Sema
Encyclopedia
Sama is a Sufi ceremony performed as dhikr
Dhikr
Dhikr , plural ; ), is an Islamic devotional act, typically involving the repetition of the Names of God, supplications or formulas taken from hadith texts and verses of the Qur'an. Dhikr is usually done individually, but in some Sufi orders it is instituted as a ceremonial activity...

. Sama means "listening", while dhikr means "remembrance". These rituals often includes singing, playing instruments, dancing, recitation of poetry and prayers, wearing symbolic attire, and other rituals. It is a particularly popular form of worship in the Chisti order of the Indian subcontinent
Indian subcontinent
The Indian subcontinent, also Indian Subcontinent, Indo-Pak Subcontinent or South Asian Subcontinent is a region of the Asian continent on the Indian tectonic plate from the Hindu Kush or Hindu Koh, Himalayas and including the Kuen Lun and Karakoram ranges, forming a land mass which extends...

.

In 2005, UNESCO
UNESCO
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations...

 proclaimed the "The Mevlevi Sama Ceremony" of Turkey
Turkey
Turkey , known officially as the Republic of Turkey , is a Eurasian country located in Western Asia and in East Thrace in Southeastern Europe...

 as one of the Masterpieces of the Oral and Intangible Heritage of Humanity
Masterpieces of the Oral and Intangible Heritage of Humanity
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness on intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural...

.

Etymology

This term stems from the root-verb meaning acceptance by tradition, from which derives the words سَمْع (sam‘un) and اِسْتِمَاع (’istimā‘un, listening), often paired with نَقْل (naqlun) and تَقْلِيد (taqlīdun, tradition). It may have been in use since the 10th century to refer to a type of dhikr
Dhikr
Dhikr , plural ; ), is an Islamic devotional act, typically involving the repetition of the Names of God, supplications or formulas taken from hadith texts and verses of the Qur'an. Dhikr is usually done individually, but in some Sufi orders it is instituted as a ceremonial activity...

(remembrance of God
God
God is the English name given to a singular being in theistic and deistic religions who is either the sole deity in monotheism, or a single deity in polytheism....

), a spiritual concert, a ceremony used by various Sufi
Sufism
Sufism or ' is defined by its adherents as the inner, mystical dimension of Islam. A practitioner of this tradition is generally known as a '...

 orders, particularly the Chisti order of the sub-continent. It often involves prayer, song and dance.

Origin

The origination of Sama is credited to Rumi, Sufi master and creator of the Mevlevis. The story of the creation of this unique form of dhikr is that Rumi was walking through the town marketplace one day when he heard the rhythmic hammering of the goldbeaters. It is believed that Rumi heard the dhikr, "la ilaha ilallah" or in English, "no god but Allah" in the apprentices beating of the gold and so entranced in happiness he stretched out both of his arms and started spinning in a circle (sufi whirling
Sufi whirling
Sufi whirling , is a form of Sama or physicaly active meditation which orginated among Sufis, and which is still practiced by the Sufi Dervishes of the Mevlevi order. It is a customary dance performed within the Sema, or worship ceremony, through which dervishes aim to reach the source of all...

). With that the practice of Sema and the dervish
Dervish
A Dervish or Darvesh is someone treading a Sufi Muslim ascetic path or "Tariqah", known for their extreme poverty and austerity, similar to mendicant friars in Christianity or Hindu/Buddhist/Jain sadhus.-Etymology:The Persian word darvīsh is of ancient origin and descends from a Proto-Iranian...

es of the Mevlevi order were born. The sama' has roots in Persian and Turkish culture, and is associated with oriental traditions.

Abu Sa`id, (357 A.H.) (967 c.e.) was born in Mayhana, a town near Sarakhs, which today is in the former Soviet Republic of Turkmenistan, bordering Iran. He is noted for establishing a rule for conduct in the khanaqah and also for the introduction of music (sama'), poetry and dance, as part of the Sufi collective devotional ritual of dhikr.

Symbolism

The Sama represents a mystical journey of man's spiritual ascent through mind and love to perfection. Turning towards the truth, the follower grows through love, deserts his ego, finds the truth and arrives at perfection. He then returns from this spiritual journey as a man who has reached maturity and a greater perfection, so as to love and to be of service to the whole of creation.
Rumi has said in reference to Sama', "For them it is the Sama' of this world and the other. Even more for the circle of dancers within the Sama' who turn and have in their midst, their own Ka'aba." This relates Sama' to the pilgrimage to Mecca, in that both are intended to bring all who are involved closer to God.

Components

Sama emphasizes singing, but also includes the playing of instruments, particularly for introductions and accompaniments. However, only instruments which are symbolic and not considered profane are used. The most common of these are the tambourine, bells, and flute. It often includes the singing of hymns, called qawl and bayt. Poetry is often included in the ceremony as well, because while it is inadequate by itself, it works together with aid in spiritual contemplation. Any poetry, even the erotic, can be applied to God, and thus used for this ceremony. However, the listener's heart must first be pure, or the dancing components of sama' will make these people full of lust instead of love for God. Additionally, being in love with a person rather than with God clouds a person's mind when they are listening to erotic poetry. Verses from the Qur'an are never used for this purpose, and not only because their meanings are said to be somewhat dulled through repetition. Qur'anic verses are never to be set to meditation, nor ornamented or improvised in any way, so that they remain sacred texts.

Purpose

Sama is a means of meditating on God through focusing on melodies and dancing. It brings out a person's love of God, purifies the soul, and is a way of finding God. This practice is said to reveal what is already in one's heart, rather than creating emotions. All of a person's doubt disappears, and the heart and soul can communicate directly with God. The immediate goal of sama' is to reach wajd, which is a trance-like state of ecstasy. Physically, this state may include various and unexpected movements, agitation, and all types of dancing.
Another state that people hope to reach through sama' is khamra, which means "spiritual drunkenness".
Ultimately, people hope to achieve the unveiling of mysteries and gain spiritual knowledge through wajd.
Sometimes, the experience of wajd becomes so strong that fainting or even, in extreme circumstances, death, occurs.

Etiquette

Participants in sama are expected to remain silent and still, and controlled throughout the ceremony, unless wajd occurs. This way, a higher degree of spiritual contemplation can be reached. Participants must restrain themselves from movement and crying until they reach a point in which they can no longer hold back. At this point, wajd can be reached. It is essential that the trance-like experience of wajd be genuine and not faked for any reason. Also, people must maintain proper intent and actions must be present throughout the sama'; otherwise, they cannot experience the ceremony's intended positive effects.

Controversy

Muslims are divided into two groups regarding the issue of sama and the use of music in general: 1) Advocates, which are most Sufis and other mystics, and 2) Opponents.

Advocates view chants as a required practice for spiritual growth. Abu Hamid al-Ghazzali was a firm advocate for music, and believed that wajd aroused passionate love for God Al-Ghazzali wrote a chapter entitled "Concerning Music and Dancing as Aids to the Religious Life", where he emphasized how the practices of music and dance are beneficial to Muslims, as long as their hearts are pure before engaging in these practices.

Opponents find music as an Innovation bidah and associated with infidelity. They compare the physical sensations experienced by a person in the state of wajd to a state of physical drunkenness, and therefore do not condone it.

In Practice

Due to differences in culture between Muslim groups, participation in musical performance is condoned in some and considered questionable in others. Meditation and Sufi practices are allowed in Islam as long as they are within the limits of the Shari'ah (Islamic law).
All castes can participate, although there is debate between Sufis and legalists about whether novice Sufis and ones more advanced in their faith are capable of achieving the same positive results from sama'. The same debate exists for the young, and whether they are capable of overcoming their lust and clearing their hearts to worship God.

External links

The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
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