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Rudolf Friml
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Rudolf Friml was a composer of operettas, musicals and songs, as well as a pianist.
Early lifeBorn in Prague, at that time part of the Austro-Hungarian Empire and now capital of the Czech Republic, Friml showed aptitude for music at an early age. His abilities gained him acceptance into the Prague Conservatory where he studied music composition with Antonín Dvorák. He completed the six-year course in three years. While studying at the conservatory he began to compose light songs and airs. After graduation he took a position as accompanist to violinist Jan Kubelik. He toured with Kubelik twice in the United States and at the end of the second tour remained there to compose. He made his American piano debut at Carnegie Hall in 1904 and premiered his Piano Concerto in B-Major in 1906 with the New York Philharmonic under the baton of Walter Damrosch. He settled for a brief time in Los Angeles where he married Mathilda Baruch (1909). They had two children, Charles Rudolf (Jr.) (1910) and Marie Lucille (1911). After a divorce, he later married Kay Wong.
The FireflyOne of the most popular theatrical forms in the early decades of the 20th century in America was the operetta, and its most famous composer was Irish-born Victor Herbert. It was announced in 1912 that operetta diva Emma Trentini would be starring in a new operetta on Broadway by Herbert with lyricist Otto Harbach entitled The Firefly. Shortly before the writing of the operetta, Trentini appeared in a special performance of Herbert's Naughty Marietta conducted by Herbert himself. When Trentini refused to sing "Italian Street Song" for the encore, an enraged Herbert stormed out of the orchestra pit refusing any further work with Trentini.
Arthur Hammerstein, the operetta's sponsor, frantically began to search for another composer. Not finding anyone who could compose as well as Herbert, Hammerstein settled on the almost unknown Friml due to his classical training. After a month of work, Friml produced a glittering score for what would be his first theatrical success. After the success of The Firefly, Friml followed with three more operettas that were successful, though not as successful as The Firefly. These were High Jinks (1913), Katinka (1915) and You're in Love (1917). He also contributed songs to a musical in 1915 entitled The Peasant Girl.
Friml's greatest successesFriml wrote his most famous operettas in the 1920s. In 1924, he wrote Rose Marie. This operetta, on which Friml collaborated with lyricists Oscar Hammerstein II and Otto Harbach and co-composer Herbert Stothart, was a hit worldwide and a few of the songs from it also became hits including "The Mounties" and "Indian Love Call". Friml's use of murder as part of the plot as well as his integrating the music and the plot was ground-breaking for its time.
After Rose Marie's success came two other operettas, The Vagabond King in 1925, with lyrics by Brian Hooker and W.H. Post, and The Three Musketeers in 1928, with lyrics by P.G. Wodehouse and Clifford Grey, based on Dumas's famous swashbuckling novel. In addition, Friml contributed to Florenz Ziegfeld's Follies of 1921 and 1923.
Friml also wrote music for many films during the 1930s, often songs adapted from previous work. The Vagabond King, Rose Marie, and The Firefly were all made into films and included at least some of Friml's music. Oddly enough, his operetta version of The Three Musketeers was never filmed, despite the fact that the novel itself has been filmed many times - once as a musical with Don Ameche and The Ritz Brothers. Like his contemporary, Ivor Novello, Friml was sometimes ridiculed for the sentimental and insubstantial nature of his compositions and often dubbed as trite. Friml was also criticized for the old-fashioned, Old World sentiments found in his works. By the end of the 1930s, Friml had fallen out of fashion.
Works- The Firefly (1912)
- High Jinks (1913)
- Katinka (1915)
- The Peasant Girl (1915) - contributor.
- You're in Love (1917)
- Kitty Darlin (1917)
- Sometime (1918)
- Glorianna (1918)
- Tumble In (1919)
- June Love (1921)
- Ziegfeld Follies of 1921 - contributor.
- Cinders (1923)
- Ziegfeld Follies of 1923 - contributor.
- Rose Marie (1924)
- The Vagabond King (1925)
- Ziegfeld's Revue "No Foolin'" (1926)
- The Wild Rose (1926)
- White Eagle (1927)
- The Three Musketeers (1928)
- Luana (1930)
- Music Hath Charms (1934)
External links
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