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{{for|the municipality in the Totonicapán department|San Bartolo, Totonicapán}}
[[Image:SBmural.jpg|thumb|right|King (impersonating the hero Hunahpu) scarifying the penis. Fragment of west mural, San Bartolo]]
'''San Bartolo''' is a small [[pre-Columbian]] [[Maya civilization|Maya]] [[archaeological site]] located in the [[Petén (department)|Department of Petén]] in northern [[Guatemala]], northeast of [[Tikal]] and roughly fifty miles from the nearest settlement. San Bartolo's fame derives from its splendid Late-Preclassic mural paintings still heavily influenced by [[Olmec]] tradition and from examples of early and as yet undecipherable [[Maya script]].
The [[List of Maya sites|Maya site]] includes an 85-foot [[Mesoamerican pyramids|pyramid]] named "Las Ventanas" (The Windows); the [[Maya architecture#Pyramids and temples|Temple]] of "Las Pinturas" (The Paintings); an early royal [[tomb]] in the "Tigrillo Complex" (Ocelot Complex); and (in the "Jabalí" [Wild Boar] group some 500 mt. to the east from the central Plaza) a [[Triadic pyramid|triadic complex]] similar to the H group in [[Uaxactún]] and [[Tikal]]'s North Acropolis. The pyramid was constructed from ca [[300 BC]] (base rooms) and was completed ca [[50 AD]].
==Discovery and Reconstruction==
In 2001, in the base of a pyramid, a team led by [[William Saturno]] (a researcher for the [[Peabody Museum of Archaeology and Ethnology]]) discovered a [[mural]] room which project iconographer [[Karl Taube]] has described as the '[[Sistine Chapel]] of the Maya'. Excavation began in March 2003. The murals were [[carbon dating|carbon-dated]] as from [[100 BC]], which makes them the oldest ones to date (2010). The murals were stabilized and a special technique was used for photographically recording the paintings. Fallen fragments were pieced together and also photographed. Finally, detailed reconstruction drawings were made by Heather Hurst. Besides the murals, the oldest known Maya royal tomb was discovered on San Bartolo, by archaeologist [[Monica Pellecer Alecio]].
==Murals: Twin Myth (Popol Vuh) and Maize Myth==
As Saturno, Stuart and Taube have argued, the murals on the northern and western walls of the chamber in the base of the temple pyramid ('Pinturas Sub-1') depict elements of Maya creation mythology reminiscent of the [[Popol Vuh]] as well as of Yucatec cosmological traditions.
The north wall mural consists of two scenes. One scene is situated in front of a mountain cave (belonging to the [[Flower Mountain]]); several persons are walking and kneeling on a large serpent. The [[Maya maize god]] is shown in the midst of a group of men and women, while receiving (or perhaps bequeathing) a vine calabash. The other scene shows four babies, with their umbilical cords still attached, surrounding a calabash, which has now split up and from which a fifth, and fully clothed male emerges. A large deity figure watches the scene.
The west wall mural has a far greater number of scenes. One part of the mural has four successive images of trees with birds, kings, and sacrifices (consisting of fish, deer, turkey, and fragrant blossoms), to which a fifth tree has been added. The five trees are comparable to the directional trees of the [[Codex Borgia]] and to those mentioned in the Book of [[Chilam Balam]] of Chumayel; the associated birds represent the [[Principal Bird Deity]]. The sacrifices are comparable to those in the Year Bearer section of the [[Maya codices|Dresden Codex]]. The first four kings are shown piercing their penises (see fig.), spilling sacrificial blood, then offering a sacrifice. These four kings have been interpreted as personifications of [[Hunahpu]]. The fifth figure, associated with a fifth tree belonging to the centre - the tree of life itself - is the [[Maya maize god]]. The directional representation as a whole might refer to the initial arrangement of the world.
Another part of the western mural depicts three scenes from the life of the [[maize god]] and the coronation of a king, showing divine right to rule coming from the gods, and providing evidence that the Maya had full-fledged monarchies centuries earlier than previously thought. The three maize god scenes show (i) a maize baby held by a man kneeling in the waters, (ii) the maize god inside a turtle cave, dancing before two enthroned deities, and (iii) the maize god flying in the sky, or perhaps falling from the sky down into the water. Scene (iii) has been suggested to represent the death of the maize deity.
==Other Parallels==
For an explanation of many of the mural scenes, the Popol Vuh hardly offers clues, and scholars have started to look in other directions. The three maize god scenes of the western mural, for example, have been suggested to refer to present-day Gulf Coast myths about a maize god subduing the gods of thunder and lightning and creating the conditions for agriculture. The calabash scene of the northern mural, on the other hand, may constitute (as Van Akkeren has suggested) an illustration of a Pipil myth concerning a group of young boys (rain deities) born, together with their 'youngest brother' ([[Nanauatzin|Nanahuatzin]]), from a gourd tree. In this myth, Nanahuatzin is the one who opens the Maize Mountain and introduces agriculture. At the same time, the author interprets the calabash - now taken as a vine gourd (Maya ''tsu[y]'') - together with its four surrounding babies as a symbol for a place of origins often mentioned in Highland Maya sources, ''Suywa'' or ''Tsuywa'', to be situated somewhere in the Gulf Coast region.
==Links==
* [http://www.peabody.harvard.edu/SanBartolo.htm Peabody Museum, Harvard The Early Maya murals at San Bartolo, Guatemala]
* The dawn of Maya gods and kings, [[National Geographic]], January 2006
* [http://news.nationalgeographic.com/news/2005/12/1213_051213_maya_mural.html "Oldest known Maya mural, tomb tells story of ancient king" ''National Geographic News'' December 12, 2005]
* [http://www.flickr.com/photos/doncoyote/sets/72157608783430242/detail/ San Bartolo murals (photographs set)]
*[http://www.sanbartolo.org/ San Bartolos's official website]; also [http://www.sanbartolo.org/espanol.htm in Spanish]
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