Rackett
Encyclopedia
The rackett is a Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...

-era double reed
Double reed
A double reed is a type of reed used to produce sound in various wind instruments. The term double reed comes from the fact that there are two pieces of cane vibrating against each other. A single reed consists of one piece of cane which vibrates against a mouthpiece made of metal, hardened...

 wind instrument
Wind instrument
A wind instrument is a musical instrument that contains some type of resonator , in which a column of air is set into vibration by the player blowing into a mouthpiece set at the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of...

.

There are several sizes of rackett, in a family ranging from soprano to great bass. Relative to their pitch, racketts are quite small (the tenor rackett is only 4½ inches long, yet its lowest note is F, two octaves below middle C). This is achieved through its ingenious construction. The body consists of a wooden chamber into which nine parallel cylinders are drilled. These are connected alternately at the top and bottom, resulting in a long wind passage within a compact body.

However, its unusual construction presents some problems for the player. Because of the unusual arrangement of the pipes, the fingering pattern is somewhat unusual.

The baroque rackett (developed by the Nuremberg maker J. C. Denner, 1655–1707) had an entirely rationalized simpler fingering due in part to the addition of a number of tetines, which are tubular metal extensions covered by the middle joint of the index fingers as well as the pinkies during playing. It cannot be tuned by altering its length. While some say moisture buildup may become a problem, condensation usually remains in the coil of the removable brass crook, thus being fairly simple to expel during pauses. Despite its idiosyncrasies, the baroque rackett is a versatile instrument with a wide range of notes and tones. With an appropriate reed, the baroque rackett has a similar chromatic range to the baroque bassoon
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...

 (BBb to g'), and with its agility, can perform any bass-instrument repertoire from the time in which it was in vogue.

Origin

The inventor of the rackett is unknown. The first historical mention can be found in German sources Wurttemberg inventories of 1576 (listed as a Raggett) and the Graz inventory of 1590 (listed as a Rogetten). Early paintings of the Munich Court band and a carved cabinet by Christof Angermair depict a single rackett being played in a mixed consort of other instruments. Prior to the late seventeenth century, the rackett had a cylindrical bore and was blown through a pirouette. The more modern baroque rackett had an expanding conical bore and was blown through a coiled crook inserted into the side or top of the instrument. In some pictures, a large bell is attached to presumably enhance the tone.

Sound

Praetorius
Michael Praetorius
Michael Praetorius was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns, many of which reflect an effort to make better the relationship between...

has noted "In sound [Renaissance] racketts are quite soft, almost as if one were blowing through a comb. They have no particular grace when a whole set of them is used together, but when viols da gamba are used with them, or when a single rackett is used together with other wind or stringed instruments and a harpsichord or the like, and is played by a good musician, it is indeed a lovely instrument. It is particularly pleasing and fine to hear on bass parts."

The baroque rackett, sometimes called a "pocket bassoon", conversely, sounds much like a dulcian or baroque bassoon, and can easily blend with the same kind of ensemble instruments—violas da gamba, cornetti, historical keyboards, baroque recorders and small baroque orchestras.
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