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Sebastiano Serlio

 
Sebastiano Serlio

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Sebastiano Serlio



 
 
Sebastiano Serlio (6 September 1475 – c. 1554) was an Italian Mannerist architect
Architect

An architect is trained and licenced in planning and designing buildings, and participates in supervising the construction of a building. Etymologically, architect derives from the Latin architectus, itself derived from the Greek arkhitekton , i.e....
, who was part of the Italian team building the Palace of Fontainebleau
Château de Fontainebleau

The Palace of Fontainebleau, located 34.5 miles from the centre of Paris, is one of the largest French royal ch?teaux. The palace as it is today is the work of many French monarchs, building on a structure of Francis I of France....
. Serlio helped canonize the classical order
Classical order

A classical order is one of the ancient styles of building design in the Classical antiquity, distinguished by their proportions and their characteristic profiles and details, but most quickly recognizable by the type of column and capital employed....
s of architecture in his influential treatise, "I sette libri dell'architettura" (aka "Tutte l'opere d'architettura et prospettiva").






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Serliochurchfacade
Sebastiano Serlio (6 September 1475 – c. 1554) was an Italian Mannerist architect
Architect

An architect is trained and licenced in planning and designing buildings, and participates in supervising the construction of a building. Etymologically, architect derives from the Latin architectus, itself derived from the Greek arkhitekton , i.e....
, who was part of the Italian team building the Palace of Fontainebleau
Château de Fontainebleau

The Palace of Fontainebleau, located 34.5 miles from the centre of Paris, is one of the largest French royal ch?teaux. The palace as it is today is the work of many French monarchs, building on a structure of Francis I of France....
. Serlio helped canonize the classical order
Classical order

A classical order is one of the ancient styles of building design in the Classical antiquity, distinguished by their proportions and their characteristic profiles and details, but most quickly recognizable by the type of column and capital employed....
s of architecture in his influential treatise, "I sette libri dell'architettura" (aka "Tutte l'opere d'architettura et prospettiva").

Biography

Born in Bologna
Bologna

Bologna is the capital city of Emilia-Romagna in northern Italy, in the Po Valley , between the Po River and the Apennine Mountains, exactly between the Reno River and the S?vena River....
, Serlio went to Rome in 1514, and worked in the atelier of Baldassare Peruzzi
Baldassare Peruzzi

Baldassare Tommaso Peruzzi was an Italian architect and Painting, born in a small town near Siena and died in Rome. He worked for many years, beginning in 1520, under Bramante, Raphael, and later Antonio da Sangallo the Younger during the erection of the new St....
, where he stayed until the Sack of Rome
Sack of Rome

The city of Rome has been lootinged on several occasions. Among the most famous:*Battle of the Allia - Rome is sacked by the Gauls after the Battle of the Allia...
 in 1527 put all architectural projects on hold for a time. Like Peruzzi, he began as a painter. He lived in Venice from about 1527 to the early 1540s but left little mark on the city.

The first volume of his treatise appeared in Venice in 1537, titled Regole generali d'architettura("General Rules of Architecture"). It is also known as Serlio's "Fourth Book" (albeit published first) because it was the fourth in Serlio's original plan of a treatise in seven books. Serlio never brought this plan to completion. Serlio' model of church façade was a regularized version, cleaned up and made more classical, of the innovative method of providing a facade to a church with a high vaulted nave flanked by low side aisles, a classical face to a Gothic form, first seen in Alberti's Santa Maria Novella in Florence (c. 1458). The idea was in the air in the 1530s: several contemporary churches compete for primacy: but Serlio's woodcut put the concept in every architect's hands. Serlio's "Third Book", on the antiquities of Rome, followed in 1540, also in Venice.

Serlio's publications, rather than any spectacular executed work, attracted the attention of Francois I. Serlio's career took off when he was invited to France by Francis I
Francis I of France

Francis I , was crowned King of France in 1515 in the cathedral at Reims and reigned until 1547.Francis I is considered to be France's first Renaissance monarch....
, to advise on the construction and decoration of the Château of Fontainebleau
Château de Fontainebleau

The Palace of Fontainebleau, located 34.5 miles from the centre of Paris, is one of the largest French royal ch?teaux. The palace as it is today is the work of many French monarchs, building on a structure of Francis I of France....
, where a team of Italian designers and craftsmen were assembled. Serlio took several private commissions, but the only one that has survived in any recognizable way is the Chateau of Ancy-le-Franc (see below), built about 1546 near Tonnerre in Burgundy.

Serlio died around 1554, after spending his last years in Lyon (France).

Milano Brera Cortile
Serlio’s major contribution remained his practical treatise on architecture. Serlio pioneered the use of high quality illustrations to supplement the text. Five books of his treatise were published at intervals from 1537; Serlio added one book, not part to the original plan, which was printed in Lyon in 1551. Another book was published posthumously. Some of Serlio's unpublished manuscripts are also extant. Intended as an illustrated handbook for architects, Serlio's volumes were highly influential in France, the Netherlands, and England, as a conveyor of the Italian Renaissance
Italian Renaissance

The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 13th century to about 1600, marking the transition between Medieval and Early Modern Europe....
 style. A version of his treatise was translated from a Dutch translation as The Five Books of Architecture and printed in London, 1611. Its example countered the influence of the engravings of Antwerp Mannerism
Antwerp Mannerism

Antwerp Mannerism is the name given to the style of a largely anonymous group of painters from Antwerp in the beginning of the 16th century. The style bore no direct relation to Renaissance or Italian Mannerism, but the name suggests a peculiarity that was a reaction to the "classic" style of the Early Netherlandish painting....
 that were the main inspiration for Jacobean architecture
Jacobean architecture

The Jacobean style is the name given to the second phase of Renaissance architecture in England, following the Elizabethan style. It is named after King James I of England, with whose reign it is associated....
. Later Serlio's book was in the libraries of Sir Christopher Wren
Christopher Wren

Sir Christopher Wren was a 17th century England designer, astronomer, geometer, and one of the greatest English architects in history. Wren designed 53 London churches, including St Paul's Cathedral, as well as many secular buildings of note....
 and John Wood, the entrepreneur who laid out Bath.

Serlio's treatise was translated into Dutch in 1539 by Pieter Coecke van Aelst. His pupil the Dutch architect and engineer Hans Vredeman de Vries
Hans Vredeman de Vries

Hans Vredeman de Vries was a Netherlands Renaissance architect and engineer. Vredeman de Vries is known for his publication in 1583 on garden design and his books with many examples on ornaments and perspective ....
 propagated his style and ornaments north of the Alps. The book was published in 1552 in Toledo
Toledo, Spain

Toledo is a city and municipality located in central Spain, 70 km south of Madrid. It is the capital city of the province of Toledo and of the autonomous communities of Spain of Castile-La Mancha....
 by Juan de Ayala with the same illustrations as the original Italian editions. Serlio's plans and elevations of many Roman buildings provided useful repertory of classical images, often reprinted.

Serlio published several books of woodcuts of designs for stage setting (Scenographies) in Paris 1545, in a part of his treatise devoted to perspective. As a civil engineer he designed fortifications.

External links

  • (in English)
Treatises on line: http://www.cesr.univ-tours.fr/architectura/Traite/Auteur/Serlio.asp