesar was a Roman general and statesman and a distinguished writer of Latin prose. He played a critical role in the gradual transformation of the Roman Republic into the Roman Empire....
of 1937 based on the Nazi rallies at
NurembergNuremberg[p] is a city in the German state of Bavaria, in the administrative region of Middle Franconia. Situated on the Pegnitz river and the Rhine–Main–Danube Canal, it is located about north of Munich and is Franconia's largest city. The population is 505,664...
, and Thacker's
CoriolanusCoriolanus is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader, Gaius Marcius Coriolanus.-Characters:*Caius Martius, later surnamed Coriolanus...
of 1994 costumed in the manner of the
French RevolutionThe French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
.
In 1978, a deconstructive version of
The Taming of the ShrewThe Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1591.The play begins with a framing device, often referred to as the Induction, in which a mischievous nobleman tricks a drunken tinker named Sly into believing he is actually a nobleman himself...
was performed at the
Royal Shakespeare TheatreThe Royal Shakespeare Theatre is a 1,040+ seat thrust stage theatre owned by the Royal Shakespeare Company dedicated to the British playwright and poet William Shakespeare. It is located in the town of Stratford-upon-Avon - Shakespeare's birthplace - in the English Midlands, beside the River Avon...
. The main character walked through the audience toward the stage, acting drunk and shouting sexist comments before he proceeded to tear down (i.e., deconstruct) the scenery. Even after press coverage, some audience members still fled from the performance, thinking they were witnessing a real assault.
21st century
The
PropellerPropeller is a theatre company which presents the plays of William Shakespeare in the UK and around the world. The director is Edward Hall, and the casts are exclusively male actors.-Background:...
company have taken all-male cast productions around the world.
In May 2009,
HamletThe Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
opened with
Jude LawDavid Jude Heyworth Law , known professionally as Jude Law, is an English actor, film producer and director.He began acting with the National Youth Music Theatre in 1987, and had his first television role in 1989...
in the title role at the
Donmar WarehouseDonmar Warehouse is a small not-for-profit theatre in the Covent Garden area of London, with a capacity of 251.-About:Under the artistic leadership of Michael Grandage, the theatre has presented some of London’s most memorable award-winning theatrical experiences, as well as garnered critical...
West End season at
Wyndham'sWyndham's Theatre is a West End theatre, one of two opened by the actor/manager Charles Wyndham . Located on Charing Cross Road, in the City of Westminster, it was designed by W.G.R. Sprague about 1898, the architect of six other London theatres between then and 1916...
. He was joined by
Ron CookRon Cook is an English actor who has been active in the theatre, film and television since the 1970s. He is from South Shields, Co Durham, England and is a graduate of Rose Bruford College.- Stage appearances :...
,
Peter EyrePeter Eyre is an American actor.Eyre was born in New York City, New York, the son of Dorothy Pelline and Edward Joseph Eyre, a banker. He was sent to a public school in England at the age of twelve, and has been based in the country ever since. Although offered a place at the Royal Academy of...
, Gwilym Lee, John MacMillan,
Kevin R McNallyKevin McNally is an English actor who has worked in theatre and radio extensively as well as in film and television.-Life and career:...
,
Gugu Mbatha-RawGugu Mbatha-Raw is an English actress.- Life and career :Gugu Mbatha-Raw was born Gugulethu Sophia Mbatha in 1983, in the John Radcliffe Hospital, Oxford, England. Her name, "Gugulethu", means pride in Zulu. Her mother, Anne, is an English nurse, and her father, Patrick Mbatha, is a South African...
,
Matt RyanMatt Ryan is a Canadian professional ice hockey centre currently playing for Villacher SV of the Austrian Hockey League .-Playing career:...
, Alex Waldmann and
Penelope WiltonPenelope Alice Wilton, OBE is an English actress.-Life and career:Penelope Alice Wilton was born in Scarborough, North Riding of Yorkshire, to a former actress mother and a businessman father. She is a niece of actors Bill Travers and Linden Travers and a cousin of the actor Richard Morant...
. The production officially opened on 3 June and ran through 22 August 2009. A further production of the play ran at Elsinore Castle in
DenmarkDenmark is a Scandinavian country in Northern Europe. The countries of Denmark and Greenland, as well as the Faroe Islands, constitute the Kingdom of Denmark . It is the southernmost of the Nordic countries, southwest of Sweden and south of Norway, and bordered to the south by Germany. Denmark...
from 25–30 August 2009. The Jude Law
Hamlet then moved to
BroadwayBroadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
, and will run for twelve weeks at the
Broadhurst TheatreThe Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan.It was designed by architect Herbert J. Krapp, a well-known theatre designer who had been working directly with the Shubert brothers; the Broadhurst opened 27 September 1917...
in
New YorkNew York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
. Previews began on 12 September and the official opening was 6 October 2009. Most of the original cast moved with the production to New York. There were some changes, already incorporated in Elsinore: new were Ross Armstrong,
Geraldine JamesGeraldine James, OBE is an English actress.-Early life and family:James was born in Maidenhead, Berkshire, to a cardiologist father...
and Michael Hadley. The Broadway cast with Law also includes Harry Attwell, Ian Drysdale,
Jenny FunnellJenny Funnell is a British actress best known for her role as Sandy in the British sitcom As Time Goes By .Funnell was born in Kenya, then still a British colony, and has a twin sister named Julie...
, Colin Haigh, James Le Feuvre, Henry Pettigrew, Matt Ryan, Alan Turkington and Faye Winter.
Shakespeare on screen
More than 420 feature-length film versions of Shakespeare's plays have been produced since the early 20th century, making Shakespeare the most filmed author ever. Many of the film adaptations, especially Hollywood movies marketed to teenage audiences, use his plots rather than his dialogue, while others are simply filmed full-length versions of his plays.
Dress and design
For centuries there had been an accepted style of how Shakespeare was to be performed which was erroneously labeled "Elizabethan" but actually reflected a trend of
designDesign as a noun informally refers to a plan or convention for the construction of an object or a system while “to design” refers to making this plan...
from a period shortly after Shakespeare's death. Shakespeare's performances were originally performed in contemporary dress. Actors were costumed in clothes that they might wear off the stage. This continued into the 18th century, the Georgian period, where costumes were the current fashionable dress. It wasn't until centuries after his death, primarily the 19th Century, that productions started looking back and tried to be "authentic" to a Shakespearean style. The Victorian era had a fascination with historical accuracy and this was adapted to the stage in order to appeal to the educated middle class. Charles Kean was particularly interested in historical context and spent many hours researching historical dress and setting for his productions. This faux-Shakespearean style was fixed until the 20th century.