Sappho: One Hundred Lyrics
Encyclopedia
Sappho: One Hundred Lyrics is a book of poetry by Canadian poet
Canadian poetry
- Beginnings:The earliest works of poetry, mainly written by visitors, described the new territories in optimistic terms, mainly targeted at a European audience...

 Bliss Carman
Bliss Carman
Bliss Carman FRSC was a Canadian poet who lived most of his life in the United States, where he achieved international fame. He was acclaimed as Canada's poet laureate during his later years....

. It was first printed in 1904
1904 in poetry
Nationality words link to articles with information on the nation's poetry or literature .-Events:* Nobel Prize in Literature is shared by French poet Frédéric Mistral and Spanish dramatist José Echegaray y Eizaguirre....

 in Boston
Boston
Boston is the capital of and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. The city proper had...

 by L.C. Page. Carman's cousin, and fellow Canadian poet, Charles G.D. Roberts
Charles G.D. Roberts
Sir Charles George Douglas Roberts, was a Canadian poet and prose writer who is known as the Father of Canadian Poetry. He was "almost the first Canadian author to obtain worldwide reputation and influence; he was also a tireless promoter and encourager of Canadian literature......

 wrote an introductory essay, "The Poetry of Sappho."

Sappho
Sappho
Sappho was an Ancient Greek poet, born on the island of Lesbos. Later Greeks included her in the list of nine lyric poets. Her birth was sometime between 630 and 612 BC, and it is said that she died around 570 BC, but little is known for certain about her life...

 was an Ancient Greek
Ancient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...

 poet from the island of Lesbos, who was included in the Greek canon
Western canon
The term Western canon denotes a canon of books and, more broadly, music and art that have been the most important and influential in shaping Western culture. As such, it includes the "greatest works of artistic merit." Such a canon is important to the theory of educational perennialism and the...

 of nine lyric poets
Nine lyric poets
The nine lyric poets were a canon of archaic Greek composers esteemed by the scholars of Hellenistic Alexandria as worthy of critical study.They were:*Alcman of Sparta...

. Most of her poetry, which was well-known and greatly admired throughout antiquity, has been lost, but her reputation has endured, supported by the surviving fragments of some of her poems.

Carman's method, as Roberts saw it, "apparently, has been to imagine each lost lyric as discovered, and then to translate it; for the indefinable flavor of the translation is maintained throughout, though accompanied by the fluidity and freedom of purely original work." It was a daunting task, as Roberts admits: "It is as if a sculptor of to-day were to set himself, with reverence, and trained craftsmanship, and studious familiarity with the spirit, technique, and atmosphere of his subject, to restore some statues of Polyclitus
Polykleitos
Polykleitos ; called the Elder, was a Greek sculptor in bronze of the fifth and the early 4th century BCE...

 or Praxiteles
Praxiteles
Praxiteles of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue...

 of which he had but a broken arm, a foot, a knee, a finger upon which to build." Yet, on the whole, Carman succeeded.

"Written more or less contemporaneously with the love poems in Songs of the Sea Children, the Sappho reconstructions continue the amorous theme from a feminine point of view. Nevertheless, the feelings ascribed to Sappho are pure Carman in their sensitive and elegiac melancholy."

Sappho: One Hundred Lyrics has a structure and unity that helps make it what has been called Carman's "finest volume of poetry." Virtually all of the lyrics are of high quality; some often-quoted are XXIII ("I loved thee, Atthis, in the long ago,"), LIV ("How soon will all my lovely days be over"), LXXIV ("If death be good"), LXXXII ("Over the roofs the honey-coloured moon")

"Next to Low Tide on Grand Pré, Sappho: One Hundred Lyrics seems to be the collection that continues to find the most favour among Carman’s critics. D.M.R. Bentley, for example, calls it 'undoubtedly one of the most attractive, engaging and satisfying works of any of the Confederation poets.'"

Admirers of Carman's Sappho included insurance executive and future modernist poet Wallace Stevens
Wallace Stevens
Wallace Stevens was an American Modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as a lawyer for the Hartford insurance company in Connecticut.His best-known poems include "Anecdote of the Jar",...

. In January 1909, Stevens wrote to a friend:
At the library yesterday, I skipped through a half-dozen little volumes of poetry by Bliss Carman. I felt the need for poetry — of hearing again about April and frogs and marsh-noises and the “honey-colored moon” — of seeing “oleanders/Glimmer in the moonlight.” You remember the fragments of Sappho. Carman has taken taken fragments and imagined the whole of the poem of which each was a part. The result, in some instances, is immensely pleasant — although distinctly not Sapphic. Sappho’s passion came from her heart. Carman’s from a sense of warm beauty.


Bentley argued that "the brief, crisp lyrics of the Sappho volume almost certainly contributed to the aesthetic and practice of Imagism
Imagism
Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry. This was in contrast to their contemporaries, the Georgian poets,...

."

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